A film scrapbook, images, phrases from our past, hiding their meanings behind veils. Let's lift those veils, one by one, to find how images, at one time seeming innocent, have revealed, after decades, to have homosexual overtones.
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Must See Movie...
When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
A movie that not only functions as a solid scarefest but a razor-sharp satire.
I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
a documentary about maybes and if's, but nothing really concrete. It total misses the actual LGBT referenced in the "celluloid closet". Virtually no Lesbian content.I agree with the other reviews it also misses out the UK films of the time that did deal with LGBT content like "victim" or the US film "children's hour" and I would recommend the "celluloid closet" if you want that
the problem with this movie is that it's just not made by anything like a filmmaker. I've never seen this guy's subsequent offerings but I really can't imagine anyone who started off making this amounting to hill of outtakes! anybody who really cares would not use little clips ending with them in freeze frame to stretch them out half a second! that in itself is a dead giveaway that this person should have his video equipment confiscated! Funny that my review isn't long enough but what else is there to say? I am told by IMDb I could be kicked off if I use "junk words" to round it out. Ironic when I just suggested MR should be barred from filmmaking. Instead it's probably the case that he will be welcome with open arms at the gay film festivals for all time.
This delightful prank merely examines and speculatively questions and VERY tentatively explains certain relationships and gags which it CLEARLY demonstrates occur in movie after movie from the Golden Age of Film. Unlike "The Celluloid Closet," which was an historical piece showing depictions of gays in movies, this one explores more the hinty, suggestive patterns which any gay kid noticed for himself - the half-admitted shrieking gayness of certain comedians, the sly (and frequent) "you'd almost think we were gay" humor of certain comic male duos, and the seething repressed homoeroticism of the classic westerns. It's something to relax and enjoy and maybe ponder. I, for instance, have always wondered why, in the most inappropriate situations, our action-stars strip down (isn't Rambo afraid of bugs and thorns going bareshirted in a jungle?). Gratuitous male nudity in movies intended primarily for male audiences does provoke thought - among other things.
Practically unwatchable documentary that best serves to make one appreciate the talent behind "The Celluloid Closet." The narrator/host (Dan Butler) is first seen inserted into a movie still, a device that grows quickly tiresome. Then he talks. And talks. And talks. The stunning amount of narration swamps whatever pleasure one might have in watching the film clips, a few of which would otherwise have merit.Furthermore, the filmmaker goes to ridiculous lengths to promote his "spot the closet case" premise: Rappaport (also the director and writer of the vastly overrated "Rock Hudson's Home Movies") seems to believe that any display of love or affection between men is "gay."