I'll tell you why so serious

I don't have all the words right now but this film is a work of art.

A different way of telling a story

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

'From A to Z-Z-Z-Z' is a clever, charming and imaginative cartoon that is deserving of more attention. Despite being Oscar-nominated, a high IMDb rating and reviews expressing extreme fondness and adoration, compared to other Chuck Jones cartoons it's not particularly well-known and it's a shame.It's very well-animated, the drawing of course is sketchier than previous Jones cartoons and the backgrounds more stylised but they don't look cheap or ugly at all. There is some lovely lush use of colour, the backgrounds even when stylised look as though a lot of careful detail went into them and the sketchy drawing style is of the elegant rather than scrappy kind.Carl Stalling has long been my personal favourite of the regular Looney Tunes composers, his music always elevates cartoons to a greater level and this reviewer has yet to hear a bad score from him. Here in 'From A to Z-Z-Z-Z', fits beautifully and not just adds to the cartoon but enhances it. It's lushly and cleverly orchestrated as always, has a delicious wit, a dream-like whimsy and the rhythms are high in energy and character.The writing is sharp, whimsical and never misfires, often being hilarious. Ralph's day-dreaming is very imaginatively rendered and never less than highly amusing, especially with the maths. The story is energetically paced and one, particularly anybody known to day-dream or wanting to go on more exciting adventures, will find themselves relating to the story and to Ralph, who is a very charming title character who conveys a surprising wide range of emotions instead of just being adorable.Voice acting is very good, Mel Blanc and Bea Benaderet are always great and Dick Beals more than holds his own.All in all, a real charmer from Chuck Jones. 10/10 Bethany Cox

. . . like a simple cartoon about a young boy merely guilty of being a serial day-dreamer at school. But when a Warnologist digs a little beneath the surface of FROM A TO Z-Z-Z-Z, a more sinister undertone emerges. Z-Z-Z-Z contemporaries would have noticed immediately that Master Ralph L. Phillips has morphed into General Douglas MacArthur at the end of this Looney Tune, when he threatens his Math Teacher Missy Wallace with MacArthur's most famous quote, "I shall return!" Since a chalkboard's worth of numbers literally attack Ralphie during this short, numerologists will quickly note that "Master Ralph L. Phillips" and "General Douglas MacArthur" BOTH count out at 244, along with "Math Teacher Missy Wallace" (also 244, with 24 divided by 4 times 3--for this fated trio--being expressed as Satan's Number, 666!). Warnology indicates that this was Warner Bros.' way of warning America against a renewed military coup effort on the part of MacArthur, who'd all but rolled up to the White House in a tank a few months earlier. This subliminal message obviously worked, since MacArthur just faded away until he died in the wake of this animated caution.

I would have given "From A to Z-Z-Z-Z" a higher grade had it not contained a scene stereotyping Native Americans. But other than that, it's a good look at school life. I mean, how many of us didn't daydream in class like Ralph Phillips does here? Especially with the rote learning portrayed in the cartoon. Yes, he may be self-indulgent, but he has his reasons. And it probably would be fun to do some of what he imagines.So, although I prefer Chuck Jones's cartoons portraying Bugs Bunny and that crowd, this one has its merits. Worth seeing.Did Gen. MacArthur ever say that?

This Oscar-nominated short directed by Chuck Jones is one I can relate with. In school while I'm usually the talkative/class clown type. There are times when I doze off and daydream about fantastic adventures and places and people. So in a way I can relate to this short and it's leading character. And this short is based on Chuck Jones' childhood daydreams. So I guess we have something in common.