From my favorite movies..

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

"Three Blind Mouseketeers" comes across as a possible inspiration for the Road Runner-Wile E. Coyote cartoons, as the cat sets traps for the mice, who avoid them without realizing that they're in danger. Since I always preferred the Looney Tunes to any of the Disney stuff, I have to go with Wile E. Nonetheless, I did like that end sequence. In the end, the best version of "The Three Musketeers" is the 1973 and 1974 back-to-back movies directed by Richard Lester (they were planned for a few years earlier and Lester was planning to cast the Beatles, but that fell through and he assembled a different cast).Anyway, this one's OK as entertainment. A piece of trivia is that Pinto Colvig, who did one of the voices, is best known as Goofy's voice.

True it is predictable, but this is so entertaining that I don't care. The music is terrific, the characters are at least likable- although Captain Katt is evil, there are times when you do feel sorry for him. The silly symphony is beautifully drawn, with excellent character animation and nice backgrounds. There are some truly hilarious bits, my favourite bit has always been the one when Captain Katt is looking for the mousketeers under the three bowls. Considering when it was made, this is an enormously entertaining and beautifully done silly symphony. It is not the best one out there, but it is well worth watching for entertainment value.All for one, and one for all! 10/10 Bethany Cox

THE THREE MOUSKETEERS gives a cartoon spin to the Alexander Dumas tale of "all for one" as they have to use their combative skills with sword and derring-do to defeat a fat cat bent on their destruction. "My traps are set in every room, those cats are munchin' to their doom." Predictably, the mousketeers outmaneuver the traps either by remarkable luck or skill (or both) and the sleeping cat (who dreams about victory) is soon awakened by the rather boisterous musketeers as they congratulate each other on escaping his booby traps.The rest of the cartoon is strictly a series of cat-and-mouse chases with the mice winning at every turn. The scene where one of them is hiding under a teacup is reminiscent of the later gag used for Lucifer in Disney's full-length "Cinderella".Nothing really extraordinary here, although it's clear to see that the animation techniques were undergoing vast improvement by 1936.

A Walt Disney SILLY SYMPHONY Cartoon Short.The THREE BLIND MOUSEKETEERS set about getting their cheesy meal, despite the best efforts of villainous Captain Katt to destroy them.An enjoyable, though unremarkable, spoof of swashbuckling movies. Disney would revive the term `Mouseketeer' two decades later for use in the Mickey Mouse Club TV show. Katt seems to owe a lot to the personality of character actor Noah Beery; and is that Walt vocalizing the skinny mouse?The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.