As Good As It Gets

It's entirely possible that sending the audience out feeling lousy was intentional

The acting is good, and the firecracker script has some excellent ideas.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Uncompromising town Marshall Randolph Scott attempts to get to the bottom of a terror campaign against peaceful homesteaders who've settled on government land used by cattlemen in the plains around Abiline, Kansas.Scott gives an appropriately stern performance in this low-budget independent production, but this just isn't as good as his color studio westerns he made in the following decade.The script is intelligent but a bit too talky, failing to ignite any real fireworks until near the end.Cowardly Sheriff Edger Buchanan and Lloyd Bridges as a heroic farmer give adequate support, but villainous Jack Lambert is a real standout.Ann Dvorak's incredibly leggy costumes are a real treat.

Edwin L. Marin had a very varied directorial career. His first film was the excellent "movie" crime drama "The Death Kiss" (1932), he then directed "A Study in Scarlet" (1933). From "Sequoia" (1934) to "Listen Darling" (1938) there wasn't a genre he didn't tackle. He also directed some memorable westerns including "Abilene Town" . It stars reliable Randolph Scott as Deputy Marshall Dan Mitchell and beautiful Ann Dvorak.Ann makes a great entrance putting her musical talents to good use. She plays Rita, the dance hall songbird who sings "I Love it Out Here in the West". She also sings "All You Gotta Do" and "Everytime I Give My Heart" during the film. She runs foul of town Marshall Dan Mitchell for singing and carousing on a Sunday (firearms have to be checked in on entering the town).There is bad blood between the homesteaders and the cattlemen. The homesteaders have come to settle the land but the cattlemen want them out - they want the land for their cattle. Mitchell thinks the home- steaders will be there long after the ranchers are gone. After the farmers settlement is burned war is declared but the cattlemen are not the only ones with an interest in keeping the farmers out. The dance hall is secretly on the cattlemen's side but the general store does some mathematics and realise that keeping the homesteaders happy will be very good for business. Hostilities come to a head when Sherry (Rhonda Fleming in a thankless part) sells barbed wire to a very young Lloyd Bridges as Henry. He is one of the young farmers and after Sherry has a vocal showdown with Mitchell, the way is paved for Sherry and Henry to form a romantic pair. Mitchell, of course has had eyes only for Rita from the start. Edgar Buchanan plays the dithering Sheriff "Bravo" Trimble.Recommended.

A minor western classic, detailing the conflict between cattle men and homesteaders in Abilene, Kansas, in the 1870s, Abilene Town has much to commend it, not the least of which is the superb black-and-white cinematography by Archie J. Stout. One of the chief beneficiaries of Stout's fine work is Ann Dvorak, who has never looked more attractive than she does here. Her singing is a treat too, as she renders three or four saucy songs with admirable vitality, backed up by Sammy Lee's chorus girls.Scott is more than his usual competent self. In fact he gives one of the best performances of his career. Forced to straddle both sides of the fence, the marshal's sympathies are clearly with the raucous cowboys rather than the calculating merchants or the scruffy homesteaders. The interesting thing is that the script obviously favors the "good" people, but Scott brilliantly plays against the screenplay, his carefully controlled poker face revealing to the audience with just an occasional fleeting expression, a glance, a gesture, which side he favors in his heart, and his inner conflict that forces him to fight on the side that he knows will survive. Scott's adversaries on the "wrong" side of the street are forcefully played by Richard Hale, Jack Lambert and Dick Curtis. On the right side, he has to contend with Howard Freeman, Rhonda Fleming and Lloyd Bridges. Finally, he is forced to watch "his" Abilene self-destruct. "This is how a tough town dies—not with a roar, but with a whine."

1st watched 10/20/2000 - 5 out of 10 (Dir-Edwin L. Mitrin): Flat, typical western with unemotional Scott trying to play the hardcore part of marshall. Silly sheriff played by Edgar Buchanon is the best part.