I don't have all the words right now but this film is a work of art.

Absolutely Fantastic

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Story: It's very simple but honestly that is fine.

The third Three Little Pigs cartoon short from Disney, following the Academy Award-winning Three Little Pigs and the enjoyable Big Bad Wolf. This one introduces the Wolf's three sons (the three little wolves of the title). They're kind of irritating but it is fun to watch them be brats to their father. Anyway, once again Practical Pig (the one who built the brick house in the first cartoon and warned his brothers about entering the woods in the second) is having to deal with his stupid brothers, Fifer and Fiddler. This time they're playing pranks on Practical and sounding the wolf alarm. He warns them about "crying wolf" and they just scoff. Of course, they live to regret this when the wolf and his sons show up. The animation is colorful and fluid. The voice work is great and the score by Frank Churchill is exciting. It's a fun cartoon; about as good as the second short in the series but not on the level of the first. Once again the highlight is the wolf in drag, this time as Little Bo Peep.

Big "Bad" Wolf, now speaking with a German accent for some reason, takes his kids out to hunt, opting to finally finish off the three little pigs while they still frolic campily. The sensible pig is even building an elaborate torture device to protect them from Wolfie. His brothers have been crying wolf as a joke and doesn't take them seriously when he turns up in actual sheep's clothing.Again, as much as I'd like to see those little pigs get shoved in the oven and Wolfie and kids finally be fed it doesn't happen. The sensible wolf brings his torture device and gives 1930s cartoon-going kids the pleasure of seeing an animal go through excruciating pain just for being what he is.A disturbing metaphor if there ever was one.

Perhaps a little too hectic in pace, but hugely enjoyable nonetheless. It is very funny, from the Wolf disguising himself as Little Bo Beep to trap Fifer and Fiddler as he did when he disguised himself as a mermaid in The Practical Pig, to "The Wolf Pacifier", to the juicy dialogue. The three little wolves are cute as well as ravenous just like their father, but cuter. The animation is excellent, fluid and colourful as I like it, and the music is suitably rousing. Also well done is the voice acting of Billy Bletcher and Pinto Colvig, both do stellar jobs as always.Overall, hugely enjoyable and highly recommended. Perfect to go with Three Little Pigs, The Big Bad Wolf and The Practical Pig, which are all very entertaining. 9/10 Bethany Cox

A Walt Disney SILLY SYMPHONY Cartoon Short.The Big Bad Wolf returns to the forest, this time with his sons, the THREE LITTLE WOLVES. Fortunately for them, Fifer & Fiddler Pigs are as gullible & silly as ever...A follow-up to THE BIG BAD WOLF (1934) and THE THREE LITTLE PIGS' second sequel, this is a very pleasant cartoon with lots of good imagination at work. The 'Wolf Pacifier' is fascinating & must have warmed the heart of Rube Goldberg himself. Followed by the non-Symphony THE PRACTICAL PIG (1939).The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.