Redundant and unnecessary.

hyped garbage

Highly Overrated But Still Good

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Cute fifteen-year-old Zac Efron (as Patrick McCardle) doesn't have friends his own age. He skips baseball practice to spend time with boozing horse enthusiast mentor Bill Cobbs (as Houston Jones). In flashbacks, Mr. Cobbs recounts his love for a wealthy white woman, and a passion for horses; his doomed romance led Cobbs to alcoholism. Parents William R. Moses and Tonja Walker (as Jim and Linda) don't like Mr. Efron's close relationship with the older man; especially, Mr. Moses wants his son to play baseball like his dad. Efron doesn't know much, but "I know horses like me." He decides to join the horse races, with Cobbs as trainer.Be advised, there is heartbreak ahead for Efron! Efron is less affected (and made-up) than in "High School Musical" performances, which is a plus. He passes for a mature fifteen, but doesn't show much prowess as an actor. The prerequisite bully and pretty girl roles are adequately filled by coolly-coiffed Michael Nardelli (as Randy Adams) and lightly-tressed Crystal Hunt (as Jill Overton). Cobbs adroitly makes the most of his predictable character role. And, ailing musician Billy Preston has one of his last gigs. "The Derby Stallion" gallops with missteps and continuity problems, obviously enhanced by budget restrictions. Filmmakers found a great semi-circular tree for a background shot.*** The Derby Stallion (7/4/05) Craig Clyde ~ Zac Efron, Bill Cobbs, Crystal Hunt, William R. Moses

I had avoided The Derby Stallion ever since it came out, because I was so much more concerned with other movies (of course), and I really never took the time to even care about seeing it. One day it was about time to leave the movie rental place, so I just grabbed it thoughtlessly because I didn't see anything else that was worth the renting at the time, and ran on to check out. I'm glad I finally got around to it, because this movie was a nice little film and I really enjoyed it. Of course there were things wrong with it, but the movie entertained me so much and the characters and plot were considerably likable. Although I'm not much of a horse movie lover, this movie sparked an immediate interest in me when it came on. Maybe it was because Zac Efron's in it, or maybe it just has that click from the start, either way, I was intrigued, haha. I thought it was around overly decent, and of course I knew when I finished it I wouldn't be saying, "Oh my god, this movie was perfect, it's the best movie I've ever seen!" but I tell you one thing I did not say, and that's "This movie was horrible, it's the worst movie ever". The Derby Stallion is really just a fun film that is worth the watch if you have the time, and aside from minor problems, like the way they filmed it and some people not being able to act out parts very well, this was an unexpected surprise. Sure, it's not great, and even though it shouldn't be at the top of your list, if you are interested, see it, for it was enjoyable.

Horses and Zac Efron, a match made in cinematic heaven, right? Oh, how you could not be more wrong. Although I find Zac Efron to be one of the hottest (if not the hottest) man on the planet, his perfect body and alluring charm did not even captivate me enough to keep my eyes open. From an equestrian's point of view, this movie was also terrible. The fact that it's impossible for someone to become a steeplechaser in several weeks makes the plot completely fallible (I've been riding for 7+ years and I am no where near ready, and I compete at 3'). Not to mention the plot already was completely predictable. But whatever. Apparently if you are a really hot, oppressed teenage boy whose parents want you to be a "real" athlete and play baseball, you can get on a horse (after falling more times than is really necessary, the horse was already trained and it was rearing/bucking? Come on. A horse does not need to gain "trust" necessarily for you to sit on its back), be jumping cross rails in a week (over and over, might I add, which proved absolutely nothing), and be steeple chasing in a few months. If you don't know what steeple chasing is, it's basically a race, but you jump. So a race with X amount of horses all jumping the same things at the same time going speeds that regular racehorses are at. Pretty much racing only 100x more dangerous. And it's definitely not Zac Efron jumping, obviously, since none of the camera angles are of his whole body during the entire race scene. Oh, and guess who wins?

I will begin by saying that the only reason I watched this movie is because I like Zac Efron and was curious to see his other work. Considering the film hasn't received much attention outside of the Zac Efron fanbase, I had my reservations about how the film might turn out. Unfortunately, I wasn't mistaken.'The Derby Stallion' has a very straightforward, some might even say cliché, storyline: a boy befriends an older-mentor archytype (think an old, black Yoda) and needs to learn how to ride steeplechase in order to compete against his rival and win the big derby at the climax of the film.The film starts out with 15 year old Patrick in conflict with his dad who wants him to become a star baseball player. Instead, Patrick spends his time hanging out with the local town drunk, Bill Cobbs' Houston Jones, who regales him with tales of being a steeple chase rider. Naturally his parents disaprove of their friendship but this changes when Patrick takes an interest in riding and wants to compete in the big derby. Everything is going great until Houston passes away and Patrick, consumed by grief and lacking in confidence, decides to quit riding. At the last minute, he changes his mind and everything is set right. The film ends with a shot of Patrick leaving his trophy at Houston's grave, his family at his side.The film is typically corny, rife with a very predictable storyline and the usual conflicts/resolutions that one might find in most family films. However, the ending of the film is so hasty and anti-climactic that I couldn't but help feel like it was done in a very half-assed way. Also, as many others have pointed out, the fact that the Patrick character becomes so skilled in such a short period of time defies logic and the so-called 'relationship' between horse and jockey is seems shaky at best.The one bright spot is Bill Cobbs who does a fairly decent job portraying the relationship of Houston's 'Yoda' to Patrick's 'Luke' (yes, there's even a line in the film that is essentially paraphrases "Do, or do not. There is no try."). Other than that the film is forgettable. I'm sure there will be enough interest generated by Zac Efron's celebrity to get the film seen, but any serious rider, as others have previously posted, will find the premise and execution weak.Edited for typo.