Very very predictable, including the post credit scene !!!

From my favorite movies..

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

One of the most extraordinary films you will see this year. Take that as you want.

The storyline wasn't as creative as I thought it could have. But I feel that this movie did what any Asian drama is suppose to bring. It brought the sad, happy, funny, shock, hope, growth and love. Is this movie an award winning film? I wouldn't say so. But if you want to watch this movie like you would with any Filipino movie brought to the US, then it's a pretty alright one to watch. That's what I like about Asian movies, they capture what love should be, and not the lustful scenes that you find in American films.Overall I would give this movie a 6.6, but being a little biased I'd round it to a 7 since I liked the actors to begin with.

Creativity is scarce in Paano na Kaya?, a Gerald Anderson-Kim Chiu schmaltz-fest that remains notable insofar as its title isn't a one-line-fits-all-rom-com pulled from an English-language ballad. (It's a one-line-fits-all-rom-com pulled from a Tagalog-language ballad.) Which is to say, it doles out the straightforward sugar rush an undemanding audience expects -- from Anderson's abs, to Chiu's chirpily oriental schtick routine, to a story that goes deep into romantic-comedy territory without innovation that only the most ardently romantic will swoon past the painful contrivances. In a broadly written plot where all the situations, characters, and dialog seemed to have popped out of a teenage diary, Mae (Chiu) is secretly head-over-heels with best pal Bogs (Anderson), only she's too civilized to tell him and his girlfriend Anna (Melissa Ricks). But when Anna dumps him for her boss, Bogs is left to cry on Mae's shoulders and -- wait for it -- he falls in love with her. Journey is more important for rom-coms, so the saying goes, but the venture in Paano na Kaya? is as predictable as the destination itself, brazenly knocking off ideas from its predecessors, including excruciating code-switching to Chinese one-liners that would make Mother Lily and Joel Lamangan blush. Director Ruel Bayani go far beyond kitsch by spelling out the romance in the clumsiest, most obvious way imaginable: Chiu and Anderson talk about passion of love on a fire truck in the middle of a burning compound. Such attempt highlights the fact that there's far too little brilliance to these hackneyed proceedings to make it anything more than a reason to see the pair in a larger screen.