Good movie but grossly overrated

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Although based on a manga from years ago the plot line of desperate debt-ridden men being exploited is very timely in today's economy. You certainly feel the film is trying to cram a lot into its plot - the underground society, the rich tyrant, the games, all feel like they were explored in greater depth in the manga. You certainly want to know more about the organisation running the games. The whole thing is absurd and not very believable but keeps you fascinated. The pacing is often all wrong, as the scene on the 'brave man road' and the end game is played for melodrama and takes too long as we watch characters emote for ages. Kaiji is the kind of hero you often get in Japanese films - a loser who gets a chance to find some backbone and determination while keeping to a moral code while others around him give in to temptation and fear. The twist ending is an amusing touch although you deal feel a little cheated after everything Kaiji has gone through, (though no doubt so does Kaiji himself). If this was a Western film Kaiji would have figured out some way to destroy the organisation, but perhaps like all of us little people, when it comes to the power of the rich and financial institutions, the best we can hope for is to get out free of debt, like Kaiji did...

The colourful cast of Death Note (2006) reunite for this inspired manga/anime adaptation. It is a riveting sizzler of a movie made with nerve-jangling Japanese brutality. Kaiji is a down and out thirty-year-old blue-collar loser who has no luck in life. He is bored of his dead-end job at the hypermarket, irritated that pompous and prosperous people drive around in Mercedes and depressed that he never has enough dough to rise above his comatose lifestyle. One day, a debt collector arrives at his flat to offer him the chance to change his empty existence: go on a cruise with other down and outs, gamble, and repay his debts in the ultimate game of deception. If you win, you start your life afresh, if you lose, well, you will never want to fool around with rock-paper-scissors again because Brave Men Road is the only way to escape 15-years of forced underground slave labour.Kaiji: The Ultimate Gambler (2009) examines the languor of Japanese consumer culture: work, devour, and squander your verve in an everlasting cycle of mass suppression that upholds the lower-class/upper-class divide. This regimented Metropolis style nightmare comes to fruition in the symbolic utopian underground kingdom that blue-collar slave workers must construct for aristocratic city-dwellers. The languid masses march in union, take showers together and buy beer and munchies with their meagre pay to nullify and distract themselves from their authoritarianism. The moral at the heart of Kaiji is simple: if you want to achieve your dreams in this hum/drum existence, you have to wake up, fight, and live recklessly. Would you be willing to walk across an electrified beam between two skyscrapers to pay off your debts while superficial business executives watch you on television screens? If you want to rise above your own worthless comatose lifestyle, why not take up the challenge, you could win lots of money because that is what Brave Men Road is all about, or is it… Verdict: This riveting Battle Royale intoned masterpiece is made with nail-biting suspense, brain-teasing intelligence and mind-blowing wit:-

Generally adaptations from medium to medium in the world of film (i.e video game crossovers, remakes of older movies, cartoon remakes) are poor quality. As the original material adapts to its new format it becomes diluted. The work of the original creator is generally mangled to the point of no return.This film is a prime example.As far as some of the reviewers above who have made presumptions of Japanese culture portrayed in the film, stating that Japanese people don't 'act' like the characters portrayed in the film, are making ignorant remarks. The original piece of work (either the anime series or the manga) is a psychological thriller, with great attempts made at in-depth analysis of the thought processes of the characters. The commentary made on the greed of society as a whole is invoking.Bottom Line: Watch the anime if psychological thrillers are up your alley, its not drawn in typical cheesy anime style, nor is it cliché! Don't watch this film unless you have seen the anime, it will probably be a horrid experience! I recommend both Kaiji and the creator's earlier manga/anime Akagi. Both are extraordinary pieces of work in the otherwise cliché and worn out world of Japanese Animated television series.

This manga-to-screen adaptation by Toya Sato may have 'cult status' written all over it but only for its penchant to irritate and annoy viewers with all that sucks in terms of movie-making. Its sequences are all melodramatic - with the director trying to milk every scene for all the (fake) melodrama and bathos that it is worth.If there were a subtext or satire about how the dregs of Japanese society are caught in a self-imposed rut, it is overdone to the point of being ridiculous. However, if it is to reflect on the ridiculousness of Japanese TV game shows, it hits the nail on the head.The protagonist is Kaiji Ito (Tatsuya Fujiwara), a typical born-loser whose gambling habit lands him with a huge debt. His sins catch up with him when Rinko Endo (Yuki Amani) shows up with a list of his debts - and offers him a chance to repay them - by taking part in a winner-takes-all game on a darkened cruise ship. Those who lose the simple paper-scissors-stone game will end up working like slaves to build a ludicrous underground 'kingdom' planned by Endo's boss. Since every gambler is essentially a loser, Kaiji ends up in the slave detail. Still, since this is a gambling film, Kaiji gets a few more chances at getting out of his 'rut'.The main problem with this movie is that director Sato seems to be interpreting the manga comic for a bunch of morons instead of modern cinema audiences. Every aspect of the plot is over-explained and over-emphasised, stretching the film to an excruciating two-hour nightmare for viewers.Sato, a former TV director, allows Fujiwara to overact and over-talk like he is performing for a campfire. He prolongs every scene, especially the one involving the characters crossing a narrow beam suspended 200 metres above ground. There is nothing remotely realistic about the way the characters behave, especially at a time when their lives depended on it. There is no attempt made to provide backgrounds to Kaiji's character or any of the other cast members from the cult series Death Note. And if there are any funny moments, they are all unintended.Those who like to take a gamble on this movie may end up feeling like a loser, or worse, a sucker. - by LIM CHANG MOH (limchangmoh.blogspot.com)