It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

The movie really just wants to entertain people.

i thought the Rare Breed was excellent. The movie is one of my favorite movies. I have wanted to see it. Today it was on my TV and I watched the movie and I loved it. I love Maureen Ohara and I thought she did an excellent job as the mother in the movie. I got attached to the movie. I loved the Romance, and Drama in the movie. Great movie for anyone to see even if you are a Maureen Ohara fan or not. I am a Maureen Ohara fan. They should make more movies just as good as The Rare Breed to my opinion. The movie had a couple of funny parts. The movie reminded me of my Ranch because I have long horn cows like the movie did. One day I plan to buy The Rare Breed. So great movie, and no language at all.

Curious western handled in cartoony fashion: it's all fired-up, though it ultimately misfires. Fiesty Brit Maureen O'Hara and daughter Juliet Mills bring a royal bull for breeding to Old West America, where both ladies wind up with suitors. Capable cast holds interest but, despite some pleasurable moments, Andrew V. McLaglen's perplexing direction is way over-the-top. The screenplay by Ric Hardman keeps all the characters spouting off and hopping mad, turning the movie into a western parody (culminating in a laughable blizzard sequence which McLaglen stages on a set--with the results looking far worse than the typical blue-screen effect). O'Hara juggles the affections of both James Stewart (completely rote) and Brian Keith (hamming with abandon as a wild-eyed Scotsman). She was better off with the bull. ** from ****

Director Andrew V. McLaglen's "The Rare Breed" (1966) has a surprising amount of historical interest, both to students of the old west and to western genre film buffs. It is actually a fairly accurate (if fictionalized) account of the displacement of Longhorn cattle on the Texas range by intentional interbreeding with more conventional bulls (in this case a Hereford named Vindicator).Just as interesting is the film's position as one of the early intentional parodies of the western genre. While less obvious than in "Cat Ballou" (1965), the self-reflexive elements and parody are there if you look close. The most obvious are Brian Keith's overplayed (almost expressionistic) Scotsman and McLaglen's juxtaposition of classic John Ford outdoor scenery with obvious sound stage shots-including matte paintings by Albert Whitlock. And McLaglen rounds out his cast with genre favorites Ben Johnson, Harry Carey Jr., and Jack Elam.But "The Rare Breed's" real claim to fame is as the first "chick flick" western. It is likely to appeal more to women than men viewers as the story is told from the point of view of its heroine Hilary Price (Juliet Mills), who sets out with her parents to bring a small herd of cattle from Hertfordshire (England) to the American west. Unfortunately her father dies on the ocean voyage so Hilary and her mother Martha (Maureen O'Hara) are faced with the daunting task of completing what had been her father's dream. Mills is wonderful in this role and it really suits her. She is a placid observer of the strange land in which she finds herself while her mother is almost savagely reactive. Yet Mills gets all the really good lines as Hilary injects a lot of wit and wry humor into the story. McLaglen gives real dimension to only two of the characters, Hilary and "Bulldog" Sam Burnett (Jimmy Stewart). Burnett is a cowhand who starts out to swindle the two women but ends up being completed by them; eventually becoming a father/husband replacement to Hilary and Martha respectively, as well as a complete believer in their mission to change the nature of the American cattle industry.But Burnett has to come a long way to make this transition as he begins by calling the symbolically named Vindicator a muley bull (because it has no horns). His reaction does not get him off to a good start with the protective Hilary, who has raised Vindicator from a calf. The bull follows her around like a dog and is easily quieted with a verse from "God Save the Queen". Entertaining but not riveting, this unique example of the genre is a nice change of pace. Unfortunately the scenes between Keith and O'Hara will make you think more of Disney's original "The Parent Trap" than the film you thought you were watching.Then again, what do I know? I'm only a child.

This is dire. Without James Stewart, this flabby, far-too-long cattle yarn would be unwatchable. As it is, it's not far off. Stewart made a few of these 'modern' westerns for Universal in the mid 60's ("Shenandoah" springs to mind) and they are consistently shallow and unrealistic. Two English beauties, Martha and her daughter Hilary, travel out to the American West in 1884 to sell their prize hornless bull. They meet up with Bulldog Burnett, a trusty cowpoke, who helps them move their bull to Texas. Various adventures befall them along the way. The film wants to be a comedy action movie, but fails in both departments. The script is very weak and the improbabilities of the story are just too much to swallow. Stewart plays Burnett, and manages to inject a bit of human interest into even this poorly-drawn character who has to utter some dreadful lines. Martha is played by Maureen O'Hara. She reacts beautifully and wordlessly when Bowen proposes marriage, but other than that she has nothing to do in the whole interminable film except look pretty and seem aloof. Juliet Mills is passable as the female ingenue Hilary, as is her male counterpart (Jamie, played by Don Galloway), but their characters are too flimsy to merit further attention. Jack Elam plays the bad guy Simons, as ludicrous a villain as exists anywhere on celluloid. And now for the daffy parts. Burnett and the English ladies have camped for the night on the trail, but their camp is as bright as day, thanks to the Universal 'look'. Somebody takes a shot at Burnett, the bullet striking the coffee pot in his hand, but everyone decides to ignore it and turn in for the night! The notion that these two fragrant English roses would sleep on dirt is preposterous, but worse is to follow. The next morning, they are wearing crisp new outfits, both featuring dazzling white blouses - even though they have no luggage with them! Simons shoots his partner dead for no reason whatsoever - even though he is within his victims' earshot and risks ruining his own plan. When Simons stampedes Jamie's herd, nobody notices him firing his gun or riding in among the cattle, waving a yellow scarf. When he robs the travellers, the obvious thing for him to do is to kill them, but he lets them go free. Before and after the dry gulch sequence, the group moves through lush pasture land. The dry gulch simply doesn't fit with the terrain (which is probably meant to be Oklahoma Territory). Brian Keith as Alexander Bowen parades the most awful Scottish accent since Brig O'Doon - and because he's Scottish, he plays the bagpipes, of course. The scenes in the Bowen ranch yard and the blizzard sequence are very obviously filmed in a studio. Verdict - Too long, too shallow ... and too bad they decided to film it at all.