In 1902, 13-year-old Horace toils on a run-down plantation in rural Texas to buy a tombstone for the father he lost a year earlier. Soll, the crusty old Confederate who owns the plantation and depends on convict labor to keep his farm running, takes a liking to Horace. However, Soll is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. On Christmas Eve, as Soll becomes obsessed with his own mortality, he makes a grand promise... forcing Horace to confront his fear of death and the harsh truths of a decadent society.
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Reviews
Fresh and Exciting
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
The film may be flawed, but its message is not.
Not a finely crafted film by any measure as the editing and directing were intrusive and clumsy, but Robert Duvall gives one of his totally unique and unforgettable performances as an old and very crusty Southern farmer riddled with dementia and poor health. His one day mental decline into death is one of the most fascinating performances I have ever seen in film. If you really love superior acting talent and skill don't miss it, as it is a rare master class to be sure.Also see it for the well shown and very authentic love/hate, paternal interrelationship between Southern whites and blacks in the Jim Crow era. And, if you like Duvall in this one, see him in another nearly unknown film role just as good or better and one of my all time faves.... a retired Cuban gentilehombre in Wrestling Ernest Hemingway.Treat yourself. Bigtime.
When I first saw this film on cable, it instantly became one of my favorite movies. I'm a big fan of James Earl Jones and Robert Duvall. The movie paints an accurate picture of the South and the racist attitudes. Most of the attitudes came from Soll, an old plantation owner who uses convicts for labor. Soll is what makes the move, his funny ramblings give us insights in to the way The South was back then. I suppose that if Soll lived today he would be diagnosed with Alzheimer's Disease. None the less his attitudes towards a little boy who comes to work for him and the convicts is complex. While he has racist views, he's grown to trust some of the convicts who are all black. The two convicts he trusts most are Jackson(Mel Winkler) and Ben(James Earl Jones). The conversations between Ben and Soll are the best in the movie, they have real chemistry. James Earl Jones and Mel Winkler both but in great performances as well as Hass.This movie should have gotten more notoriety. However it's on DVD and worth the money.Rayvyn
Robert Duvall is one of America's treasures. He should be given a Lifetime Achievement Award annually at the Academy Award ceremonies, and this film allows him to demonstrate, once again, how it's done. If you agree, by all means run, don't walk, to your nearest video store and rent "Rambling Rose", another of Duvall's gems...which, incidentally, also co-stars Lukas Haas, another underrated and terrific actor, as he shows in "Convicts". Most of Lukas' contribution is in the form of reaction to Duvall's ramblings, but the two of them, along with everyone else in the film, create a marvelous since of realism. Duvall is a mentally addled old drunk who can't remember that he said the same thing to you a few minutes ago, or what you told him, and it's to Duvall's credit that he manages to avoid being boring, as this sort of character so easily could have been. Duvall's character is also disreputable and mistreats the convict labor he has contracted for to work on his farm, but still you empathize with him. Lukas is, as always, wide-eyed (no one had larger eyes, or used them better) and innocent but not stupid. Horton Foote provided realistic dialog and a sure sense of place. This is a film not only to enjoy, but to study.
Robert Duvall gives a creditable performance as the supervisor of a convict farm in 1902 Texas who befriends a young boy (Lukas Haas). The screenplay, written by Horton Foote, contrasts the difficulties of growing up and growing old. Duvall's character is senile and suffering ill health. He alienates himself from family and associates - except for a former convict assigned to his charge, the young boy who reminds him of his youth, and a couple who live in the village store.It's a nice set piece, and the warm colors create a real feeling of turn-of-the-century South. While Duvall's character could have been fleshed out more, he does an excellent job as a man intent on dying on his own terms with help from his young charge