Good concept, poorly executed.

A lot of fun.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

"I saw the weary farmer, plowing sod and loam. I heard the auction hammer, knocking down his home. But the banks are made of marble, with a guard at every door, and the vaults are stuffed with silver, that the farmer sweated for." - Pete Seeger Mark Rydell's "The River" stars Mel Gibson and Sissy Spacek as a pair of struggling farmers. Combating floodwaters, bankers, scheming capitalists and angry unionists, the duo desperately attempt to keep the family farm from foreclosure.John Steinbeck published "Grapes of Wrath" in 1939, turned into a film one year later by John Ford. In many ways, Rydell's film plays like a 1980s update of the aforementioned works. At its best, it conveys the insensitivity of power brokers and landowners, tests the assumptions about private property and class difference upon which our social order rests, and details the ease at which humans (with common interests and shared grievances) are divided into subsets and pitted against one another. Not as sophisticated as Elia Kazan's similarly themed "Wild River", "River" climaxes with our heroes saving their farm and "becoming rich". This hokey climax not only betrays the film's original ethos, but ultimately endorses the problems and pursuits it pretends to denounce. In "River", everything's fine so long as you make a profit at the end.Aesthetically, "River" offers a nice blend of 1980s Hollywood and early 20th century neo-realism. Part of a wave of big-budget "women's picture", and influenced by the ripples of second-wave feminism, the film features another wonderful performance from Spacek. Blending strength with fragility, beauty with plainness, her character endures the labours of motherhood, matrimony and agronomics. Mel Gibson, though photogenic, is miscast as Spacek's husband.7.9/10 – Underrated. See Ford's "Grapes of Wrath" and Ken Loach's "Bread and Roses".

Mel Gibson and Sissy Spacek, are a young Farming family who battles not just the river of the title but also other matters such as the bank threatening to repossess their farm, and Scott Glenn plays a scrupulous land developer who plans to buy the farm to make way for a dam. together the family battles through the hard times in a desperate battle to hold on to their farm. Directed by Mark Rydell who directed such other fine American films 'The Reivers' 'The Rose' 'Harry & Walter go to New York' 'On Golden Pond' 'The River' is still a relevant if not hard to watch film in these downtrodden times. It also represents Mel Gibson at a time he was making quality fare. As usual Vilmos Zsigmond contributes terrific photography.

The River features a decent portrayal of the harsh life of American farmers and delivers a fine message that stands as the epitome of genuine American virtues. It is the story of Tom Garvey (Mel Gibson) and his family. They cultivate land close to the banks of the Tennessee River and have to fight floods and financial crises while one of the local capitalists plans to build a reservoir and wants them to abandon their land. Tom and his wife Mae (Sissy Spacek) are unwilling to yield. They rather chose to continue their inhuman struggles and stick to the grounds of their ancestors. What follows is a desperate and almost destructive fight to survive against adversities that seem invincible.Mel Gibson and Sissy Spacek are portrayed as a loving couple that would never back down. Despite mounting pressure and considerable setbacks it is a question of honor and integrity for them to hold on. Due to financial reasons, Tom takes a job as a factory worker and has to leave Mae with the work at home. Mae is a rugged but also very sensitive and determined woman. She is not as stubborn as her husband and does indeed show signs of wavering and despair. Yet she is as dogged as he is when it comes to defend their land and their family. This is where both get their strength from. Land and family. The most important values for Americans. As long as there is land, and as long as the family is intact, there is always hope. Whatever adversity is thrown upon you – natural or man-made – backing down is no option. The movie lives from this emotional and psychologically compelling commitment and brings these genuine American virtues to the fore with sincere authenticity and without glossing over the facts. The life of the family is portrayed in all its depressing hardships and stands as a symbol for the bold ambitions and the perseverance of the pioneers of the historical frontier. At the same time Tom and Mae embody natural virtues of not just Americans but all humans.Apart from the very obvious emphasis on courage and steadfastness, the movie provides visually intriguing sequences. The camera work is sublime and manages to capture at least some of the most picturesque images of the Tennessee River. The entire movie is shot on location in the Volunteer State along the banks of the great river. The scenes shot at night and during heavy rain are stunning and require substantial experience.The River is indeed more than an average movie. Its story is simple but compelling. The characters are decently portrayed and the message is both appealing and inspirational. Storyline developments are sometimes still too slow and some scenes are occasionally long-winded. It is a typical American movie, thus elaborating strongly on American issues and American virtues.

Tom and Mae Garvey (Mel Gibson, Sissy Spacek) are the owners of a small eastern Tennessee farm that has been in the Garvey family for generations. It is the early 1980s, when the staggering U.S. economy threatens the welfare of the American family farm. The Garveys' struggles are compounded by the fact that their property is in a flood plain, and by the enmity of Tom's rival Joe Wade (Scott Glenn), who is a wealthy and powerful foe. This is not lighthearted entertainment.For me, the film's most powerful moments come when cash-strapped Tom has to leave the farm to find work elsewhere. He unknowingly becomes a scab in a factory where the regular labor force is on strike. At least there is a regular paycheck, but the contrast between the man-made hell of a iron foundry/steel mill and the natural beauty of the family farm is compelling, and you can see why the Garveys struggle to hold on to their agricultural way of life, however hard it is. The cinematography for this movie is way above average, a celebration of rural America.Sissy Spacek delivers her usual fine performance. Mel Gibson is very good-- his Tennessee accent quite convincing. The two youngsters who play their children deserve special praise for their natural performances. This is a good, thoughtful movie-- not romantic, thrilling or exciting-- but one the family can watch together and think what sacrifices they would make to keep a heritage and a way of life preserved.