When a star comedian dies, his comedy team decides to train a 'nobody' to play the Star in a big TV show (a Patsy). But the man chosen, bellboy Stanley Belt (Lewis), can't do anything right. The TV show is getting closer, and Stanley is getting worse.
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Thanks for the memories!
Sadly Over-hyped
Powerful
Best movie ever!
The Prolific, Near-Genius, Self-Indulgent, and as Always Self-Referential Jerry Lewis is at it Again. Pushing Film Conventions just a Nudge, not Over the Edge, Never Wanting to be Totally Dismissed and Forever Seeking Approval, He Managed to be Creative as well as, Like Most Comedians, Inconsistent.Jerry's Fans Rate this One Pretty HIgh, some Considering it His Best along with The Nutty Professor (1963). It is Deeper than His Other Movies and Lewis, who was a Constant Thinker, seemed to be Thinking Overtime on this One.Like All Jerry Lewis Movies this has some Very Funny Bits and His Comic Timing is in Evident Here with a Scene Involving Voice Lessons and Antiques. The Sight Gags in Jerry's Movies are Consistently Innovative and Succeed without Fail, One after Another. Armed with an All-Star Supporting Cast and a Number of Cameos, the Perennial Clown just might have Reached too Far on this One because in this Film when it is Embarrassing (most Jerry Lewis Films include cringe-inducements) it is Really Embarrassing, like in the Nightclub Scene.Overall, this is One of Jerry's more Ambitious Movies and Probably One of HIs Best, although that's Debatable. Still if You are one of those that can Only take a Smattering of the Jerry Lewis Charm, this is Probably one You should Check Out. It's got it All.
This is another Jerry Lewis film I could not finish.Once again he plays the same character--a bumbling idiot whose sole purpose in life, it seems, is to make mistakes. The plot of this film was bad enough, but the silliness is compounded when it asks us to invest time in a character that is clownish. I can enjoy watching a simpleton if the act has some subtlety, but not when the act is transparently stupid. That we expect of circus clowns. For example, when Jerry drops a tray of ice and glasses, and he pretends to try to pick them up, we see him squeeze each ice cube he picks up so that it shoots out of his hand. That is not physical comedy at its best. That is insulting.There are other Lewis films that are worth seeing. This is not one. For example, try The King of Comedy. Some of Jerry's movies with Dean are actually good, perhaps because someone else had control of the production and could keep Jerry in check.
This Jerry Lewis comedy, which he also co-wrote and directed, begins with an unusual premise: a movie star has died and his staff of handlers (Keenan Wynn, Everett Sloane, John Carradine, Phil Harris, Ina Balin, and Peter Lorre who died before this was released) are discussing if they should split up. That would become "no" when Jerry, as bellhop Stanley Belt, shows up and clumsily drops his ice and glasses which makes the team try to make him a star. I'll stop there and just say that while I know that Lewis tends to overdo his shtick, I usually find it funny maybe both because and despite him doing so. I mean, when he mouths in the wrong places his recorded lyrics to his hit song (which I personally don't think would have been a hit even as a novelty tune) or has a disastrous encounter with music teacher Hans Conried (a veteran player of Lewis' movies), I'm so there laughing my head off! And a couple of silent sequences are pretty amusing if not as funny. But when we see Stanley at his night club debut, his accident-prone and mixed-words performance is painful to watch not only to the characters watching but to the actual film audience as well though it's possible Lewis meant it that way. There's also some entertaining tap dancing by The Four Step Brothers and some cool shoe shine-bopping by Scatman Crothers even though his character borders on an African-American stereotype though even there you get something of an edge in modern humor at the end of that bit. After the aforementioned night club bit, it loses some steam but the ending more than makes up for it. Oh, and cameos by the likes of Hedda Hopper and Ed Sullivan are also fine for the good sports they show up as. So on that note, The Patsy is well worth a look for any Lewis fan out there. P.S. This is one of the few movies that both Keenan and his father, Ed Wynn, both show up in though in this case, they have no scenes together. Oh, and Sullivan mentions both Martin & Lewis and The Beatles as among those that made their TV debut on his show, having filmed his scene not long after The Fab Four's first appearance with him on February 9, 1964.
Jerry's best work, he is hilarious in this one, and he plays the character that made me a Jerry fan, the guy who says, "Hey laaady", not the freak he played in Nutty Professor... Anyone who doesn't like this movie is not a fan of comedy, they're fans of Paulie Shore... Love Jerry, Love the Patsy, thats what it's all about, home alone!Woody Allen has even commented on how Jerry's direction in this film is Superb...The whole ice dropping bellboy scene near the beginning, still makes me laugh like a wild man!Jerry is the King of Comedy and this is his crown jewel!