Memorable, crazy movie

It's entirely possible that sending the audience out feeling lousy was intentional

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Strange, sexy girl down south--the subject of tall tales among the horny redneck locals--lives with her sister and tongue-less brother in a small cabin on swampland; after a sloppy deputy shoots his buddy while trying to capture the elusive female, he blames the killing on her, causing the sheriff and the dead kid's dirty brood to go after the girl and her family in vengeance. Paltry low-budgeter for drive-ins and grindhouse crowds seems to take its cue from the hillbillies in "Deliverance". The mechanics of the plot are old-hat but they still work--we want to see these 'good ol' boys' gets their comeuppance--but if the swamp atmosphere is captured at all it was probably by accident. The motorboat action scenes are familiar and unexciting, while the movie's primary emphasis is on rape. *1/2 from ****

'Gator Bait (1974) ** (out of 4) Playboy Playmate Claudia Jennings stars as Desiree, a Cajun woman who finds herself seeking revenge when she's blamed for a crime she didn't commit, which leads to a sheriff and a redneck family killing her youngest sister. Soon there's a showdown in the Louisiana swamps as the redneck woman shows some true vengeance. 'GATOR BAIT was released in a time when redneck action pictures had a place to be screen on drive-in screens on the weekends. This type of movie could never be made today and perhaps that's a good thing because stuff like this belongs in the 1970s and when viewed today you can't help but feel a bit of nostalgia. The film certainly isn't a masterpiece but fans of this sort of thing should find enough entertainment to make it worth watching. I'd argue that the film's first half is actually a lot better than what follows but those who enjoy exploitation should be entertained either way. I really thought the first ten-minutes or so were pretty funny as the two redneck men go around trying to catch this wild woman. Their little chase made for a couple nice laughs and we also have some rather funny dialogue. From this point on it's basically just the men walking around the swamp trying to capture the girl. I think the film slows down a bit too much here and a little more action or at least less dialogue would have helped keep things moving at a better pace. The performances really aren't all that memorable and this includes Jennings. I'm not sure if the directors asked her to talk the way she does in the film but it was rather hard to understand her. Considering this is an exploitation picture, the lack of any real nudity was somewhat surprising with the Playmate only giving a couple quick shots. The Louisiana settings are certainly a major plus as you really do feel as if you're down in this dirty swamp. 'GATOR BAIT isn't a masterpiece but it's certainly a decent way to kill ninety-minutes.

The answer to that riddle would be at least more than five, as the male lead characters are clearly too retarded to accomplish anything... Ah, 70's exploitation of the trashiest kind; you hate to love it and 'Gator Bait is unquestionably one of the most rancid, gratuitous and shameless examples available on film. The basic concept of this movie shows a lot of potential and ingenuity, yet the makers didn't seem to care the least bit about that and exclusively contemplated about ways to make the movie even more sleazy and exploitative. Obviously inspired by the success of "Deliverance", judging by the outback setting, the character drawings and the massive overload of banjo-music, 'Gator Bait is a simplistic story about murder & retribution starring the luscious former Playmate-of-the-year Claudia Jennings as a poaching wildcat versus a sleazy bunch of Cajun rednecks. When the cowardly son of Sheriff Joe Bob Thomas frames Desiree for a murder he accidentally committed, a quintet of sniveling weirdies goes into the swamp to arrest her. But when the sexually frustrated hicks then also barbarically kill her younger sister, Desiree prepares from some old-fashioned Cajun justice. The directors' duo Beverly and Ferd Sebastian clearly enjoyed filming Claudia Jennings whilst she bend over in her boat during her poaching activities, but they totally neglected the swamp's potential as a moody setting full of death traps and dangerous animal threats. Despite the exhilarating title, I only saw two alligators and, moreover, not even in action! Desiree's killing spree is monotonous, uninspired and even quite boring and – naturally – every move of her opponents is incredibly predictable. They're typical hillbillies, with names like Billy Boy and Leroy, with incestuous tendencies and trigger-happy gunshot fingers. 'Gator Bait is irredeemably bad, but at the same time charming and a must for feminists. Yeeeeeeeeee Haaaw!

OK, here's the deal, I got sick to death of reading lame reviews of exploitation and Eurotrash films from people who simply don't get it. These films are NOT meant to be compared to the sanitized crap Hollywood sells us. 'Gator Bait is a cult classic for a number of reasons, first of all, Claudia Jenning is hot, secondly, the Sebastians make quality low-budget dark sleaze. Most importantly, though there is little sex and violence in the film (as compared to many exploitation films) this film does not hold back. It rolls along at a good pace and is full of unlikable characters with secrets that are slowly revealed as the film plays out.The plot is fairly simple, Desiree (Claudia Jennings) is out to avenge the death of her sister... who was killed at the hands of an angry family who were led to believe that she killed a member of their family while all along it was the son of the Sheriff who had committed the crime. It's pretty much a cat and mouse story, with gorgeous and barefoot Claudia Jennings (the cat) hunting down and systematically killing the men (the mice) responsible. In many ways (as was the case with many exploitation films) the film has a strangely feminist theme to it. It turns out that Desiree is the most clever, likable, and capable character in the film. That is the frequently missed point of many exploitation films... the women (the victims of some pretty dumb and unpleasant men) are the most sympathetic and frequently brightest and strongest characters. The whole film has a deep and dark sexual undertone to it, and like most exploitation, it is not for the squeamish or the Hollywood-fed public. This is a film for people who are willing to look into darker corners. It is well acted, beautifully-shot, with a really cool Cajun theme song ("Jole Blon" rewritten), and plenty of action and outright weirdness.