You won't be disappointed!

A Masterpiece!

In truth, there is barely enough story here to make a film.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Actor John Saxon graduated to the rank of director with this grisly splatter-gore, exploitation mash-up "Zombie Death House" about a virus that turns death row inmates into ravenous, flesh-eating fiends. Dennis Cole stars as decorated Vietnam veteran Derek Keillor, a driver for murderous mafioso Vic Moretti (Anthony Franciosa of "Across 110th Street"), who has him framed for the murder of his girlfriend and sent to Death Row. Actually, the jealous Moretti drowned his girlfriend Genelle Davis (Dana Lis) in his own bathtub because she was having an affair with Derek. Anyway, after Derek is shipped up the river to Townsend State Prison, he finds himself in real trouble when Colonel Burgess (John Saxon) gives the prison medical team the green light to administer a genetically altered version of a virus called HV8B. Saxon knows a little about horror movies since he starred in the cannibal classic "Cannibal Apocalypse," the seminal 1974 slasher flick "Black Christmas and Dario Argento's "Tenebre." This is good, ghoulish, gory fun.

"Zombie Death House" is a superbly decent 80s cheese-fest zombie film.**SPOILERS**In the middle of a drug war, Derek Keillor, (Dennis Cole) is soon framed by his target, Vic Moretti, (Anthony Franciosa) a renown mob boss and is sent to death row in prison. While awaiting sentencing, he finds that Colonel Gordon Burgess, (John Saxon) is in league with Warden Hagan, (Alex Courtney) is testing a strange chemical on the prisoners inside, which no one knows anything about. When the experiment gets out of hand and starts producing invincible inmates that soon attack the guards, he forms an posse with the other unchanged inmates and decides to take over the prison, seeing it as a chance to escape. When that fails and are forced to stay inside the prison until they can figure out what to do, they realize that there was a whole host of experiments done on the prisoners and those are now roaming the prison halls as zombies, turning them on each other and making the situation even harder to grasp. With tensions high and time running out, they try several different methods to deal with the situation before the zombies take them all out.The Good News: This one here didn't have too much going for it. The fact that there's some really nice zombie action is one of the biggest ones, as there's just a ton of stuff in here that works wonderfully. The final escape from the prison is great, as there's the eventual escape from the zombies means that there's several encounters in here. The main one in the cells with them locked behind the walls and them moving along against the wall, all within arm-reach of their probing hands is intense, creepy and just incredible, due to the gore once they actually do get their hands on the humans and the long distance required to get across means that there's plenty of it to work. It's a fantastic scene and definitely is the best scene in here. The scene with the prisoners taking over the facility is quite impressive and action-packed as well, which is always a plus. The zombies themselves are quite impressive, with the wounds on the face and massive blood-splatter that covers the face. With the crazed look and decaying-style skin make for some really great creatures. The scene with the infected prisoner changing over into the creature through the execution is fantastic, and the bargaining scene in the courtyard works for it's great conclusion. The last part that works is the few moments of interest from the opening part of the film, as there's a really nice car chase, some decent-looking gore and the film's rather nice nudity. These here are the film's good parts.The Bad News: This one had a few problems to it. The opening mob war is one of them, as this is just plain dull and doesn't have much of anything to do that's all too interesting. Sure, it provides some nudity, a car chase and some gunshot wounds, but there's nothing else to this which has anything to do with later in the film at all. It's just way too long to spend on an angle that could've been done in less than half the time or as just a flashback during the prologue, but whatever happened to it certainly should've been toned down considerably. It's hard to imagine what the point of it was, since those other ways would've worked fine for this. Another flaw to this is the feeling from the film towards how the virus works. This one here never goes into detail about what it is, merely that there's several versions of it around and that the effects of it are different, but not what they do or how they work. It's a little worse for wear. The last flaw here is that the middle segment, when the taking over the prison has occurred, the film is a little toned down in what could've happened. This could've gone so much further with the plot it has, but instead, it wastes a lot of opportunities to be really great. This is the biggest problem facing the film, and combined with all the other stuff are the film's problems.The Final Verdict: This one wasn't that bad, but it's a giant missed opportunity for what could've been one of the best entries in the genre. See this one only if you've got a lot of love for the zombie genre or in the mood for some cheesy entertainment, otherwise there's a lot better ones out there.Rated R: Graphic Violence, Language and Nudity

To many, John Saxon has become a living cult-legend And I myself quite like seeing the man doing his acting-thing on screen. DEATH HOUSE (aka ZOMBIE DEATH HOUSE), his co-directorial debut, perfectly summarizes what the man has been up to until 1987, DEATH HOUSE's year of release. From cheesy American crime movies to gore-drenched Italian flicks. So Saxon-fans should love this one. However, to casual viewers DEATH HOUSE probably will come across as pretty bad. And even if I enjoyed it a bit more than my rating suggests, I cannot deny the many bad aspects this movie has. The plot itself, though containing many implausible acts, wasn't the main problem. It develops at a steady pace, resulting in a decent, though clumsy staged pay-off. The first 20 minutes however kept me wondering what the hell kind of movie I was actually watching. I felt like a soft-erotic gangster-movie, the bad B-movie kind, complete with dire car-cases, a badly performed mafia shoot-out scene and even Vietnam flash-backs. It seemed like typical B-movie rubbish, but I soon learned that all this was one of the most elaborate ways to sketch and introduce the protagonist: Derek Keillor, an ex-Vietnam veteran, who finds out his new job is being a chauffeur for the local mob-boss. He then gets framed for the murder of his boss's girlfriend and ends up on death row. Enter John Saxon, a soldier/scientist who's illegally testing a new virus on the inmates. Given the movie's title it's needless to say what happens next...Good thing about this movie is that it contains a fair amount of sleaze & gore and still manages to tell a story that hums along nicely. The acting maybe isn't the worst I've ever seen, but it certainly isn't top-notch either. And now for the bad things: John Saxon, regardless his on-screen charisma, isn't exactly giving it his best shot in the acting department. He comes off as routineous and wooden. The small scene where he speaks the line "I am a soldier..." over the telephone even caused me to chuckle. It was the one moment he briefly seemed to go for it. The cinematography is pretty awful and the editing is rudimentary. The sound-editing and sound-effects are atrocious and the musical score is simply bad and cheap. But somehow I managed to look beyond all that and found myself amused by this flick. The ravingly mad zombie-like infected persons of course added to the fun, as well as the occasional gore-effects. One shock-scene (though not really shown) concerning the sodomizing of an inmate by a guard left me a bit baffled. And there was even one jump-moment involving a meat-cleaver that actually worked. The final freeze-frame end-shot worked very well for me. And then came the final pleasant surprise for me: when the end credits started to roll, the song "Chemical Warfare" by DEAD KENNEDYS came on. How cool's that? It left me wondering if it was John Saxon or co-director Nick Marino who picked out that song for the soundtrack.So in the end we have sort of a bad B-movie that is actually rather good because of some very enjoyable elements with a pretty eccentric look & feel to it. It actually feels a bit like an Italian Zombie-movie, even though it's an American production. And because of the involvement of John Saxon this flick very well deserves an underground cult-status. While watching this movie, I thought of another one (well, a few actually), and I never thought I would actually give the following recommendation: People who like this one, might wanna check out SHADOW: DEAD RIOT, starring Tony Todd. It's a pretty insane and rather very bad flick also dealing with zombies in prison: I describe it as a cross between BEYOND RE-ANIMATOR and LIK WONG: THE STORY OF RICKY, mixed with a solid portion of women-in-prison sleaze. But mind you, it's a tad bit worse than all the above mentioned movies.

I myself am a big fan of low-budget 80's horror films. This isn't the worst but still not to spectacular. The plot line is decent but drags out way too long. You're through half the movie before you even get to see any zombie action. The kills aren't very creative and the zombies aren't too crafty. I truly think this movie would have been better if they left out the zombies and just made it into some mafia flick. It's watchable but I feel that this film did steal at least an hour of my life. I'll give the film credit for being somewhat original. If you are really into B horror movies it's worth a viewing but if you're not, don't bother. But you don't have to take my word for it.