The Greatest Movie Ever Sold

April. 22,2011      PG-13
Rating:
6.6
Trailer Synopsis Cast

A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.

Morgan Spurlock as  Himself
Peter Berg as  Himself
Ralph Nader as  Himself
Brett Ratner as  Himself
J.J. Abrams as  Himself
Donald Trump as  Himself
Quentin Tarantino as  Himself

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Reviews

GamerTab
2011/04/22

That was an excellent one.

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Actuakers
2011/04/23

One of my all time favorites.

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Erica Derrick
2011/04/24

By the time the dramatic fireworks start popping off, each one feels earned.

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Fleur
2011/04/25

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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knight-judithknight0
2011/04/26

Sports have used this system long before Cameras were invented. Great movie, an eye opener to product placement and now I understand why we have new products on our Grocery Stores shelves, thanks Morgan. I am looking forward at trying some of these products. The work that is involved to place products really opened my eyes for I thought it was much more simpler than what Morgan had to do. Some of the products I do use and yes I like the Shampoo and Conditioner too. The way you made it come together in your wonderful movie, it all jived together. The ending still had product placement. A real must watch movie and yes I am promoting your movie on the sites that I am on. However should I log (add a b in front of log) about this movie for I could do that for you too? Looking forward to your reply.

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davideo-2
2011/04/27

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning Shocked at the way big name Hollywood blockbusters can get by by placing brand names in them, and at the way everywhere you turn these days people seem to be trying to sell you something, acclaimed rabble rouser Morgan Spurlock tries to make his own film, selling itself and getting promotion by selling out to as many corporate brand names as he can find. While learning how corporatism has robbed the heart and soul out of everything around him, Morgan finds his own heart and soul come to be ripped out by what he has set out to do.While the success of his 2004 indie hit Super Size Me could have launched him into the stratosphere and made him something of a cult figure, acclaimed film maker Morgan Spurlock would appear to have stuck to his small scale roots and continued down his path of exposing the dark side of corporations and consumerism. While he can be admired for sticking to the formula that set him down the road he's on, that's not to say his antics can't become tiresome, and I have to admit, despite the interesting concept and his good intentions, I did find myself becoming bored by the goings on in this film.I never really paid much attention before, but I have started noticing lately how the relentless and aggressive methods of advertising all around us can destroy the heart and atmosphere of wherever they are placed, with some even suggesting it may have played a part in last year's UK riots, so as well as an interesting idea, Spurlock also has a relevant subject matter at hand. It is weird how this doesn't feel it has worked as well as it could have, but the execution and the way he goes about it just fails to work. He ends up feeling not so much a sell out, but a no sale. **

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Ezra Winton
2011/04/28

At the 2011 Hot Docs opening and Canadian premiere screening of Morgan Spurlock's POM Wonderful Presents the Greatest Movie Ever Sold the peppy logo-clad filmmaker told the audience his film will have the effect of changing the way we look at advertising, TV, and films. Maybe Spurlock has been hanging out with a different crowd recently, because his grasp of audience intelligence—especially a doc audience—is certainly off the mark in terms of advertising savvy. While his film, as hilarious and entertaining as it is, won't be affecting the way I look at advertising, it definitely changes the way I now look at Morgan Spurlock.Spurlock is a master story-teller to be sure, and this was readily apparent in one of the funniest, rollicking Q&As I've had the pleasure to sit through. Story after story rolled off his lips in all manner of imitation and animation – and had pretty much all in attendance slapping knees and grabbing sides in fits of laughter. His 2004 doc-buster hit Super Size Me told the story of one man's experiment to eat only McDonald's food while suffering the consequences. His 30 Days television series was a masterpiece jewel in the cheap tin crown of reality television fare. With all these storytelling accomplishments and talent under his belt his most recent work, a 90 minute celebration of advertising, marketing and commercialization bereft of any engaging narrative, comes as a whopping disappointment.Don't get me wrong – if you want funny, entertaining, inquisitive Spurlock you'll get your dose in this documentary about sponsorship in film. But if you're looking for critical analysis or an investigative lens you'll be very disappointed. Spurlock's film is the ultimate postmodern documentary – a film paid for by corporate sponsors about the business of financing films through corporate sponsorship. On the surface it's a great idea, but Spurlock doesn't scratch that surface to reveal the real "inner workings" of the business or the consequences of a social reality dominated by advertising and marketing. As one audience member said to him, the film is all joy – where are the questions? Spurlock, predictably upbeat responded that if the audience is uneasy about these things after watching The Greatest Movie Ever Sold than the film has done its job. Right.As a postmodern self-reflexive work there is surprisingly little self-reflection in PWPTGMES. Spurlock is in almost every frame of the film – flogging his film idea to ad execs, flogging products, and making light of critical voices like Ralph Nader. Between getting free stuff, zipping around the country meeting rich people (why Donald Trump's opinion was sought in this film remains a mystery), and drinking litres and litres of POM juice, Spurlock apparently has little time to really critically explore the nature of what he's doing and what the whole thing is about. Sure he has his moments of wondering aloud if he's going too far down the rabbit hole, but they feel as forced and staged as his meetings with CEOs and marketing gurus (all shot with atrocious camera work it has to be said). One senses that he went into this much like he went into Super Size Me: as a personal challenge and experiment, just to see if he could do it. And, lo and behold, of course he can – he's Morgan Spurlock after all.The first half of the film had me in stitches as he set up the gag. But by mid-way I was bored of watching Spurlock in predictable scenarios flogging everything from shoes to under-arm deodorant to airlines. I kept waiting for him to go deeper, to really provoke some critical thought on the issue of advertising and marketing. By the end of the film, this craving went unabated, much like my new craving to drink POM juice – thanks to what has to be the best marketing coup for a juice company since Dole colonized Carmen Miranda.So if you're looking for a funny, intelligent, provocative and critical documentary on advertising and marketing I highly recommend seeking out the wonderful 2004 Czech film Czech Dream. If you want to laugh with and at Morgan Spurlock as he makes a mint from celebrating crass commercialism, check out POM Wonderful Presents The Greatest Movie Ever Sold, that is, if you have the stomach for it.

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elisafuk-663-399249
2011/04/29

Morgan sets out to make a docu reality* funded entirely by PRODUCT PLACEMENT- branding whatever you would like to call it.AS a film maker the question is do you give up your creativity so that you get the money to do your creativity? Is your creativity less so if you have to shift a couple of things that your funders don't like in the Script. That is the basic plot of this docu reality.At the beginning of the movie i didn't think he would make it, i thought half way through he would say something like he had had to re-mortgage his house , sell his grandma, cat, dog and goldfish to complete it....YEP they coughed up money , hard cash, more hard cash, and more hard cash...but did he compromise to get it done though?....* docureality - because it was happening as he filmed and lets face it that is the reality for filmmakers.Watched at the BFI(London) on an unseasonally sunny autumn day.... Anyone for POM? LOL you had to be there!

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