I love this movie so much

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

This movie feels like it was made purely to piss off people who want good shows

The film never slows down or bores, plunging from one harrowing sequence to the next.

after decades, the same force of seduction. nothing surprising because it remains one of the inspired adaptations of the fairy tale of Andersen and one of the good explanations for the high interest of Russian cinematography for it. the new elements - the presence of narrator as character of story, the impressive Snow Queen, the freshness of humor and crumbs of animation, the nice manner to drive a simple story as gift for the children of each age and the flavor of original text are virtues of a lovely trip in the essence of childhood.

The Snow Queen in my mind is one of Hans Christian Andersen's best stories. Anybody who loves the story, and as long as they don't mind the omissions and the changes, will love this film. As far as 1960s Russian film adaptations of fairy tales go, The Snow Queen is not quite as good as The Tale of Tsar Sultan and Snow Maiden but it still shares many of the qualities that made those two films as good as they were. It is a good-looking film, though some of the special effects do look as though they were made on a limited budget, with handsome photography and costumes and sets that give a real magical feel. The film genuinely feels like a fairy-tale but at the same time there is something endearingly Russian about which I loved. The music score is beautiful, haunting and dramatic, and while the story is not entirely faithful to the original fairy tale it still has its charm and magic and told swiftly and coherently. The image of the Snow Queen watching through the window is still one that haunts me, and the silhouette of the Narrator is very striking and makes you want to keep on watching it to the end. The acting fits very well within the story, Elena Proklova is a moving Gerda and one that allows her character to grow. But the best performances come from Evgeni Leonov's King and especially Natalya Kilmova's chilling Snow Queen.All in all, very well done indeed. 9/10 Bethany Cox

Interestingly just like in 'Kingdom of Crooked Mirrors' (1964) - another Russian fairy tale movie I just watched yesterday - the king isn't the brightest bulb in the box and secretly is under the command of the kingdom's richest man, a capitalist through and through he made it big as a businessman by selling ice and as is usually the case with people who have handled ice a lot he is as pale as Dita von Teese, his body temperature is 34.2°C and consequently is heartless and spews "Nonsense!" a lot when other people talk about feelings.He's the story's main villain. Although he makes a lot of trouble for the main character - a girl on the quest to save her brother who has a cold heart after he kissed the snow queen (Nyzzzz!) and is now in her hands - he eventually lacks the courage, the willpower and the strength to ever finish anything he started because he comes to a halt as soon as he is confronted with an obstacle that he can't move out of the way by "throwing money at it" (=figuratively speaking...I suppose one has to make that clear when talking about a fairy tale movie). In one scene he negotiates with a group of thieves and when the head of the thieves asks if they can trust him he puts himself on the same level as thieves by saying: "Nonsense! We are both businesspeople." The message is clear, capitalists are criminals.The movie starts off with a teller of fairy tales walking the streets who through voice-over explains that he will not only tell but even show us a fairy tale in which he puts himself in. Although not one of the most prominent characters in the tale he secretly makes himself the hero because his character repeatedly saves the day. The "good guys" win their battles almost effortlessly and eventually it is VERY easy for the girl to bring her brother back home and to warm his cold heart again (which takes her two minutes of chit-chat with him).Visually it isn't too spectacular except for the titular Snow Queen whose appearance is dashing while her persona is positively icy and her impressive ice palace which you only get to see for one scene towards the end doesn't need to shy away from a comparison with "Superman"s Krypton sets.

This pleasant Soviet fairy tale was fun to watch, and interesting in its use of special effects (up to splicing in some seconds of cartoon, when real action would have been too difficult, especially with flying animals). After I got it with SuperIllu magazine two days ago, I watched it twice, and enjoyed the second time around even more.One might say this is a story about strong women. Starting from Grandmother who runs the household well, Gerda who sets out heroically to rescue her little brother Kai, the princess who clearly dominates her husband as well as her father the King, the impressive robber queen and her very independent daughter.. up to the titular Snow Queen of course - they all command the scenes they are in, while men appear in weaker, sometimes clownish roles (my favorite was the Hitler caricature who lost all his clothes and boots in gambling). I could see no "communist propaganda" in this charming film. But if it contributed to more self-consciousness of girls and women in its time, I can only applaud - as a 53yo man who watched this 43 years after it came out. I enjoyed it and recommend it, if you like Russian fantasy movies, or are just curious about films from elsewhere than Hollywood.