Good movie but grossly overrated

Fresh and Exciting

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

It is obvious that as the Charlie Chan series moved from 20th Century Fox over to Monogram that quality diminished a great deal both in the technical and in the actual storyline content. It is obvious that the screenwriters were putting in many twists and turns into the short running times of these programmers because it is not always easy to remember who is involved in what scheme and who was there or not around when the murder took place. The actual murder here is quite chilling, almost like an old-dark house theme as it is set up, but the list of suspects are entirely all too stereotypical, with the acting not up to par as previous entries in the series. Chan has gone onto #4 son (Edwin Luke) as his sidekick here, more intellectual here and less of a "Gee pop" All American guy who happens to be of Chinese descent. Mantan Moreland gets his usual number of malapropisms and cowardly desires to flee from danger, some funny, some not. It appears here that Monogram simply left one of its Z-grade horror movie sets up so they could rush through another Chan film to collect some easy profits. Such a shame they didn't spend more time on the script.

Charlie Chan (Sidney Toler) investigates the murder of a scientist in a spooky mansion. This is one of the better Chan films made at Monogram. There's plenty of atmosphere and the claustrophobic setting of the mansion helps keep the suspense up.Thankfully, Mantan Moreland's Birmingham Brown character doesn't louse it all up with his fear of spooks and bug-eyed double takes. He's actually kind of subdued in this one, which I appreciated. No Benson Fong as Tommy Chan here (yay!) but also no Frances Chan (boo!). Instead, we get Eddie Chan (Edwin Luke). I forget what numbered son he is. He's about as exciting as watching paint dry. The part seems like it could have been pretty good with a better actor. Eddie's supposed to be a nerdy kid with long-winded textbook explanations for simple things. It could have been funny but in wooden Edwin Luke's hands, it's not. He recites a lot of his lines like he's reading them off of cue cards. Anyway, despite the presence of Eddie and Birmingham , it's still a watchable and often enjoyable Chan film. There's no jade mask anywhere in the movie, though.

'The Jade Mask' is yet another 40's Charlie Chan B-movie made by poverty row studio Monogram Pictures,The Title is misleading though as there are No Jade masks, only a piece of a plaster mask which is used in the denouement, but then again you shouldn't look for faults in low budget B-movies.This time around Chan (Sidney Toler) is asked by the U.S. Government to look into the disappearance and apparent murder of an eccentric Scientist (Frank Reicher) at a spooky mansion, The man was liked by no-one not even his own family so Chan along with No.4 Son Eddie (Edwin Luke) and Chauffeur/Comic relief Birmingham Brown (Mantan Moreland) arrive at the Mansion to no end of suspects.'The Jade Mask' is low budget, although it has better and wittier dialogue and acting than other episodes than I've seen, it has a surprisingly high body count and the mystery keeps you guessing.The only downside is the ludicrous reveal of the Killer although the premise was way before its time and a staggering 50 Years Plus before the Mission Impossible Films did something similar.**1/2 out of *****

Loosely based on novels by Earl Derr Biggers, 20th Century Fox's Charlie Chan series proved an audience favorite--but when Japan attacked Pearl Harbor the studio feared audiences would turn against its Asian hero. This was a miscalculation: actor Sidney Toler took the role to "poverty row" Monogram Studios, where he continued to portray the character in eleven more films made between 1944 and his death in 1947.20th Century Fox had regarded the Chan films as inexpensive "B" movies, but even so the studio took considerable care with them: the plots were often silly, but the pace was sharp, the dialogue witty, and the casts (which featured the likes of Bela Lugosi and Ray Milland) always expert. The result was a kindly charm which has stood the test of time. Monogram was a different matter: Chan films were "B" movies plain and simple. Little care was taken with scripts or cast and resulting films were flat, usually mediocre at best, virtually unwatchable at worst.Released in 1945, THE JADE MASK is one of the very few Monograms that approaches the quality level of the 20th Century Fox series. This largely due to the expert cast and witty script, both of which are a bit unusual for Monogram. In this particular tale, Chan--who now works for the government during World War II--is called upon to investigate the murder of a scientist working with potentially beneficial but distinctly deadly gasses. Sidney Toler's Chan is always enjoyable, and he is aided in this by the local sheriff (Alan Bridge, who has the best lines in the film) and the inevitable Birmingham Brown (Mantan Moreland.) Fans of the 20th Century Fox series are likely to find Monogram's Chan a significant disappointment and newcomers who like the Monogram films will probably consider them third-rate after encountering the Fox films. Even so, THE JADE MASK is unexpectedly good, and I think most Chan fans will find it enjoyable.GFT, Amazon Reviewer