Midnight

December. 31,1982      R
Rating:
4.9
Trailer Synopsis Cast

A young woman fleeing her sexually abusive stepfather hitches a ride with two young men, but the three soon find themselves at the mercy of a backwoods Satanic cult.

Lawrence Tierney as  Bert Johnson
John Amplas as  Abraham

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Reviews

Smartorhypo
1982/12/31

Highly Overrated But Still Good

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Sexyloutak
1983/01/01

Absolutely the worst movie.

... more
Afouotos
1983/01/02

Although it has its amusing moments, in eneral the plot does not convince.

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Logan
1983/01/03

By the time the dramatic fireworks start popping off, each one feels earned.

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edeighton
1983/01/04

Midnight was in some respects a much easier film to watch than Darkness. While Darkness utilized professional actors and better cameramen and directors, Midnight had a more coherent plot. Few could watch Darkness and then describe to somebody what happened in that movie and why it happened. Whereas, because John Russo adopted the screen play for Midnight from his own already published novel and then directed the movie himself, John Russo's story was successfully conveyed to the audience. Russo's novel, "Midnight" told a bigger story about a national syndicate of Satanists that controlled all the political offices of the small Pennsylvania town which was the setting for the novel. Russo's novel also had a much more grim ending as nobody came to save poor Nancy. In the book, Nancy's policeman-step-father drove home after hearing that the satanists would kill Nancy on Easter night. The step father character in the novel left Nancy to die in an effort to conceal his attempted rape of her. While Midnight the movie tells a slightly smaller story than "Midnight" the novel, Russo manages to force feed some pretty heavy themes to his audience: (1)Racial tension- Russo really places a lot of emphasis on the issue of racial disharmony. (2)The archaic and useless nature of religion- Russo devotes more time to this theme in his novel, but its hard not to notice Russo's opinion that Catholic dogma is just as archaic and useless as the satanic rituals being performed by his villains. The Catholic Priest taking Nancy's confession is portrayed as vindictive and unnecessarily ritualistic. Late in the film, the camera pans back and forth between Nancy praying for salvation while locked in a dog cage and at the same time the satanists chant their prayers hoping to resurrect their mummified mother. Russo seems to suggest that both prayers are equally outdated, ineffective and useless. (3) Men as predators- Russo does not think very highly of the fellow members of his gender. Literally every man that Russo's main character, underage Nancy, meets wants to have sex with her. Her stepfather drunkenly tries to rape her, The first driver that attempts to pick her up hitchhiking specifically states that she has to have sex with him for every 300 miles that he drives her. The two college aged boys discuss that she is jail bait and then still pick her up hitchhiking because the one boy thinks she is likely to sleep with him. The satanist brothers try and strip her naked and rape her until their satanist sister reminds them that they need a virgin sacrifice. (4) The danger of rural areas- Many of the victims of the satanist killers were either killed or kidnapped right from their own homes and backyards. This was only possible because of the rural area that these people lived in. The "dangerous" woods reached right up into the victims back door. The satanists needed only step out of the dangerous woods attack their victims and then disappear back into the woods. Russo's story was interesting but his themes were misguided and heavy handed

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acidburn-10
1983/01/05

Plot = Nancy runs away from home after her stepfather tries to rape her. She hitch-hikes with two nice boys who are headed for Florida and they get along really well right from the start. However, Nancy will soon regret her decision to run away from home as a satanic family kidnaps her in order to sacrifice her to the devil.Midnight is a wannabe slasher from the early 80s but with more of a 70s feel due to the poor condition of the film and plus it's just another bad "Texas Chainsaw Massacre" clone. I read some mixed reviews about this flick, but I've read mixed reviews for other slasher movies before and I was pleased with some of them, unfortunately not in this case. Don't get me wrong the storyline sounded really good but once Nancy gets kidnapped the movie slows down and we are left with an unoriginal "Texas Chainsaw Massacre" rip off. The beginning of the movie was quite interesting and I was even willing to pass the terrible acting but when Nancy's friends gets killed off that's when the movie starts to go downhill.All in all "Midnight" is a really terrible backwoods slasher, the beginning showed potential but the last half is rushed so I wouldn't recommend this to anyone.

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Steve Van Kooten
1983/01/06

Contains a smattering of blood. A young girl on the run from her pervert father meets up with two traveling losers. They make the mistake of trying to shoplift and end up stumbling into a cult of freaks that captures and kills girls. - - - John Russo must've had a lucky fluke when he contributed to "Night of the Living Dead" because he has since proved that he's not exactly a movie genius. Still, he crafted a film that, while not enjoyable, is certainly an amusing expose of bad taste. There are a ton of taboo subjects floating around and almost achieves a "Texas Chain Saw Massacre" quality with grainy footage, off performances, and extreme low budget. Of course, none of this saves the movie from being muddled and featuring a plot that is too fractured for its own good. It has some value for cult fans, but anyone with a taste for the highbrow or tactful should just stay away.* * out of 4

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willyj51
1983/01/07

How they got Lawrence Tierney (well-known 1950s film noir thug and later Quentin Tarentino's main man in RESERVOIR DOGS) to play a central role in this little sickie is a wonder. Fans of 70s/80s horror cheese (and students of Ed Gein cinema) are advised that this is one of the good ones: The claustrophobic atmosphere, shockingly cruel and sudden amounts of shock and not-quite-gore, and low budget yet creative mise en scene put this one up there with the LAST HOUSE and Texas CHAINSAW. While I'm plugging indie shockers of this type, I ought to mention DERANGED. MIDNIGHT and DERANGED would make a great double bill. You'd really need a shower afterwards.

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