Madame Bovary
April. 03,1991Bored with the limited and tedious nature of provincial life in 19th-century France, the fierce and sensual Emma Bovary finds herself in calamitous debt and pursues scandalous sexual liaisons with absolute abandon. However, when her volatile lifestyle catches up to her, the lives of everyone around her are endangered.
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Reviews
So much average
Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
While it doesn't offer any answers, it both thrills and makes you think.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Madame Bovary enters an unhappy marriage to move up the social ladder. From here she indulges in a number of illicit affairs that leads to serious complications.First off I have to say that I don't really know anything about the novel from which this was adapted. From what I have briefly read it seems that it was considered unfilmable for some reason. Having seen this movie now, it does have to be said that it is a slightly odd costume-drama. Its story isn't especially romantic and it's not the most focused narrative overall. While I would say that Isabelle Huppert puts in a strong performance in the lead role, it's quite difficult really caring too much what happens to her. None of the characters in the film are particularly sympathetic. I guess the blame for this has to go to director Claude Chabrol. I have seen several of this director's movies from his late 60's early 70's heyday and have to consider myself a fan. All of those films were morally complex but contemporary stories. Madame Bovary shares some of the moral ambiguity but has an unfamiliar period setting. Chabrol directs the film in a somewhat cold manner, making it difficult to empathise with anyone. However, that said it's still a compelling film. The first half is pretty ponderous but it picks up steam in the second as the twists and turns in Madame Bovary's life are ramped up. So not classic Chabrol by any means but an interesting diversion all the same.
At first glance, "Madame Bovary" may seem like an atypical project for Claude Chabrol: a costume drama with no murders at all (though there are a couple of deaths, plus an amputation!). But if you look closer, you can see that the meticulous production, the elegant camera work, the morally complex characters, the extramarital affairs, the methodically (and at times excessively) slow pacing, they are all characteristically Chabrolian. This film is not just based on a book, it feels like a book on the screen, with its linear, one-thing-after-the-other structure and the (unidentified) narrator commenting on the action from time to time. The exquisitely beautiful Isabelle Huppert gives us an intelligent take on the title character; the rest of the cast is fine. Not exactly an exciting movie, but a worthwhile and beautifully made one. **1/2 out of 4.
Strangely anaemic version of Flauberts classic novel.This movie looks wonderful ,meticulously recreating a French country town in the mid-Nineteenth Centuary , but singularly fails to inject any life into its characters.The main problem is the normally excellent Isabelle Huppert's performance as the eponymous Madame B,not only does she fail to register any real emotion,far less do justice to the many facets of Flauberts creation,but at 39 ,she is,frankly, just tOo old for the role.The Film is also severely hampered by a leaden script that commits the cardinal sin of adapting a great novel,it employs the device of having a narrator read large chunks of the book.One would think that the 1974 Version of "The Great Gatsby" had amply demonstrated the folly of this approach.A voice-over reading portions of the source-novel is just not cinematic.The BBC's 2000 TV production was a much better attempt at capturing the atmosphere of the Novel as well as the complexities and contradictions of the central character.
Even when a film tries to be as completely faithful as it can to the original source it can still end up lacking something that just doesn't transfer over to the big screen. There is definitely something missing here although it's hard to put a finger on it but it may be based on the way the story is presented. Story is about Emma (Isabelle Huppert) who lives with her father and dreams of a more exciting life and when she meets Dr. Charles Bovary (Jean-Francois Balmer) she looks at this as an opportunity for something different.*****SPOILER ALERT*****Emma marries Charles and at first she's happy but as time passes she becomes bored and loses interest in her husband but when he mentions the opportunity to move to a bigger town she agrees where he sets up a new practice. Emma and Charles have a daughter but this doesn't stop her from having affairs with Rodolphe (Christophe Malavoy) and Leon (Lucas Belvaux) and she also runs up a considerable debt with the hope that she will have run off with her lover before her husband finds out.This film is directed by Claude Chabrol who specializes in dramas about lust and greed and selfishness and one would think that he would be perfect to direct but truthfully he seems out of his realm with period pieces. This is the ninth version of the 1857 novel by Gustave Flaubert and Chabrol carefully follows the story faithfully and even shot his film in or near Rouen where Flaubert lived but even with all this the film comes across as mostly disconnected and cold. Huppert is arguably the best actress to come out of France in 20 years and she does have some poignant moments and scenes but she just might be to good to play an unfaithful dreamer because she's more adept at portraying more complicated characters. At times she swoons like Emma would in a romantic novel but it doesn't come across as believable even though Huppert generally makes this effort watchable. Chabrol gives us an Emma that is totally unsympathetic and that sounds interesting but it is hard to feel one way or another for her especially considering that this film runs for a solid 2 1/2 hours. If your a fan of Flaubert's novel or of Huppert than you might want to give this a viewing but for others this is probably just to long and emotionally distant to stay with although I personally can watch anything Huppert is in.