Very well executed

Absolutely Fantastic

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

'Here Comes the Devil' is an excellent example of how to stretch your hard-earned dollars to make a small film that is entertaining. Thankfully, and gratefully, someone made a horror film without drunk teenagers in a remote cabin in the woods where cellphones don't work and the local gas station has Ted Bundy for a clerk.I've been enjoying the depth and quality of foreign horror for a long time. Somehow, they seem to get it right, from 'Interior' to 'Dogtooth' to 'Man Bites Dog'. The frat/sorority/high school clone movies you see these days have no story or tension. Hell, you can see more blood from a skinned knee than from some of these travesties. 'Here Comes the Devil' is not a masterpiece but it is time well spent.The basic story has been told many times before so there's no need to write a synopsis here. What is interesting, though, is the way the movie evolves. It's unpredictable and well-acted. It's very refreshing to see a horror movie that doesn't turn out to be a waste of time. Yes, 'Here Comes the Devil' is no 'Exorcist', but in this day and age, it'll do.

Married couple Felix (Francisco Barreiro) and Sol (Laura Caro) are on a road trip with their children, teenager Sara (Michele Garcia) and younger brother Adolfo (Alan Martinez), when they decide to pull over at a truck stop for a break; while the kids go off to explore a nearby hill, the father explores his wife's nether regions. Everyone's happy! But when the kids fail to return, the worried couple call the police, checking themselves into a local hotel while they wait for news. Luckily, the kids are found the next morning, but although they seem unharmed, there is something about their behaviour that doesn't seem right…Heres Comes The Devil kicks off with two buck naked lesbians grinding their honey-pots together in a intense, sweaty embrace—a scene that has absolutely zero bearing on the plot, making it the epitome of gratuitousness. Having firmly ticked the sex box, the film quickly moves on to some equally gratuitous violence, with one of the aforementioned young women answering a knock on the door only to be met by several swift punches to the fizzog from a machete wielding maniac who, having rendered his victim unconscious, proceeds to chop off her fingers. The second lesbian fights off the attacker, who flees the scene. Neither lesbian is seen of or mentioned again.This sensationalist approach continues throughout the film, with frequent sex and nudity for no good reason, and one grisly moment that is even more brutal than the face-thumping/finger-lopping; it's a good job too, as far as I'm concerned, because without all the bare flesh and nastiness I would have struggled to stay awake, such is the gloomy atmosphere and leaden pacing of this sombre supernatural horror from Mexican director Adrián García Bogliano (some have likened the film to the haunting classic Picnic at Hanging Rock, which I have yet to see, and probably won't for some time now thanks to the comparisons).Bogliano touches upon several interesting themes, including sexual abuse, incest, and revenge, but in the end it all amounts to little more than a trite supernatural thriller told in a manner that is neither fresh nor interesting, with a final revelation that is as old as the hill that features so prominently.

Ahí Va el Diablo is an excellent horror film with a disturbing and retro narrative and a wide variety of domestic horror, from the supernatural variety to the more distressing psychological one. Shot in authentic locations from Tijuana and its surroundings, Ahí Va el Diablo takes advantage from the local taste and the performances in order for us to immediately assimilate the family dynamic between the characters. Sol and Félix obviously love their sons, but they also miss the freedom they lost when they became parents. That might explain the casual negligence which leads to the disappearance of the children, and the subsequent feelings of guilt and atonement which work as a subtext of the drama, where the possible supernatural events represent just a fragment of the family crisis. I liked the fact that director and screenwriter Adrián García Bogliano left some loose ends in the story, accentuating the mystery and the oppressive atmosphere which might have been diluted with too many explanations or literal interpretations. The performances express the necessary to impulse the story, letting the suggestive silences to outline the emotions. That's a risky strategy, but it works very well, letting the film feel mature and sure of itself. And the film also counts with good special effects which season the psychological horror, as well as a perfect soundtrack which doesn't only evoke the cinema from previous decades, but also fulfills with its mission of generating nerves and suspense. In conclusion, I liked Ahí Va el Diablo very much, and I hope more people discover it, because it truly deserves it.

This is a fairly straightforward story that lacks surprises but is reasonably entertaining. See it for the shock value. Even by horror standards, this is not for the easily offended; themes include: satanism and the occult, menstruation, gratuitous nudity, gory violence, graphic sex, implied pedophilia, and described incest. Probably not a good movie for a first date!The story isn't complicated; it meets the expectations set by the title and synopsis. The characters are equally simplistic, their actions implausible, often leading nowhere. The most sympathetic character is the babysitter, who got more than she was bargaining for and doesn't know what the hell happened! (And has the boobs to prove it!)And what's up with the frequent, jarring camera zooms? The cinematographer should be shot. It's like a technique Robert Rodriguez would use when spoofing '70's grindhouse flicks.This is the kind of movie you find late night on cable TV. Lots of visual punch to grab the viewer's attention, nothing complicated to force you to think too much, impulsive action that shows the writers weren't having to think too much either. Enjoy it for the gonzo exploitation flick it is and don't expect anything more.