You won't be disappointed!

Excellent, Without a doubt!!

Exactly the movie you think it is, but not the movie you want it to be.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

Columbia was known for often having tighter budgets than the other major studios, but this is a worthy effort. One good point is that they use plenty of exteriors, especially with motor boats and on the mysterious island where most of the story takes place.Raft, Foch and Macready all are very good. The feeling of this movie is much like that of "Key Largo", which was around the same time.The pacing of the film is enjoyable, and there are no slow stretches. There is a lot of character development for viewers to appreciate. The villain of the story would be worthy of a James Bond movie! The front door to his mansion is the biggest front door I've ever seen, worthy of a castle. Take special notice of the villain's huge library room--it's a virtuoso display of imaginative and evocative set decoration. The designer had a lot of fun with that! The movie is a fine example of late 1940's film noir. Raft gives a thoughtful, understated performance. Foch is sultry. Well worth seeing.

George Raft is "Johnny Allegro" in this 1949 B movie also starring Nina Foch, Will Geer, and George Macready. Raft plays a florist who is in actuality an escaped prisoner in hiding; he's approached by treasury agent Geer to clear his record by getting cozy with a woman he just met (Foch). Her husband (Macready) is distributing counterfeit (and ripping off his Soviet boss). They live on an island in the Caribbean. While she's trying to get out of town and away from the Feds, Raft kills a police officer to help her. Then he insists that she take him along or he'll be captured. This sets him up with her suspicious husband (McCready).Not bad; the ending is reminiscent of "The Most Dangerous Game." George Raft couldn't act, but for someone who played gangsters so much, he had a warmth and a smoothness. By 1949, some of his gravitas had gone, but he was still pleasant to watch. When I was growing up, Nina Foch was playing skinny socialites on TV. It's always nice to see her as a young leading woman. Will Geer as the treasury agent is delightful, very laid back.You might want to see this for the cast.

Johnny Allegro has George Raft in the title role as an ex-con trying to go straight. Under an alias he's living life as a hotel florist, but manages to get himself involved with the beautiful Nina Foch and get himself framed for a cop killing. Foch is slightly married to the epicene George MacReady whom the Feds want to nab real bad. It's not just his elaborate counterfeiting operation that they want to shut down. MacReady is being financed by the Soviet Union and he's got quite a setup in distributing counterfeit and raking off a big bundle from his Soviet handler Ivan Triesault. MacReady and Foch live in fine style on an unknown Caribbean island that the Feds would like to know the location of to bust MacReady and his operation. In the end MacReady proves too much for his Soviet bosses.Not so with Raft and his contact Will Geer who plays a Treasury agent. Geer in many spots steals the film from the leads with a nice laconic performance, not unlike his Wyatt Earp in Winchester 73.Johnny Allegro is typical of the action/noir type films that Raft was doing at this point in his career. Soon he'd be working for Poverty Row Lippert films and Johnny Allegro from Columbia's B picture unit looked like Citizen Kane next to their stuff.Fans of George Raft will be pleased. Especially with that ending borrowed from The Most Dangerous Game.

While Raft never does any role is any way but very straight forward, the image of the hero is just too starched. Raft ends up on a tropical island without a change of clothes yet in the succeeding days he always appears in the same suit and tie, often with a hat, always perfect. He runs through the steaming jungle and never appears sweaty - what a hero! It is these kinds of conceits that seemed so cool now make these B thrillers just silly. The mastermind, George MacCready, with his smooth evil voice was the real star; the unlikely use of a bow and arrow as his offensive weapon of choice, along with the ease with which this slightly built man drew back the nominally 70 lb bow, made everything fun. No this things don't have to make sense, but they were enjoyable and exciting when the world was simpler and young.