This is How Movies Should Be Made

Sorry, this movie sucks

Simply A Masterpiece

This is a gorgeous movie made by a gorgeous spirit.

I really believe that this kind of movie won't be for everyone, the reason I fell in love with it is because I can relate to almost everything. It is a different, even happy way to show the decadence of the body with the age, the family quarrels, the simple things that we get attached to.

Even though the movie was inspired by a true story ,it was fictionalized.The first thing to bear in mind is that this story should be considered the depicting of a woman's OWN choice;we are not asked to argue or to judge;and that,although it was labeled " comedy" it's not a barrel of laughs;it is precisely the kind of movie which you cannot leave unharmed .As the precedent user wrote in his/her insightful comment,the subject concerns us all:what will we do when the time comes?After years and years of supporting roles ,where Marthe Villalonga often played the over possessive mother ,she is at last given the lifetime part ;her performance is thoroughly admirable :a restrained portrayal ,full of dignity ,never falling into the trap of self-pity and sentiment;although ten years younger than her character,she manages to make us feel the burden of life when your body aches,you wet your panties and your legs are giving way under you .Matching her every step of the way is Sandrine Bonnaire 's distraught daughter who,little by little,comprehends her mother's decision to end a life "which will end bedridden in a gloomy hospital",even though she does not approve of it: who could anyway?There are flaws indeed: Bonnaire's organic- food- husband hams it up all along the way ,and the same almost (but not completely) goes for her "Bim Boom surf" son;the flashbacks (and the movies from the past) are a bit of an overkill (the heroine dives in the nude in the last picture);symbolism is often ponderous :in Bonnaire's nightmare , the little girl,lost in the cemetery finds her mom's grave;granny has not been out of the hospital all of one minute when she runs into a woman about to give birth to a child -she was a midwife,a women's lib activist ,she championed all the causes going .We can also find that Bonnaire's colleague,at school,is a caricature who " got rid of her own mom in a house for retired people and wants Diane to share her guilty feeling : too facile an effect!Fortunately all that remains is often deeply moving : the 92nd birthday celebration and granny's speech ;the black neighbor 's wisdom and her lovely African ballad which will return in the final cast and credits;the song Madeleine ,her unfortunate room mate and the nurse's aid break into (Gilbert Becaud's "Et Maintenant" =what now my love?) makes sense and it makes a change from the eternal English or American songs every modern French director includes .The trip to the place where an old flame of Madeleine lives his twilight years : this short sequence reminds me of Ingmar Bergman's "wild strawberries ".A crepuscular scene shows the two women watching the sunset .In this would be comedy,comic relieves are few and far between :the distraught brother taking his dog to the vet cause he's eaten my mother's pills ; the stream of physicians ,coming to "cure " the old lady ,but actually providing her with the medicine she needs for...the movie flirts with black humor,for a short while.I do not think it's a movie for the whole family as IMDb page suggests ;I say it again,this film depicts man's universal fate,and a way to die on your feet,to quote the heroine.Two movies had already depicted the story of two women ,a young one ("Und Morgen Mittag Bin Ich Tot")and an older one ("Quelques Heures De Printemps" ) ;but they were terminally-ill persons who chose assisted suicide in Switzerland .Madeleine ,on her part ,could be still living years of sufferings and decrepitude :she decided she would not.Even if we do not approve of her,we have got to respect HER choice ,which might be OURS ,some day.

we watched this movie last night together, wife and husband, aged and concerned, our gaze is biased because the central question of this story is also in our minds ... can we have courage when the time comes, to choose our end of life? our answer is yes intellectually, our certain convictions, however within oneself, death is unimaginable, no one can look at his death in the face ... Sandrine Bonnaire is perfect in his role loving daughter, Martha Villalonga (Madeleine) standing there the best role of his career, the interactions of the various members of this family are clearly stated ... the mixture of emotion, laughter and tears demonstrates the perfection of the scenario to raise awareness of this problem timeliness and the necessity of freedom of choice which is still far from consensus, too much mixing parameters: religion, tradition, etc ... thank you filmmakers to put forward with the real film that touches us in the heart