Night of the Eagle
April. 25,1962 NRA skeptical college professor discovers that his wife has been practicing magic for years. Like the learned, rational fellow he is, he forces her to destroy all her magical charms and protective devices, and stop that foolishness. He isn't put off by her insistence that his professional rivals are working magic against him, and her protections are necessary to his career and life.
Similar titles
You May Also Like
Reviews
Powerful
How sad is this?
By the time the dramatic fireworks start popping off, each one feels earned.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
A remarkable horror film that not many have seen, or even heard of! Mixes thriller and horror, both supernatural and psychological with great results. Tension is the key here! This movie will keep you on the edge of your seat guessing. Definitely recommended!
Night of The Eagle (based on Fritz Leiber's splendid novel Conjure Wife) would have been a classic with just a little more restraint; as such its last hour is almost a total pitch into non-stop horror, to the extent that it becomes a little overbearing and almost spoils the many superb horror set-pieces.Peter Wyngarde (yayy - it's Jason King!!!) plays a lecturer at a small town college whose relentless dismissal of the supernatural - even scrawling "I Do Not Believe" on the blackboard during one of his lectures - comes to seem extremely foolish after he burns all his wife's voodoo protections. On some subconscious level Tansy has come to suspect her husband is in danger, and of course, she is right.This is a movie that can be viewed as a close companion to Night Of The Demon, in that both films show a rigidly disbelieving academic forced to confront the idea that there ARE more things on earth than are dreamt of in their philosophies. Demon is a superior film, but Wyngarde and Janet Blair are far better in their roles than Dana Andrews and Peggy Cummins were in that movie.There are some brilliantly terrifying scenes to enjoy - the Monkey's Paw style THING that wants ingress while one of Wyngarde's lectures plays on tape, the possession scene, and of course, the eagle itself. Wyngarde unknowingly removes the "Not" from his earlier blackboard pronouncement while menaced by the giant creature. A great little touch.One must give a mention to Margaret Johnston's terrifically vindictive performance. She almost steals the film from the leads, and, again comparing it to Demon, is as good as Niall McGuinness was as the warlock in that movie. With just a little bit more finesse this could have been an all-time classic. As it is it's still a very good and worthwhile movie.
Very much regarded as a minor classic of the genre, NIGHT OF THE EAGLE is a well-shot black and white chiller with plenty of spooky moments to enjoy. Made in an era when the best horror moments still came from subtlety and a brooding atmosphere, the film conjures up a nightmarish world of spells and powerful forces beyond our comprehension. Some fine acting from the distinguished cast help to make us care for the characters and believe the events that play out.The film kicks off happily enough, with teacher Norman Taylor, a resolute non-believer in the supernatural, lecturing his students on superstition and the like. Soon, however, he discovers that something is amiss at home and his house is filled with dead spiders, locks of hair, dirt from cemeteries and all sorts. He destroys all of these, much to his wife's horror, and then the real nightmare begins. Taylor's life begins to fall apart. He is accused of raping a female student at the school, and his wife suffers a nervous breakdown. Eventually he is forced to re-evaluate his opinion on the black arts when he realises that the misfortune he is suffering is the work of an emery masquerading as a close friend.Strong on atmosphere, NIGHT OF THE EAGLE is packed with suspense and tension as the horror of the situation escalates up until the finale. The trappings of a good score and nice photography make this easy on the eye and ear, and Wyngarde himself is very good as the lead who ends up being absolutely terrified and a broken man. Janet Blair, on the other hand, is a little irritating but mainly fine, unfortunately at this particular period in the cinema actresses who had to display fright had a tendency to overact (widening their eyes, screaming, etc.) which can look a little dated to me and can be embarrassing. The supporting cast are fine, with Margaret Johnston as a creepy, limping fellow teacher who has a few secrets to hide.Probably the best-remembered part of this film is the ending, which sees Wyngarde trying to save his wife from their burning home. Along the way, one of the stone eagles on the roof of the school comes to life and chases him through the corridors, until he is saved at the last moment. A simple effect, this, but a clever and memorable one. During this chase, Wyngarde rubs up against his blackboard and a phrase previously written on there - "I do not believe" becomes simply "I do believe". A lovely little touch in what is a very nice film indeed, not totally brilliant but providing enough thrills and chills to be an above average entry in the genre.
A demonstration that a lot can be achieved on a small budget by imaginative filmmakers. The intensity of this movie took me by surprise. I had expected something more plodding, along the lines of Hammer fare from the same period. Instead, here we have inventive camera-work (DOP Reg Wyer, cameraman future DOP Gerry Turpin), a hardworking score by William Alwyn, and a thoughtful leading man in Peter Wyngarde. Director Sidney Hayers had come from TV, where he seems mostly stayed thereafter - a pity, as he clearly rose to the challenge of this material.Best of all are the two excellent performances by Janet Blair and Margaret Johnston. The former, an American who had to come to England to get a part that demonstrated she could really act. The latter, a distinguished stage actress who pulled all the stops out for this rare leading screen role.The pace of the film slackens here and there, but recovers in time for a splendid finale. A couple of scenes would have benefited from retakes because of technical glitches, but I suspect there just wasn't enough money left to do them. It's certainly no worse in this respect, though, than NIGHT OF THE DEMON, which is a clear influence. The Jacques Tourneur movie is more satisfying because of the tautness of its screenplay, but in every other way NIGHT OF THE EAGLE (aka BURN, WITCH, BURN) is as good. I wish it were better known. It certainly deserves to be.