Beautiful, moving film.

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

This story has more twists and turns than a second-rate soap opera.

Cheerful, appropriately unfettered documentary on exploitation, sexploitation and blaxploitation movies, from 1913's "Traffic in Souls" to the (would-be) grindhouse movies of the present day (Tarantino's efforts rightly looked upon as homages rather than the real thing). Elijah Drenner co-wrote, co-produced and directed this clip-heavy essay on the names, faces and posters behind the salacious, scandalous, shocking and sometimes successful grade-B features that played in rundown theaters on the bad side of town. Of the celebrity interviews, only directors John Landis and Joe Dante are knowing enough to give us a broad spectrum of the now-cult genre. Drenner loves showing off the title cards and advertisements of the movies his guests are talking about, but there's no exploration into the financing, production or box-office returns of these pictures. It's a facetious, shallow entertainment--which may be purely intentional, as it accurately reflects the sex-drugs-and-gore-infatuated features on display. ** from ****

It's a far ranging exploration of the exploitation cinema. It takes a history trip from the beginning of film all the way to today. It doesn't really try to limit the scope, and skims through 100 years. It features several talking heads. The most famous of the experts is director John Landis.This serves as a general documentary of the fringe movie world. The best thing is all the clips of these old movies. The talking heads aren't digging too deep but are generally well informed. Robert Forster does a good job as the narrator. His gruff voice isn't the normal narration but somehow fits the subject matter. This is a steady march through history categorizing all the major movements hitting the big moments. The best interviews are the actual participants who are talking about their own movies. The doc does grind down as the movie has nowhere to go with the arrival of porn. I guess that's another doc. The final section of Hollywood trying to rip off the grindhouse isn't quite as compelling. As a general doc, it hits most of the big points.

I suppose if you know absolutely zero about exploitation/genre films, this might be a somewhat decent primer...for middle school film class. Sort of a "Genre Film for Dummies" type film, lots of talking heads and deadly dull interviews, etc. Very disappointing film filled with regurgitated information easily found in a million books, magazines, Google searches, etc. A waste of time. Just buy "The Psychotronic Encylopedia of Film," "Nightmare USA," "Grindhouse: The Forbidden World of "Adults Only" Cinema," and "Sleazoid Express: A Mind-Twisting Tour Through the Grindhouse Cinema of Times Square" instead if you're really interested in exploitation film and you'll be good to go. This doc was amateur hour all the way. Blah.

Just saw "American Grindhouse" at The Boston Underground Film Festival and loved it. Very insightful, very fast and very funny. I enjoyed that they have a couple of witty female interviewees, as well. I thought I knew a lot of movies - particularly grindhouse a.k.a. exploitation films, but this movie puts it all into perspective for me. I thought that this documentary would mainly focus on the exploitation most of us think of from the 60's on to present day. I am glad to say that is has a much more interesting approach then just that obvious plot. It starts at the turn of the 18th century at the dawn of cinema, all and while amusing classic clips. It progresses decade by decade comparing more contemporary films to pre code Hollywood. These are things most exploitation fans would never really think of...'Where did the 70s exploit films come from, and what inspired them?' I personally welcome this lesson, and don't worry you get the schlock and gore too! My point? Even if your a 'know it all' go see it, it's academic with a punch line. Now if I can only find all of these amazing movies they talked about.