The Age of Commercialism

That was an excellent one.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

A very likable, intimate portrait of the punk rock turned art rock group The Flaming Lips.A very unusual documentary in that the film was made by a longtime friend of the band members, especially leader Wayne Coyne.But rather than that leading to a glossy 'these guys are perfect' approach, it leads to a sense of honesty, of humor, of admitting of personal faults (right down to a band member using drugs on camera, and talking in a pretty heartbreaking way about his addiction). And what's fascinating about this particular group from Oklahoma is that they're wildly creative, while still seeming like nice regular human beings with families, day to day problems, good and bad sides -- unlike what we usually see of rock stars living in Hollywood mansions and hiding from the world.If there's a problem with the film it's that, for someone like me who doesn't really know the band's music, we see and hear so little of it that sometimes it's hard to fully understand the evolution of their work that's being discussed. So in some ways this film will work best for those who are already fans of the group, But that said, I still really enjoyed it, found I liked these people, laughed with their funny view of life (the 'reenactment' of the robbery of a 'Long John Silver's' where Wayne once worked is a comic highlight) and even found myself touched by the end.

The interesting thing about "The Fearless Freaks" is the difference between the style of Brad Beesley's film-making and the production process of the Lips' albums. Wayne Coyne's music is weird, yes-- even chaotic, but it is carefully put together and endlessly tweaked, elevating the raw elements of songwriting (guitar chords, sung melody) into a mesmerizing digital orchestra of sorts. Beesley's documentary, however, is satisfied with gritty, hand-held 16mm footage of (usually) Coyne pontificating. It's odd that such futuristic, unconventional music-making would make such good source material for old-school, back-to-basics film-making. The most interesting part of this documentary, rather than the heroin scene with Steven Drozd, is Wayne revisiting his old Long John Silver's and enlisting two young children to reenact a robbery which launches him into a spiel about the rather un-poetic reality of death. It, like the rest of the film, is an incredible snapshot of some true oddballs in the American music scene.

This is a wonderful film, and one can tell that it's definitely a labor of love.I must say that I was disturbed by the drug use scene with Stephen. However, this is because I am a former addict. But I still think it was unnecessary to be so graphic; but he truly shares the perils of heroin addiction in the most real way.I do wonder how the movie will turn out. I can't believe the amount of energy Wayne possesses toward his projects. I found him to be a great role model (I am an artist myself, and quite lazy by comparison).Only one more complaint. Like in many documentaries, they will tease you with the beginning of a wonderful song, then speak over it, or cut away. I could have used less talk and more music, since this is what the documentary is ultimately about; well beside their lives and the creative process.I highly recommend this film. Oh, and yes, it is a bit too long; but it only proves how engaged the filmmaker is in the project.

As a film, Fearless Freaks is too long. Fans of the band probably won't care, though, as they seem willing to venture however far off the beaten path Wayne and the boys want to go. I wouldn't recommend it to the casual viewer, as it contains way too many scenes of the band's personal lives to be interesting to the general public. I enjoyed it a lot, because it gives lots of insider info on a band that I've loved for over fifteen years. The most interesting part, and the one that most people will cite as the film's centerpiece, concerns Steven Drozd's frank discussion about his heroin addiction. The scene is as chilling as anything you've ever seen, watching Steven cook up a rig full of smack has to be the wildest thing I've seen in a film in years. There isn't enough concert footage here, but two recent (excellent) shows are featured, Coachella 2004 and the Stubb's show in Austin, TX. I would have enjoyed more scenes of that classic show in Austin TX, mainly because I was there, in the front, and it was the most fun I've ever had at a concert in my life. Their Coachella set (I was there, too) was way too short, mostly consisting of Wayne trying to surf the crowd in a huge bubble (which was totally cool). I think they played four songs before they were rushed off so the Cure could take forever to come on. blah.The thing I enjoyed most about this film was the insight it gives on what it's like to be a "rock star". Wayne and his wife don't live in a mansion, and their lives seem wonderfully normal. This was refreshing, and it certainly beats the hell out of watching Metallica argue for two hours. The Flaming Lips have arguably one of the finest albums ever made, The Soft Bulletin (if you can find the vinyl version, get it no matter how much you got to spend). While I don't think this film will open them up to a wider audience, fans of the band won't be disappointed.