Story: It's very simple but honestly that is fine.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

The classic whodunnit with all kinds of interesting character actors posing as suspects. A woman is murdered. She has been seen by a psychic-psychologist who uses caffeine and special cigarettes to make her tell the truth about having committed a murder. There are clues all over the place and Chan, his son, and a police detective attempt to get to the bottom of things. While so much of the byplay among a group of socialites is interesting, I can't take my mind off the cigarette thing. No one commenting on this seems to be wary of such a thing. What are these cigarettes? If they don't exist in some context, then the whole plot is, as number one son says, "Hooey!" I was interested to see Truman Bradley appear. He was the host of "Science Fiction Theater" which was one of my favorite shows as a child. Victor Jory is also in this as the aforementioned psychic. Good cast. Good acting. Cigarettes..........

Charlie Chan (Sidney Toler) is in Rio de Janeiro to arrest a woman suspected of killing a man in Honolulu. When the woman is murdered, Charlie must investigate along with "Number Two Son" Jimmy (Victor Sen Yung). Pretty much a remake of The Black Camel. Adorable Iris Wong is fun as the murdered woman's maid. Her scenes with Jimmy are the movie's highlights. Harold Huber makes his last Charlie Chan appearance. Toler and Sen Yung are good as usual. Rest of the cast includes Victor Jory, Kay Linaker, and Hamilton MacFadden (who directed The Black Camel, interestingly enough). It's a pleasant and enjoyable entry in the series. Not one of the best or worst. This is the second-to-last Chan film at Fox before the dreadful Monogram series begins.

Globe-trotting Charlie winds up in Rio for this so-so entry. It's an uncommonly attractive cast and a lively, well-produced first half, before the pace slows down during the sleuthing second half. Being in Rio gives Hollywood a chance to sample the South American rhythms popular at the time, and the ladies a chance to model high-fashion wear, circa 1941.Note presence of New York débutante Cobina Wright, the Paris Hilton of her day, as Grace, the statuesque adversary of the brassy, low-class Mary Beth Hughes. Their nightclub spats amount to versions of the class struggle over proper table etiquette. And, of course, where there's Chan Sr. there's going to be a Chan Jr. Here Sen Young's sometimes silly Jimmy Chan nonetheless pairs up with the charming Iris Wong to make the proverbially cute couple. The mystery involves a dead nightclub performer, a slick-talking swami (Victor Jory), a cup of coffee, and a funny looking cigarette. Note how Charlie is ably assisted by the captain of the Rio police (Harold Huber). Usually the cops of the period were depicted as bumbling, at best, or comically foolish, at worst. But with WWII on the horizon, South America became an important sphere of influence, and the captain is treated with unusual respect. In passing, something should be said about the dewy-eyed Kay Linaker as the personal assistant. She died just a short time ago. This programmer shows what a lovely and capable screen presence she was. Her career may never have made the big time, but the big-time talent was definitely there. Recommended for guys who like to ogle well-upholstered girls.

in Rio, but a really well thought out Chan film. A very interesting and familiar array of characters.One can almost feel the breeze coming in off the S.Atlantic.One of the better films for Jimmy Chan (Victor Sen Yung).It's easy to watch over again.