That was an excellent one.

hyped garbage

Fantastic!

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

This was clearly a pilot for a proposed TV series, but it seems all three American TV networks passed on making it a series. Watching it, it's pretty easy to see why there were no takers. The producers probably thought they were on a hot trend, since the movie takes elements from the recent and popular movies "Rosemary's Baby" and "The Exorcist". But this execution is sorely lacking in thrills and coherence. After an okay five minute opening taking place in the past, the movie proceeds to focus the next forty or so minutes on a romance between Elyssa Davalos and Dack Rambo, which is utterly boring when the two actors are not acting extremely obnoxious. Then the movie abruptly changes track, so much so that I was often bewildered - it seems that A LOT of key scenes of explanation are missing in the movie's second half! B movie fans will probably be disappointed that Richard Lynch is given almost nothing to do in the entire running time. It's no surprise that the movie is apparently in the public domain, since I can't see any strong fan base for this movie that would keep it in the conscious of the copyright holders.

Following his move to the United States, Hammer scribe Jimmy Sangster found steady work in TV where thrillers and horrors could be turned out cheap and fast. Having made a mint back home with a mix of DIABOLIQUE (1955) and PSYCHO (1960), Sangster now turned his attention to two major diabolism films of the era: ROSEMARY'S BABY (1968) and THE EXORCIST (1973). The result, however, is a dismal failure – for which his own, frankly, lousy screenplay is largely to blame! For the record, I have watched countless rip-offs of both films by this point but I do own at least one virtual copy of the former (THE STRANGER WITHIN {1974}, coincidentally also a TV-movie) and as many as 5 other 'possession' films – ABBY (1974), THE EERIE MIDNIGHT HORROR SHOW aka THE SEXORCIST (1974), THE POSSESSED aka DEMON WITCH CHILD (1975), THE EXORCIST III: CRIES AND SHADOWS aka NAKED EXORCISM (1975) and THE POSSESSED (1977; TV). By the way, director Wendkos had earlier helmed a stylish diabolic chiller himself i.e. THE MEPHISTO WALTZ (1971) but, here, he is cramped by the under-lit TV look (even if the film frequently changes locale for the sake of variety – starting in 1955 New York, then cutting to present-day San Francisco and moving to New Orleans for the climax) and, as I said, a plot that is half-hearted, under-nourished and downright confusing! What is more, the whole works its way to a major cop-out of an abrupt ending – having been intended as a pilot to a prospective series but it was understandably not picked up – so that the central premise is pretty much left hanging!The notion of having upper-class types revealed to be Satanists is a pretty tired one by now: meeting every once in a while – here to present the Devil with the child that, upon growing up, is to bear his offspring – to honor their master (whose disciples conveniently keep a statue of the Horned One secured in their private place of worship). That said, after the opening sequence (which recalls Hammer's own TO THE DEVIL…A DAUGHTER {1976}, albeit not Sangster-related), the horror element is so underplayed that it seems to interrupt the blossoming romance between the girl (Elyssa Davalos, who looks too sweet to suggest the evil that is supposed to lurk underneath!) and hero Dack Rambo. Interestingly, having preceded this with THE LEGACY (1978) – another Sangster-scripted mix of diabolism hits – it was amusing to note the interchange of components between them (for instance, horses and cats are involved in both, the girl is unaware of who she is while the boyfriend is an interloper, etc). Another moment that harks back to the Hammer legacy (pardon the pun) is the death-in-the-belfry of the priest (from Dracula HAS RISEN FROM THE GRAVE {1968}) – which follows one of the few effective moments in the film under review as Davalos throws an instant and unexplained chilly darkness over a church upon entering.Richard Lynch is always good value for money in this type of fare, but he is given little of substance to do except look sinister and make the occasional invocation to the dark forces (at one time, this occurs inside a cave!) – curiously enough, while he plays the leader of the cult here, he had also been a Christ-like alien in Larry Cohen's GOD TOLD ME TO aka DEMON (1976)! Still, why he seems so reticent to eliminate Rambo's character is baffling – he attempts to make the hero forget Davalos by throwing him back into the lap of a former girlfriend (a young Kim Cattrall): the fact that this leads directly to the introduction of Dan O'Herlihy's exorcist figure (since Cattrall's child is decreed as possessed simply for having drawn the sign of the demon Astaroth) seems to me a gross miscalculation on the villain's part! O'Herlihy's sudden appearance – in a state of agitation to boot – in the last act takes the film into its obvious center-piece, which is the battle for the soul of a little child: it does not matter that she has little to no bearing on the main plot but, then, the staging is so tame (indeed lame) that one is amused by the entire scenario, especially as the girl remains calm and composed all the way through it! I was literally thrown into fits of hysterical laughter when Rambo goes up to check on the priest and finds him at the mercy of an invisible hand suffocating him with a pillow!! With Lynch admitting defeat soon after the Devil is expelled and the unlikely team of Rambo and O'Herlihy keeping up the search for Davalos (while Cattrall offers herself in case the hero just happens to fail in his ultimate quest!), the film just ends: had one been completely unaware of its pedigree, we could say that the script was suggesting that the fight between Good and Evil is a continuing struggle and not easily won...

Put me to sleep. Literally. Typical made-for-TV rubbish. Not scary or interesting. Just very boring. Only the director's mother would post a positive comment on this one. There are really no special effects. More of a love story than a horror movie anyway. I can't believe they put this on a DVD. Please make it go away! They were thinking about making a series out of this?! LMAO! Don't make the same mistake I did. Use the hour and a half to meditate. I'm being generous giving it a 2/10 because I'm in a good mood. Somebody please get rid of these stale garbage made-for-TV movies!! There are two superhot actresses in this one including a young Kim Catrall but only in dowdy TV-movie clothing. BARF!!

This made for TV Exorcist rip off doesn't feature much of anything good: the acting is okay and Richard Lynch is always welcome as the Bad Guy, but the plot is nonsensical and the entire movie is sluggish and very boring.Jessica is a strong, single woman living in San Francisco. She meets Andy when he rear ends her car and after she screams at him like a PMSing harridan for nearly five full minutes, he begins stalking her in that cutesy, romantic way that guys did back in the 70s before restraining orders got popular. Jessica finally agrees to go out with him, despite the fact that every other guy she's ever dated has mysteriously died. This doesn't discourage Andy, who decides to marry Jessica after a whirlwind three week long romance. But Jessica has already been promised to Astaroth by the evil Richard Lynch. And she has the unfortunate ability to bring shadows and cold temperatures into a church with her. A nosy priest is murdered, a few childish looking pentacles are scrawled around and a cheap dime store hypnosis gimmick is all it takes to steal Jesica away. Why Lynch didn't just keep her with him to begin with is anyone's guess. Anyway, Lynch then decides to distract Andy with an ex-girlfriend whose daughter has been inexplicably possessed by the devil...a plot twist which serves no other purpose than to showcase a very lame exorcism scene, complete with shaking bed. Nothing is resolved, nobody wins and the movie just sort of stops with several large threads still dangling in the breeze.This is a terrible movie, which is a shame because it could have been okay. The cast is pretty decent and the acting really isn't all that bad. It's just poorly written, clumsily plotted and apparently filmed by a very depressed insomniac. Unless you're a very big fan of Lynch, or you're curious to see what Kim Cattrall was doing before writing sex books, skip this mess of a movie.