Thanks for the memories!

People are voting emotionally.

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

There is a lot of praise for this little movie. It's well enough deserved as the atmosphere created by the photography is intimate and quiet.Mark, the principle character, suffers the death of his close friend by an accident. Andrea is a friend that Mark never heard of from his now deceased friend. Mark invites Andrea to visit as the plans were already made before the accident. Andrea is in Italy, Mark is in Texas.This sort of threw me as it is never made fully known how the deceased friend came to know Andea, other than through the internet. Andrea gets around we learn through his conversations with Mark. In my opinion Andrea is a paid escort but he never confesses this to Mark as he discovers that Mark is a very old friend of the dead guy and had great respect for him. Andrea has feelings and doesn't want to disillusion Mark with his true purpose for the visit.Andrea goes back to Italy. I state this because Andrea comes across as patronizing and insincere.

This was a wonderfully subtle film. Although primarily focusing on Jeff and Andrea, there was always a powerful third character present- the overwhelming and mind-numbing grief both men felt for Mark.That grief was practically tangible throughout the entire film and I think those that enjoyed the film recognize that. And to those that say that the film felt disjointed and stilted, I say that it was a perfect expression of that intense grief.I liked the fact the fact that they (Andrea and Jeff) became intimate the way they did, it was sensual and plausible and more meaningful than any sort of a trope hookup. The minimalist music was fantastic and again, the stretches of absolute silence in the film added to the sensation of grief and loss. The ending worked for me as well, giving both men the reminder that there is a future without Mark, and that just maybe that future could include each other.

What an amazing trick director Tan pulled off with obvious student-project Ciao: turning a 13-minute short into an hour and a half.In what felt like a first draft, Tan needed to go back and edit some more. There were far too many "mood" scenes with utter silence, like the overlong "typing" only sound intro, or close-ups and faraway shots. Too many, in fact, we saw a lot of the backs of the actor's heads for periods of time. But, heck, we all learn.If that were all the movie was, surely (not Shirley, as in Airplane! – I know, that was lame, but I have to amuse myself while writing about this mediocre film) this would've received one star. The actors, namely the Italian, Andrea (Calza), had their heart invested. And it was deeply emotional.Furthermore, this has happened to me one more than one occasion. No I won't name names, but I guess I should give the synopsis to clarify.Before the 13-minute movie turned 87 minutes begins, the off-screen (for the most part) character Mark (Blaum) dies, unexpectedly and it's up to best friend/roommate, Jeff (Smith) to snoop around in order to inform those close to Mark of the incident. Andrea's on his way from Italy in order to meet (or is that meat) Mark, but is intercepted by Jeff and they spend a good couple of days reminiscing about the late Mark.Now, when I say this has occurred in my life, I'm not referring to the snooping or someone died. I've just had people in my life that I loved and they were "just a friend." In fact, as much as I tried to cover it up – ha ha, fruitless – everyone, including my friend knew of this love. But, he didn't feel the same way, though wanted to stay friends. This movie captured these feelings, emotions and scenarios perfectly and personally. So, naturally, I rate this higher for the personal aspects.Unfortunately, I don't think I'll be watching this movie again anytime soon. Every scene dragged on 1-2 minutes too long, too many objects/props were off the screen, yet talked about a lot and 80% of the acting was just wrong.That said, I would recommend for those in the mood for a slow-moving, emotion-driven gay themed movie night. I loved the guitar scene and I was pleased with the finale. I can't spoil, and I'm referring to the "bed" scene, but I kept dreading them going to the obvious, but kept true to what would really happen.

I recently saw 'Ciao' at a film festival in Australia and it turned out to be one of my favorites. I think it beautifully captured the cautious and quiet interactions we have with people who we barely know and who are from another country and culture. It was also a wonderful example of how we relate to another person who was unknown to us yet deeply loved the same person that we ourselves have loved. The common ground that two people have when they have both independently loved a third is thoughtfully explored.This movie is for those who love to think about (and ponder) dialog. It is also for people who enjoy a solid script delivered by actors that quietly deliver the goods. To me it was both believable and possible, which made it even more endearing. I was afraid that the film was going to go in a predictable direction and have a Hollywood style ending but this temptation was (thankfully) resisted. Instead the audience was provided with a very moving, heart warming, and realistic conclusion. I felt the movie was full of meaning, but you had to be listening and patient. The movie was about the journey of two people who shared common ground and the connection between them because of it. I recommend it highly.