The acting in this movie is really good.

It is both painfully honest and laugh-out-loud funny at the same time.

An old-fashioned movie made with new-fashioned finesse.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

An interesting character study that could've done so much more, but ends up kind of having tunnel vision. Linus Roache's portrayal of RFK as the mourning brother becoming his own man is well done, but the script doesn't do enough justice to the levels of complexities surrounding his grief and ultimately his becoming a champion of the minorities and the downtrodden. Every issue seems the same repetitive cycle. First there is a call to action by RFK's advisers -- who are generally indistinguishable and more or less interchangeable, in that there is little character development on anyone's part outside of RFK himself. Then Bobby dithers on whether he should take a stand in a "damned if I do, damned if I don't" way. At some point Jack's ghostly presence chastises him. And after another scene of Bobby interacting with the people, he suddenly decides to make the decision that had always been suggested TO him. Wash, rinse, repeat. You get the feeling that Bobby doesn't so much come off as a man of strength of forming his own convictions, but one of a wild pet that has to be trained to think like a politician. Perhaps that was the point; I'm not sure.That being said, if that were the film's only flaw, I'd have probably been okay with it. The problem is, it seems to gloss over everything in his life that isn't his political career. As mentioned before, there is little to no character development outside of RFK himself. His wife, Ethel, comes off as glib and shallow -- and no mention is made of the fact that she was probably pregnant through half the time period the film takes place; Bobby and Ethel Kennedy had 11 children (one was born after his death), and other than a shot of two or three of them from afar once or twice, little mention is made that they are even parents. (Not to mention that he became sort of a surrogate father to JFK's kids, as well.) Shouldn't they at least be seen around the house more, or on the campaign trail with him? The film would have also done well to focus more around events and actions, and less around time spent in RFK's own headspace. One of the other reviewers mentioned the 1964 Democratic Convention, where people stood and cheered for him for over 20 minutes before he could speak -- the cheering overwhelmingly, of course, being for his brother's memory and not for RFK himself. I agree. Instead of Bobby simply saying those things after nondescript events, show it. Or the fact that RFK so soon declared his candidacy for the Presidency after Eugene McCarthy won the New Hampshire primary (they only mention beforehand that he's running); the movie makes it seem like he arbitrarily came to the decision. Showing just how much he had to catch up, the time frame we're talking about, would've added a whole new level of complexity to his character -- how sometimes historical events WERE what forced him to make a decision, but he rose to the occasion above them.Lastly, this film also suffers because people really have to know their history to understand what's going on. This is the first film I've ever seen where the uneducated viewer has to pay attention to the opening credits to get a sense of context, since the film opens with JFK's assassination. Names and events were thrown around as though everyone knew exactly what or who they were and why they were important; if one didn't know that RFK worked for Joseph McCarthy or prosecuted the Teamsters' Union, it might be hard to pick up through their rapid-fire conversation; the film sort of throws the viewers into this universe and forces them to work backward. A flashback or two, or an extra scene or two before JFK planned to go to Dallas illustrating better the kind of man Bobby was before November 22, 1963, and the kind of bond the brothers shared would've made the rest of the film more powerful. Instead, it's all idle chatter.It wasn't a bad film, and the concept worked; it just could've executed it better in so many ways by slightly expanding its scope and glossing over what seems important.

After using IMDb for over 7 years, this is my first comment... I'm a huge RFK fan (even though I'm only 25). I think he's the greatest democrat of the last century, and the world would be a vastly different place had his life not been abruptly ended.That said, I thought this movie was horrible. There were a few good moments, but overall it was terrible. It portrayed RFK as someone who hallucinated about his brother all the time, and as someone who needed to be pressured into doing the right thing.The man gave some of the greatest speeches ever written, and the actor did not do most of those speeches justice. If you really want to know who RFK was, I'd suggest watching documentaries on the history channel. The real footage is so much better than this movie, and its more entertaining.

Very good TV movie that has a good all around production and cuts to the chase detailing the important events involving R.F.K. right after J.F.K.'s passing.The sets and costumes were nicely detailed and the cinematography was sharp.Could have been a masterpiece if it had a better cast and screenplay.But still for a TV movie,this one is a classic.Only for open minded historical drama fans and big fans of the Kennedy legacy......

I recall some of my college instructors speaking of being in the south during the civil rights marches to end segregation. They were very involved in the politics of the day. Of Robert F. Kennedy, I remember they told of his evolving after the death of his brother -- changing from a young, but somewhat out-of-touch, bureaucrat, to growing to be a more thoughtful, people-oriented observer -- evolving from an unquestioning hawk on international interventions, to being a leader mindful of sending young Americans to far away lands to kill and be killed.This TV movie, RFK, did fairly well in capturing Robert Kennedy's political evolution. The lead actor playing RFK looks remarkably like the real RFK -- specially when lit by a single hard light.Unfortunately, the final product was all too obviously a "made for TV" production. The background music was unremarkable. The editing-in of old footage to new footage was all too easy to spot. This RFK film is as bland as Oliver Stone's JFK is bold.With such lifeless story telling, the supporting actors had little chance to bring any dimension to their roles. When real-life characters are given little depth, it is better to let unknown actors portray them. The script is too often self-aware, too often knowing of what is coming ahead. At one point Robert Kennedy is seen giving a speech and as he speaks, he refers to himself in the past tense... "My favorite poet WAS..." not IS.Last, the script gives us RFK: the son, and RFK: the brother, but no time is given to deeply explore RFK: the father. The number of children Robert Kennedy fathered was extraordinary. His home life must have been very interesting. I am sure there will be a new telling of the RFK story before long.