As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

This film is so real. It treats its characters with so much care and sensitivity.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

I'm the last person to say, "The movie was OK, but the book was better." The problem here is that other than the title and the name of the dog, there is no connection between the two. While the movie is a decent story involving the Yukon with lots of adventure, the whole plot of the book went by the wayside. Of course, we have two big stars of the early cinema, Clark Gable and Loretta Young, with romance the object, and a big race as the climactic moment. So it has pretty good quality and storytelling. But it is misleading to use the title of the Jack London book. It's like doing a Poe movie called "The Pit and the Pendulum" and having no pit and no pendulum. If I were to evaluate the movie on its own merits, I would say it is about average.

Clark Gable meets Loretta Young in this 1930s adaptation of Jack London's The Call of the Wild, which takes place in Alaskan territory. I've never read the book, but I can only imagine that this was probably not very faithful to the novel, due to its emphasis of comic relief by supporting actor Jack Oakie. This is the movie that changed Clark and Loretta's life, as they fell in love during the making of this film, and she went away in private to have his baby - a fact she never told the public. While that may be neither here nor there, in reviewing this film, it's pretty evident that something was going on, by their quiet scenes together, which are very intimate and deep, considering this is a 1930s film. The plot revolves around a map that is needed to find a gold mine. Her husband, yes her husband, was the owner of the map, but Clark and Jack go after the gold mine, with Jack's memory and a rough sketch of it to use. They find Loretta alone, after her husband has been lost in the wilderness looking for help. Reginald Owen is very good and memorable as a nemesis in trying to find the gold mine too, when he learns of it. The production values and performances are solid and deliver the goods, but its corny comic relief mars the film's attempt to hit the mark with viewers, especially with its abrupt ending. I thought the novel was mainly about the dog, but, while the dog, who Clark is attached to, does have some screen time, the film doesn't feel like a dog film. The producers were probably thinking that would alienate some viewers, so they centered on pairing attractive leads Clark and Loretta together and Jack Oakie's one-liners. While I liked the film on the whole for Loretta's loveliness, memorable love scenes between her and Clark, and Reginald Owen's credible contribution to the film, I still feel it misses the mark for a completely fulfilling movie experience.

Too bad THE CALL OF THE WILD wasn't filmed in color because it looks mighty picturesque in classic B&W cinematography filmed in Washington state. CLARK GABLE, as a gold prospector, and LORETTA YOUNG, as his female interest, provide the right chemistry for the romantic angle of the tale. JACK OAKIE is along to supply some laughs that seem forced and not really necessary--but fans of outdoor adventures will surely like this Jack London tale that has been turned into a vehicle for Gable and Young.BUCK, the dog, is especially impressive as an animal caught between the "call of the wild"--wolves, that is--and his human relationship with owner Gable. He's good at showing little nuances that indicate he's uncertain whether to leave Gable or not to follow his natural instincts when he hears the cry of the wolves.REGINALD OWEN makes an impressive villain and FRANK CONROY is fine as Loretta's husband. Most chilling scene of all has the greedy men who steal the gold drowning in the rapids when their canoe overturns and they're dragged down by the weight of the gold they're carrying.The chemistry between Gable and Young is strong--and she looks lovelier than ever in all her close-ups. Most fans know that she and Gable were having a torrid romance at the time.

There are some brilliant things in CALL OF THE WILD, such as the vivid portrait of frontier life at the turn of the century. This is, though, largely a disappointing version of Jack London's novel. Much of his anti-capitalism is here, but reduced to the emotional progress of Clark Gable. The theme of tame/wild is invoked - dog, woman, nature - but the crucial Buck plot is sidelined and made cute. The acting irritates in its refusal of depth, although Loretta Young's entrance could be straight out of Cocteau. The landscape is beautiful to look at, but there is little sense of nature as devouring or malevolent.