Good concept, poorly executed.

For all the hype it got I was expecting a lot more!

In truth, there is barely enough story here to make a film.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

I found this movie on Netflix browsing the French foreign section. It is really mostly a dry comedy I suppose but is much more. It is also an extremely creative gay friendly detective story about a modern parallel life to Marilyn Monroe's in the form of Candice Le Coeur from the coldest part of France.It is funny foremost with characters like the Hotel clerk who has the hots for the Rousseau (the main character). The lesbian psychiatrist taking close up pictures of tree moss...on and on. Rousseau is a novel writer who stumbles on Candice's murder and follows up and solves it for inspiration for a book.It is just so non formula so unique so humorous. Just watch it. Not sure what the number 5 means?? showing fate is at work anyway.This is the only movie on Netflix streaming I have watched twice.RECOMMEND HIGHLY

I hadn't read any reviews of this film so I watched it with an open mind. The basic plot is pretty easy to follow. Writer arrives in a small town looking for inspiration, around the same time a local actress is found dead. So the writer decides to stick around and investigate in the hope of getting some ideas for his next book. I certainly wouldn't call it a comedy, there are a few little moments that made me smile, but that was about it. And therein lies my basic criticism of this film, I'm not exactly sure what kind of a film it is trying to be. Most of the supporting cast were very cliché (the President, the ex-boyfriend, the psychiatrist). In fact, the hotel receptionist, 'Betty' was the only supporting character who seemed believable. Like I said, I didn't know exactly what to expect, It was pleasant enough, but a lack of real 'umph' made this is one movie that I will forget about quite easily.

Nobody Else But You kind of sneaks up on you. It starts out being a deadpan Fargo like comedy---love that quick shot of the main character throwing away the big stuffed dog in the first 5 minutes---but quickly turns into a slightly melancholy investigation of the death of this local weather-woman. I'm not giving anything away--the body of the woman is found within the first ten minutes of the film and the main character is a writer looking for a subject for his next book---so the plot is set up very nice and neat right at the very beginning. The entire movie is mostly taken up by the writer's investigation (and frustrations in his investigations thanks to all the colorful locals) but rather then focusing on the other people in the weather-woman's life--the writer (and the movie) is really more focused on the woman's emotional state before she died-(the writer stumbles onto her diaries which is a neat way of having her narrate the movie from beyond in a way that makes logical sense and not just there because the director wanted to pay homage to sunset boulevard and American beauty) Eventually we find out that she was hardly the happy go lucky young woman everyone in town makes her out to be--she is in fact a rather sad young woman who completely modeled herself--on Marilyn Monroe---which actually explains the title if you think about it. In fact this movie might actually capture Marilyn's melancholy, bitterness, and flat out sadness better then the recent "My Life with Marilyn" did. (well maybe not better but this would definitely make an interesting movie to watch on a double bill with Marilyn--and it would prob be seen as a good attempt to put "Marilyn" in a noir of her own.) As a who done it the movie is kind of a wash out--we find out who did it all right enough but we're never really given any great motive or incentive for why---in fact i honestly felt the identity of the murderer ended up being pretty arbitrary---but as a story about a young woman who's thirst for fame left her less then satisfied--and as a story about a writer trying to understand the events that led to this young vital woman's demise--the movie was successfully engaging and just different enough thanks to its frigid atmosphere and various local characters to be entertaining. Even if the semi comedy we were kind of set up for at the beginning all but vanishes by the end of the film--the tonal shift from deadpan comedy to slightly bleak drama is handled nicely enough that it never feels jarring while you're watching it (its really only after i started thinking about it after wards that i thought hey when this thing started wasn't it supposed to be a comedy?) If you're in the mood for a more than decent drama with traces of comedy in it (and if you're in the mood for a decent writer investigates a murder movie as well) this should fit the bill.

This crime writer arrives in winter and the first thing he sees is a dead woman being taken care of. That interests him and he starts to explore her life. It has voluntarily and involuntarily been a copy of the Marilyn Monroe story. Complete with "DiMaggio", "Arthur Miller" and so on.It all turns into a crime story of the type he writes himself. But is it interesting? Absolutely too much of the traditional American thrillers here, but with people who don't belong there.You can't even feel enough sympathy for the dead tragic woman to keep your interest up. It would have been better with more talk and less action.