the audience applauded

If you don't like this, we can't be friends.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

I saw this film on Amazon and it was a total surprise. It's not like any other film I've seen. It really feels like the filmmaker tried to tell the teenagers stories with their own voice, not with their own. I wish more films were like this!

A challenging, unexpected meander through teenage eyes. Both hallucinatory and strangely down to earth. Genuinely unique magical viewing with a cast who feel absolutely recognisable in their disengagement with the world around them. Spaceship is a development from Alex Taylors wonderful short film Lilly Goes to Kiss Land.

Watched this film without knowing much about it at the cinema, and was inspired by its fresh approach to filmmaking... It took me somewhere cool and mysterious... Been thinking about it for a while. Something quite David lynch about it... And easy on the eye and ear... I often find films nowadays about young people feel really exaggerated and somewhat unsettling, but this one has an authentic sensibility about it i really liked.... Something i haven't seen the cool linklater and larry clark 90s stuff... I liked it.

Caught this as LFF the other week. It's pretty awful. I think it's meant to be some revelatory insight into teen culture but there's no depth to any of the characters - they're just mouthpieces for the director's pseudo-intellectual, pseudo-philosophical stream of conscience stuff. There's not much of a plot - a girl possibly gets abducted by aliens - but the film doesn't have the guts to pursue that with any real intelligence. The writer/director introduced the film and seemed to think that the film was "really weird" and we should "embrace the strangeness", but I think there's a difference between being cleverly strange like Aronofsky or Korine to create an emotional response, versus whatever this is where the filmmaker seems to think that going on about unicorns and rainbows equates to enough depth to sustain the audiences interest. It doesn't. I will say that it looks very nice, there's a sequence at a party with day-glow neon make-up that looks great - but looking great isn't enough. The actors are interesting and some of them have real presence, it's just a shame they're forced to speak the rubbish dialogue.