Gertie the Dinosaur

February. 08,1914      NR
Rating:
7.1
Trailer Synopsis Cast

Although not the first feature-length animated film, as is sometimes thought, it was the first cartoon to feature a character with an appealing personality. The appearance of a true character distinguished it from earlier animated "trick films", such as those of Blackton and Cohl, and makes it the predecessor to later popular cartoons such as those by Walt Disney. The film was also the first to be created using keyframe animation.

Roy L. McCardell as  Himself
Tom Powers as  Clumsy Copy Boy (uncredited)
John Bunny as  Club Member

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Reviews

BootDigest
1914/02/08

Such a frustrating disappointment

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Greenes
1914/02/09

Please don't spend money on this.

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Pacionsbo
1914/02/10

Absolutely Fantastic

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Fleur
1914/02/11

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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Hitchcoc
1914/02/12

This groundbreaking effort is not only a curiosity; it is also a clever, imaginative film. Probably the best known piece of early animation, it involves a minor bet among a group of animators who find themselves at the Museum of Natural History in New York. When they see a dinosaur (they call a dinosaurus--a brontosaurus--although that name is now passé), one of them bets he can bring the dinosaur to life, using animation. The bet for a dinner is accepted and off goes the animator, doing thousands of drawing and creating a truly memorable dinosaur, full of personality and fun. Of course, the main characters are only line drawings on a sketchy setting, it works marvelously. Gertie proves to be petulant and uncooperative at times but, ultimately performs her tricks. I had never seen this film before and am quite impressed with the accomplishment.

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bob the moo
1914/02/13

Gertie is touted as being one of the first animated films and for its place in cinema history I decided to watch it. Having seen many very ordinary films from the first decade or so of silent film (trains pulling into stations etc) it was fun to see a sense of creativity here. The animator enters a museum and gets into a bet that he can bring a dinosaur to life with his drawing. This he does with the creation of Gertie the Dinosaur and it is not long before he is interacting with her, giving her instructions and, ultimately, entering the frame to ride on her. In a period where even the ordinary was viewed with wonder, it is something to have the creativity to not just animate a dinosaur but do so in a way that sees interaction with real life and in particular see real life enter the film in a way that is perhaps normal a century later – but not then.In terms of the actual film, it is less good than its historical value but is still quite fun. The dinosaur animation is basic for sure, but for me what made the difference was that it is pretty static and repetitive at times – with lots of the dinosaur repeating actions and rocking in a manner that seemed looped. Specific episodes with an elephant and with the creator himself were stronger and offered more, but they were still built around these sections. Perhaps it was because I had just watched a very creative and energetic short film from the same sort of period and this seemed very static next to it.So, not as great as a film to just watch, but it is pretty entertaining and watching it within a historical context will enhance what you are watching.

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Michael_Elliott
1914/02/14

Gertie the Dinosaur (1914) *** 1/2 (out of 4)This Winsor McCay film starts off very much like his first as McCay and a friend are inside a dinosaur exhibit when the artist says he could make them walk. The friend and others at a local club laugh at him so he makes a bet that he can bring a dinosaur to life. A month later McCay displays Gertie, a lovable dinosaur who will do whatever he says. I will admit that the start of this film is a tad bit slow because we've already seen this same opening in an earlier film. With that said, there's no question that this is a very important film and one that is a must see. The most amazing thing to me about this film is how much life McCay is able to give Gertie. There's not a single frame where you feel as if you're watching a bit of animation because the director does such a nice job at bringing her to life and making her seem so real. The animation includes Gertie doing various tricks, a dance and a few other things but we also get a sea serpent that shows up. The animation looks incredibly strong and we're given some great humor throughout. I hate using the word cute but that's exactly what this film is and it's so impressive that even those who can't stand older movies should be drawn into it.

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Eumenides_0
1914/02/15

I will always remember Winsor McCay as the creator of Little Nemo in Slumberland, one of the most beautiful comic strips ever made. McCay was an amazing artist who loved playing with technique; his 'Nemo' strip displayed his boundless imagination in terms of perspective, panel layout, colors, architectural detail, movement and size. He was arguably the greatest comics artist that ever lived, even better than Will Eisner and Jack Kirby.Gertie the Dinossaur is renowned for being one of the earliest animated movies. But I don't think it comes close to reaching the beauty of one 'Nemo' strip. The movie is about a host interacting with a dinosaur, prompting it to perform tricks to amuse the audience. The drawings aren't spectacular and the tricks aren't imaginative; what Gertie does could mostly be done by a pet dog. Historically it may have a lot of value, but it did nothing for me in terms of entertainment.

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