Thanks for the memories!

Perfect cast and a good story

One of my all time favorites.

The film never slows down or bores, plunging from one harrowing sequence to the next.

After Greta Garbo abdicated as Queen Christina of Sweden, she caroused through Europe for a year and finally came to Rome, where she expected to be instructed in Catholicism by the Pope. Somewhere along the way, however, she had become Liv Ullman, and now had to pass Peter Finch as Cardinal Azzolino. Is she sincere?Peter Finch plays his role as if he's Laurence Harvey: dry, repressed, intellectual and prosecutorial, while Miss Ullman dances around him, serious and light-hearted, all over the shop emotionally. It's just the sort of movie that Anthony Harvey had directed with A LION IN WINTER. If the fireworks are not as spectacular, well, neither are the lead actors as big on the screen as Hepburn and O'Toole. This pair play guarded characters who show through in flashes, and must compete not only with their own natural beauty, but the spectacular location shots. It's a movie that requires a dedicated and attentive viewer. I can see how it must have worked sensationally as a two-actor play by Ruth Wilson. When she opened the script slightly for the big screen, did a fine job. However the results fall slightly short if the director's earlier masterpiece. It's a fine movie, but definitely not one to watch on a small screen.

If you are to believe this variation of the life of Sweden's Queen Christina (Liv Ullman), you have to see her as the most sexually frustrated ruler of all time, a princess raised as a boy then crowned as Queen. She has romantic feelings for a female childhood friend yet lusts after several of the young men in her court as well. This story is told through her life after her abdication from the throne where she goes to the Vatican to meet with the Pope and tells her life story to a Cardinal (Peter Finch) in an effort to be permitted to convert to Catholisism. The film is never told through a historical perspective, simply through her lack of a sex life. She caresses the face of the beautiful woman she loves and rides away on her horse in anger after seeing the woman kissing a man she's also in lust with. Her female friend allows to watch her make love to that man who makes a pass at her the next day after confronting her about spying on them the night before. As you watch this, you realize that's all there is to this story, even if beautifully filmed, nothing but an effort to give a glimpse into the thoughts of what Garbo was possibly thinking in the 1933 version of Queen Christina's life.While Liv Ullman is certainly perfect for the role of Sweden's most famous ruler, she is not permitted to give an insight into anything other than her sexual frustration. There's nothing about what she did during her reign as Queen on a historical level, only a glimpse into the part of her life that should have remained secret. I really wanted to love this movie, but as I realized where the entire film was going, I realized why this was dismissed upon release and added to the legend of Ullman and Finch's other notorious teaming, the 1973 musical version of "Lost Horizon". I was truly embarrassed by Ullman's basically psychotic pass at Finch towards the end, the final straw for me in my opinion of the film as a whole.

This film was shown once on local TV in the early 1980s (but I was too young to watch it) and then fell completely off the radar in the interim; however, thanks to the God-sent overhaul that TCM UK has finally decided to give its long-decaying schedule of endlessly-repeated titles, I was able to finally catch up with it after some 25 odd years! Not because the film has any kind of reputation per se but its credentials are certainly impeccable and European History has always been one of my favorite subjects in school (and one in which I excelled in). The story of Sweden's Queen Christina had already been dealt with magnificently by Rouben Mamoulian in his eponymous 1933 film which had provided Greta Garbo with arguably her greatest role; this being made a good 40 permissive years later, the independent-minded Protestant monarch (Liv Ullmann) renounces her faith and throne to sneak into the Vatican and pour out her lesbian longings for a childhood friend onto a Roman Catholic Cardinal (Peter Finch) engaged to investigate her well-documented wanton ways and her newly-professed piety! The two stars, reunited a year after Ross Hunter's maligned 1973 musical version of LOST HORIZION, are practically the whole show here despite being surrounded by opulent sets and a cast of thespian notables: Cyril Cusack (as Christina's guardian), Graham Crowden (as a fellow Cardinal), Edward Underdown and Kathleen Byron (as, respectively, Christina's chivalrous father and embittered mother) and diminutive Michael Dunn (in his last film as Christina's enigmatic servant). Celebrated cinematographer Geoffrey Unsworth shoots the opening abdication scenes in moody candlelight, bathes the film in mist during Christina's childhood reminiscences and lends it a sunny look during her liberated passages; Nino Rota's music score is also appropriately sensitive or soaring according to the film's moods. Incidentally, another failed historical/religious charade featuring Liv Ullmann I would like to see is Michael Anderson's POPE JOAN (1972)…who knows if TCM UK will likewise surprise me and provide the opportunity to catch up with it in the not-too-distant future?

I will never forget my first impressions while watching this movie so many years ago on TV. I absolutely loved it!! I was riveted to the screen by this complicated and multi-faceted person in history who I had here-to-fore never heard about. This movie belongs right there with other historical classics produced from the 50's to the 70's. I still remember being absolutely fascinated by Liv Ullmann's performance. What a colorful character Queen Christina of Sweden was - but Liv Ullmann made her come alive with her portrayal of an OCD personality that gave me my first introduction into a disorder that I had previously never known about. I don't know if the real Christina had OCD or not, but that was what I remembered most about the movie. I would love to see it again.