Clownhouse

January. 02,1989      R
Rating:
5.4
Trailer Synopsis Cast

Three teenage brothers are terrorized by a trio of escaped mental patients disguised as clowns.

Sam Rockwell as  Randy Collins
Karl-Heinz Teuber as  Real Dippo (as Karl Heinz Teuber)

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Reviews

Fluentiama
1989/01/02

Perfect cast and a good story

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AutCuddly
1989/01/03

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

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Gutsycurene
1989/01/04

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

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Bluebell Alcock
1989/01/05

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

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punishmentpark
1989/01/06

It is because of that terrific little cult horror film 'Jeepers creepers' that I wish to see every movie that Victor Salva made, so why not begin with his debut? It turns out to be the debut of Sam Rockwell as well, so that's a bonus. Unfortunately, there is not much else here to be happy about.'Clownhouse' starts relatively promising though, with the uncomfortable and not much addressed subject of bed-wetting. But pretty soon the clowns are sent in, and the actual evil clowns turn out to be three escapees from the local mental hospital. I can't deny the film is atmospheric in a way, but things unfold very slowly and mostly in an uninspired manner (examples: in the end there's mainly a lot of running to and fro, and that table did not properly hide Casey at all). Some of the dialogues were okay, but most of them were pretty boring, as was the interaction between the three boys / brothers.Only for die-hard horror-fans, and even then, there's not much horror to be expected. 3 out of 10.

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callanvass
1989/01/07

Casey has a big fear of clowns that seems to consume him at the worst times. The night before Halloween, three brothers are trapped all alone in the house by a bunch of mental patients dressed up as clowns. Casey can see them, but the other two brothers don't believe him, leaving Casey to wonder if he is crazy. I'm not as scared by clowns as others seem to be. That being said, they are definitely eerie when used correctly. This one is all about psychology. The first hour is mostly buildup and atmosphere. Victor Salva does a nice job of adding solid tension throughout, and making the clowns genuinely terrifying at times. Whether they are lurking outside the house, hiding in a closet, it doesn't matter. Their mind games are fun to watch, and add to the tension. The teasing of the "are they real or not" does get a bit redundant after a while, though. The creepy score is effective as well. I also enjoyed the horror homages that are thrown in! Salva clearly did his homework. Don't expect any gore! It's not that kind of movie. The acting is solid. Sam Rockwell shows off his zany style that got him so beloved. His character is a narcissistic bully, but he's a lot of fun to watch. Many people will be begging to see him get his comeuppance. It was a flamboyant showcase for him. Nathan Forrest Winters is excellent as young Casey. It's just a shame his performance is overshadowed by the alleged molestation from Salva. There is a scene where Casey pee's his pants! He may be a talented director, but Salva is a sick puppy. Brian McHugh plays the voice of reason well. Credit to the clowns for being creepyIt begins to peter out after a while, but this is an above average horror film that deserves your time. If you want a suspenseful and thoughtful horror film, this one is for you. 6.7/10

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chow913
1989/01/08

As soon as I heard there was a film about escaped serial killers dressed as clowns preying on an innocent family, I just had to see it.Well the whole film is about as boring and predictable as it gets.Three young brothers are predictably left alone in their big Gothic house after a trip to the circus where the clowns are slaughtered by escaped serial killers.The three brothers are extremely predictable. The oldest is a bully, the middle boy a nerd, and the youngest a scaredy cat who becomes the hero.If the clowns' goals are to scare the boys or hurt them, they fail miserably at both. The clowns aren't scary since only we the audience see them. They remain hidden from the boys. And when the clowns do attack, the last 15 minutes of the film, we get the standard silliness of a 10 old boy being able to throw a grown man through a wooden window to his death 10 feet off the ground.There is not a single redeeming fact about this film. Avoid it at all costs!

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lost-in-limbo
1989/01/09

We all know about the infamous controversy that surrounds this production and its director, but as for the film its one very chilling, mean-spirited horror outing that effectively does what it sets out to achieve. To get people scared of the dark, by bringing out the fears those long to keep hidden and this set-up has that campfire tale aurora to help that occur. It might be slight in narrative, but its nightmarish atmosphere just paints an uneasy feel and Victor Salva's direction is stylishly arresting in the visuals. Slow to get going, but the performances by three squabbling brothers performed by Sam Rockwell (in his film debut), Brian McHugh and Nathan Forest Winters give it plenty of believability, especially when the macabre begins and a frighteningly forceful game of cat and mouse erupt between the two parties. Then you got the clowns, and these are very creepy looking clowns in their make-up and costumes. Clowns haven't looked anymore scarier. Who just happen to be escape lunatics from a loony bin, which killed some clowns from a travelling circus and decide to terrorise three brothers spending the night alone in their remote home. To top that off the youngest one just happens to have a fear of clowns. The structure might be formulaic, but these conventions are well-used (the chase elements, killers unknowingly lurking about and then grand dark house) and Salva's focus is on the set-pieces which skilfully shows from his timing of the shocks to camera placement and shadowy imagery. Watch as it grows tighter and everything gets claustrophobic, as the terror begins to have a strangle hold with little in the way of gore. Complementing the nerviness is the moodily playful sounding carnival music embedded score. A glum, but eerily unnerving and dread-laced horror tale there to open us up to our primal fears."You never know what they really are."

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