By the early 1900s, the extraordinary Houdini earned an international reputation for his theatrical tricks and daring feats of extrication from shackles, ropes, handcuffs and... Scotland Yard's jails.
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Reviews
Sorry, this movie sucks
Good story, Not enough for a whole film
A Masterpiece!
Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
After being introduced to this movie as a child by my father, I remembered it being quite a spectacular. To a child's eyes, it probably was. However, from an adult perspective, this is the epitome of the "style over substance" Hollywood that ruled the decade in which it was made (1950s).For a basic plot summary, this film tells the rough story of Harry Houdini (Tony Curtis), known to this day as the greatest magician of all-time. His wife, Bess (Janet Leigh), also plays a key role, as the two sometimes work together while other times are at odds over Harry's magic-fueled obsessions. This film follows the rough chronological timeline of Houdini's life, but to say that it is an accurate portrayal would be a disservice, as it really mashes a lot of things together and is just plain wrong on other accounts.Simply put, "Houdini" is a product of its times, back when movies weren't supposed to be anything "deep". Families went to movies together, so they had to have a broad (which often equaled bland) appeal. The tale of Houdini is an utterly fascinating one, but in this portrayal it is more about letting Curtis be his charming self and putting Leigh in as many fancy dresses to show off her curves as possible.So, if you are old enough to have watched "Houdini" around its theater date, this movie might hold a good deal of nostalgic value to you. It also seems to be great for children, as it is quite colorful and the action is always moving forward. However, if you are looking for even a hair of substantial material about Houdini and his life, please look elsewhere. Only a few scenes (mostly in the final 15 minutes of the picture) convey any real, heartfelt emotion. Otherwise, this is all about the "pomp and circumstance".
Houdini (1953) *** 1/2 (out of 4) Highly entertaining film has Tony Curtis playing Harry Houdini, the legendary escape artist. We see Houdini's early life in the circus, the meeting of his future wife (Janet Leigh) and some of his most famous tricks. It goes without saying that a lot of things are made up in the film, including the bizarre ending, which changes how Houdini died. That one change never made much sense to me as it's pretty common knowledge how the man died but outside of that this is an incredibly entertaining movie that features a pretty standard story but a remarkable performance by Curtis. When I say standard story I'm meaning that the screenplay really doesn't try too hard to get into the mind of Houdini or tell us who he was. Instead of giving us much story depth we instead get to see countless tricks being performed by Curtis and Leigh. Everyone knows that the two were married in real life and that certainly rings true as they have no problems playing husband and wife here. Leigh is very good in her role, which is pretty much just a supporting one but Curtis is where the true magic is. Even though he's one of the most recognizable actors in the history of cinema there isn't a second in this film where I didn't see him as Houdini. Curtis does a brilliant job at transforming himself and he even looks very good while performing the various stunts in the film. I'm not sure how much work he actually did but all of the tricks look very real with the exception of the scene where he cuts Leigh in half. There are many dramatic moments in the film full of suspense and this is true in the best sequence where Houdini is performing above the Detroit River when the ropes break and sends him through the ice. We then get a long sequence with him under the ice trying to find his way out. If people are wanting a hard look bio of the man then they'd be recommended to get a book because they aren't going to find anything here. If they want to see an excellent performance with the master's tricks being performed then this film offers that along with a lot of entertainment.
There are too many elements that are wrong with 'Houdini' to make it anything more than 'just another Tony Curtis movie'. Coming into it not knowing the magician's biography might work initially, but once you learn about the real Harry Houdini, you'll soon find to like this film less and less as the story get more and more further from the truth. One has to wonder what the studio executives were thinking when they went in making this film with such "blinders" on. It is truly sad in the sloppy play-out of the man who would become the world's most famous magician. The real facts are just a snippet in the movie and although it entertains, it does an injustice to the great illusionist. Houdini's life won't be made with some accuracy until the 1970's with "The Great Houdinis" (with 'Starsky and Hutch's Paul Michael Glaser and 'All in the Family's Sally Struthers). Sadly, this TV movie has yet to make it to DVD. Clearly Tony Curtis and Janet Leigh are not bad, and their on-screen romance is convincing, but 'Houdini' - once scrutinized - is nothing more than a quickly-produced picture made to cash in on the illusionist's name.
A very enjoyable movie, though full of enough holes to occasionally provoke a snicker or two. Tony Curtis and his wife Janet Leigh performed all of the escapes in the movie, coached by professional magicians and escape artists. When I saw this movie as a kid, I got interested in escape routines-- I had my brothers tie me to a chair, which I escaped from two out of three times (I would have escaped from it the third time, but my mom saw me struggling to escape from her antique dining room chair and untied me). I bought 'escape' handcuffs, and then learned how to pick the lock in a pair of cheap handcuffs. When I was older, a magician friend of mine showed me two different types of strait jackets-- the magicians and a real one. He could escape from either-- I contented myself with the magician's version, which was no easy trick. I wonder which version Tony Curtis used in the movie?