The Proposal
April. 17,2001 RAn undercover cop lets his job get personal while on an underground assignment.
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Reviews
Very very predictable, including the post credit scene !!!
Really Surprised!
Perfect cast and a good story
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Nick Moran does well in this role, a consistent and believable element in a movie with a few twists and turns. You can relax with this movie for an evening, but if you're paying for this as a rental then you might do better to see Nick Moran in "Silent Partner." An episode of Miami Vice probably has a better way of mixing the good guys, bad guys, local police, and feds or FBI. The characters in this film make good sense and you could expect to find people like them, but character development is not very strong except for that of Nick Moran's character, Terry Martin. Jennifer Esposito as Susan Reece enters the stage with a dash of freshness, shows signs of that character trait at times, but doesn't really have a believable role. Don't blame the actress - the writers and director could have done better with her skill and the role. Not a bad movie, but not gripping, either.
The Proposal both contains surprises and is a surprise. The story is suspenseful and tight, acting solid, and direction skilled, all better than I had been expecting. Undercover cop Terry Martin (Nick Moran) and his new partner Susan Reese (Jennifer Esposito) infiltrate a crime lord's underground operation. But Reese, anxious to leave her desk job behind, pushes too quickly to get close to Big Boss Simon Bacig (Stephen Lang), and soon Martin doesn't know who he can trust. Figuring out exactly who is on whose side rapidly becomes an intriguing puzzle for the viewer.The believable acting and storyline plus lack of any significant plot holes are a refreshing change from what Hollywood often churns out. This film won't insult your intelligence with gratuitous violence, unbelievable gun fights or unwarranted car chases; the R rating probably should have been PG-13. Esposito seems genuine and comfortable in front of the camera. Unfortunately Moran's performance is marred by what I assume to be a speech impediment of the actor ("wobbewy in pwogwess"), which distracts at times. Lang is convincing as the crime boss with an inflated ego who is used to getting whatever he wants. You'll recognize character actor William Davis who plays FBI Agent Gruning with an understated appeal. An interesting mix of flashbacks and flashforwards from director Richard Gale will taunt you with clues about the mystery.No, this movie is not without weaknesses. Until Esposito can smooth out her New York accent, she'll be relegated to playing either ethnic or tough girl roles, otherwise she has the looks and talent for more significant acting jobs. Setting and filming the movie in New York or Chicago, rather than some unnamed generic city, would have added authenticity. The background music could have been better. Still, definitely worth a view, especially if you are fond of the genre.
1st watched 8/3/2002 - 3 out of 10(Dir-Richard Gale): Haphazardly-thrown together good cop/bad cop/undercover agent thriller that seems to change from one second to the next as far as what direction it wants to go. The main stars are ok in their roles, but their roles are so confusing I'm sure it was difficult for them to get a grasp on who their character was from one minute to the next so I don't really blame them. I blame the director and screen-writer because of the very choppy way this movie seems to have been put together. They never really seem to know what they want to do and focus on(the action, the sex, the complex plot - they needed to pick one and they didn't). The movie is about an undercover cop which then becomes about his partner, then about the bad guy, then the FBI, etc. I really think I need to be done here. Goodbye, enough said. Rent something else if you want to watch a good movie.
This film takes a familiar storyline and gives it a few interesting twists. I think that it is the characters and the script that make this movie as good as it is.The story is about an undercover detective (Moran) who leads a paranoid existence, constantly vigilant against being found out for who he really is. In order to keep his cover intact, he reluctantly accepts a new partner (Esposito) who has no undercover training and who may eventually put him in jeopardy.The Proposition takes you into the personal life of a detective who has been under for several months and the lengths he goes through to establish his identity as well as watch his own back.The film's antagonist, Simon Bacig (Lang) is great. He is a villain's villiain who plays dangerous, vain, and eccentric, all without going over the top.Great direction and script give this movie dimension and depth that allow you to get in touch with the characters and keep you hooked as you await the final outcome (which I guarantee, you won't be able to guess).