Velvet Goldmine

October. 26,1998      R
Rating:
6.9
Trailer Synopsis Cast

Almost a decade has elapsed since glam-rock superstar Brian Slade escaped the spotlight of the London scene. Now, investigative journalist Arthur Stuart is on assignment to uncover the truth behind the enigmatic Slade. Stuart, himself forged by the music of the 1970s, explores the larger-than-life stars who were once his idols and what has become of them since the turn of the new decade.

Ewan McGregor as  Curt Wild
Jonathan Rhys Meyers as  Brian Slade
Toni Collette as  Mandy Slade
Christian Bale as  Arthur Stuart
Eddie Izzard as  Jerry Devine
Emily Woof as  Shannon
Michael Feast as  Cecil
Janet McTeer as  Female Narrator (voice)
Wash Westmoreland as  Young Man
Don Fellows as  Lou

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Reviews

TinsHeadline
1998/10/26

Touches You

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Wordiezett
1998/10/27

So much average

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PodBill
1998/10/28

Just what I expected

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Adeel Hail
1998/10/29

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

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Samaelthekind
1998/10/30

I think the core issue that divides people on Velvet Goldmine is a sort of 'you had to have been there...or at least wanted to be there' state of mind. Some simply won't get it, but if you look at the stars and see possibility, hunger after a moment in the limelight and the chance to brush up against something weird, mysterious and wonderful, just for a moment...then this movie is meant for you.I came into the world too late for the actual age of glam...it was all over long before I got there, but Arthur (Christian Bale) remains a strange parallel to my own memories of coming of age, coming out, and falling in love with and deep into a music scene that altered and enriched my life with experiences that might never have been had elsewhere. The soundtrack of my life might have played a bit differently, but the altrock/goth/industrial/punks at the end of the 80s and dawn of the 90s had their outrageous characters, and the descendants from glam rock were present in the pageantry and showmanship, the fabulous and the profane...so like the emerald brooch...the torch had been passed person to person, era to era, artist to artist...until something like that moment of wonder impacted against my life too.So when I watch this movie, despite loving the references to stars of the 70s punk and glam scenes, and enjoying the music and costumes and characters immensely, my attention always returns to Arthur Stuart, who also brushed against something powerful, wonderful, dangerous and strangely sacred for just a little while...and has never been the same since. Enjoy it...it's a fine film, well shot and with superb acting...but if I can add one other piece of advice...get out there and brush up against something wonderful of your own.

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cj-tk421
1998/10/31

Velvet Goldmine is centred on the glam movement of the early 70s, and most of the people and incidents in the film are loosely based on real people and occurrences. It follows the rise and fall of a Ziggy Stardust-type character, Maxwell Demon (Brian Slade), and those around him, and at the same time, the deep influence he had on a fan's life (Arthur Stuart). Brian Slade retires in a hoax and disappears; a decade later, in the conservative, depressing, Cold War Reagan-era the now reporter Arthur is tasked with finding out what happened to Brian Slade, taking him back to his own past, and exposing a cover-up. Judging by many of the comments here, people are a bit confused by this film. It wasn't meant for a mass audience; some background is helpful to appreciate it.First, to address some criticisms: 1. the time line is confusing – it's not meant to be a linear tale; pay attention, it shifts between past and present 2. not factually accurate – it's not a biography! 3. the costumes aren't accurate – true! the clothing was improved; the costumes play a very important part in the contrast between past and present and the overall development of the story 4. drags a bit in some places, with weird music video sequences – perhaps an homage to some 70s directors? 5. the American scenes were so obviously not in America – so true, this really does detract from the film, but I'm guessing budget was the issue here 6. male sexuality – double-standard here; seems that it's OK to exploit women sexually and show them naked in movies, but not OK to sexually exploit men or show gay sex scenes, even tasteful ones 7. Todd Haynes (director/writer) is American – will be discussed more below Although this film has a cult following among younger people, glam rock was mainly influential to two generations; first, the younger Baby Boomers – glam rockers often name-checked artists, authors, and musicians, so they also helped introduce the arts to their fans; many formed their own bands. Second, Gen Xers were also influenced by this era, as many of their favourite bands were glam rock fans and name-checked their influences. As a result, Gen X music fans bought old David Bowie, Roxy Music, T Rex, etc albums and read the unauthorised biographies of David Bowie. In turn, many of these Gen Xers were also inspired to form bands or get involved in arts and fashion. The Britpop/Cool Britannia era of the 90s owes a lot to glam rock, but its influence has never been limited to the UK. Todd Haynes' country of residence is irrelevant; it's obvious that he was deeply influenced by the era and knows the mythology surrounding it very well.Helpful context: During Bowie's 'Let's Dance' comeback in the early 80s, he faced much criticism for trying to erase his past image. Bowie did not disappear as in the film, he actually made some extremely influential albums as 'The Thin White Duke,' but then he came back as a whitewashed, corporate type. Fans of his previous work were disappointed, and many journalists of the time commented on this, for example, Neil Tennant, who was writing for 'Smash Hits' (USA 'Star Hits') at the time, and whom Arthur is probably based upon.It is necessary to be familiar with the glam era and David Bowie to appreciate this film properly. Oscar Wilde is also quoted and paraphrased extensively in the film, and all the major players are shown as carrying or passing on his pin.Velvet Goldmine has been compared to Citizen Kane in structure, which is correct, but in content, I disagree. It is not really a 'rise and fall' tale, but more of a personal story, about the nature of the image versus the self, how much of one's self should be in one's art, etc, and about stepping out of someone else's shadow and creating one's own legacy.Not enough good things can be said about the actors; these were challenging roles, but acted beautifully. Also, actors are usually bad at playing musicians, so it was great to see that all of the musicians/pop stars besides Brian Slade and Curt Wild were played by actual pop stars/musicians. Also, Lindsay Kemp (Bowie's acting teacher) has a small role in this. Check out the cast list, it's really impressive.Here's a cheat sheet of who's based on who: Brian Slade – David Bowie; Curt Wild – Iggy Pop, also sometimes Lou Reed; Arthur Stuart – Neil Tennant, shades of Morrissey; Jack Fairy – composite character, at first loosely based on Marc Bolan, later Thin White Duke Bowie, but not really based on any one person; Jerry Devine – Tony Defries; Shannon – Coco Schwab; Mandy Slade – Angela Bowie; Cecil – Ken Pitt; Polly Small – Patty Smith; Rodney – Rodney Bingenheimer

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scared-of_girls
1998/11/01

I've actually been looking forward to seeing this film for a really long time, and finally got round to it this weekend. It should have been great! It had all the right ingredients; great cast, fabulous outfits, it's about GLAM ROCK for goodness sake! But alas, what this film was seriously lacking in was plot. Velvet Goldmine tells the tale of Brian Slade, a pop icon in the 1970s bearing an uncanny resemblance to David Bowie, whose career takes a severe nose-dive after he fakes his own death on stage. The picture revolves around a newspaper reporter ten years later (Who was once a fan of Brian Slade, and was at the gig of the 'shooting hoax'), assigned to find out 'exactly what happened'. What follows are an hour and a half of confusing and seemingly irrelevant flashbacks, poorly scripted and dull interviews, leading to a dull and fairly predictable finish. I should stress again that I am a big fan of both the Glam Rock era, and all of the actors in this film, so I didn't begin watching this film with any preconceptions of bad-ness. Worth a watch if you, like me, are usually into this kind of thing, but only so you can say that you've seen it, and perhaps for the cameo from Placebo (Probably the high-light). A generous five stars.

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mr-laughs25
1998/11/02

Honestly I cannot remember what the fudge is this! is it a movie??? it surely didn't feel like a movie. My girlfriend made me watch this so I guess it's just something that men don't understand. If you are a guy and you're not homosexual DON'T watch this! it will make you bleed like Mai Lee and its not very pleasant.God people complained about Michael Keaton for playing Mr. Mom did anyone notice Bale in this movie????? There are some good songs I guess but the hell with that its torture, honestly I didn't get it and I was awake because my dumb girlfriend kept waking me up after I fell a sleep I honestly don't know why is it so popular.

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