It is a performances centric movie

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

... you can always count on tears, blood, placenta and spilt beer.Having said this, this film uses all of them to good effect. This brutal confrontation with the Flanders of Pieter Brueghel and Jacques Brel, is not without its pathetic and touching moments. It reminded me a lot of Quebec's "C.R.A.Z.Y" in its enthusiasms for its subject but with, of course, much more squalor.The actors are all convincing and attractive in their own way and the direction is transparent and unobtrusive. The viewer should be warned that the opus is generously peppered with scenes of fornication, sometimes public, pissing, sometimes public, defecation, sometimes public, vomiting, sometimes public, public male nudity and transvestism, not to mention lots and lots of binge drinking.I liked the anecdote in the "making of" documentary telling how one of the father's fake moustaches was fashioned from the male actors' and crew's pubic hair. It seemed fitting somehow.

I don't know what to think of this movie. It was one of the best movies I have ever seen, but also one of the most gross.Many scenes are just gross (eg: when the neglected house cat eats the puke of father, when father is pissing in his pants while he is sitting on a chair during a beer drinking game, when some of the brothers shoot a pigeon when it shits on the bedsheets, ...) But it is also a sympathizing movie. Almost everything is filmed in the eyes of a 13 year boy who lives together with his beer drinking asocial, ill-mannered family. It are actually his father, some uncles and his grandmother. The grandmother is very tiny, has nothing to say and is not in position to change house rules nor the way of life. The boy is raised by those men and unaware of his marginal life. He just follows his uncles in their tracks (and begins to drink, smoke, ... and joins all those nasty events with his uncles).The beauty of the movie is: you just get pity with the boy.

I saw this movie yesterday. I was drawn to it because it won the golden Amphora at the "Festival de Quend du film grolandais", an independent movie festival. Seeing the film poster with naked hairy guys cycling, I knew that I would have some fun but how far will they go? In fact, the movie alternates quite hilarious scenes with drunk people with more dramatic sequences. With this consideration, the movie is finally closer to English dramedies that are used to show working class characters and, finally, whatever strange they are, you feel some sympathy for those guys. It's quite comforting to see people who don't care about the others (or perhaps even about anything) but you also see that there are consequences. For sure, this movie is not about preventing the audience from drinking or about giving any lesson. Following the story of Gunther, you just follow the day to day life of a hillbilly family with its ups and downs (a little more ups in the movie). Like they say in "Les cahiers du cinema", Felix van Groeningen makes you love and care for these model people in the same manner as John Cassavetes was able to do. In a nutshell, go and see it (except if you are a feminist of course).

I attended the North American Premiere of "The Misfortunates" at the 2009 Toronto International Film Festival. Director Felix van Groeningen introduced the film with a few caveats about the drunkenness and debauchery to come. He was correct. The film is filled with humor and pathos, presenting some painfully brutal characterizations of life in Belgium for a 13-year-old boy living in a house of alcoholics. Equal parts comedy and tragedy, "The Misfortunates" can be painful to watch at times but the payoff is worth it. Shot cinema verité style, the artful use of color and texture combined with copious amounts of bawdy humor make this film an audience favorite.