During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.
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Reviews
Truly Dreadful Film
Really Surprised!
It's easily one of the freshest, sharpest and most enjoyable films of this year.
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Based on the 1791 opera "Die Zauberflöte" by Wolfgang Amadeus Mozart, this is certainly a well made film but I can't say that I particularly enjoyed it. As far as opera is concerned, I am a complete philistine and this film did not nothing to change that, I'm afraid. I had never seen a full one on stage or on screen before this film and I am not inclined to watch another one after this. It felt far, far longer than two hours. As with Richard Attenborough's worst film "A Chorus Line", I would never have watched the film if it had been made by one of my favourite directors, in this case Kenneth Branagh. His skill as a director is in evidence throughout the film, most notably the uninterrupted and extremely complex six minute take, and the decision to set it against the backdrop of the First World War was an interesting one but there was little else than I enjoyed about it. The singing was excellent but it was rather overwhelming since it accounted for almost the entire running time. Having just finished the film, I am pretty exhausted, to be frank.Overall, it is not a bad film by any means but it was just not to my personal tastes at all. Hey, at least I can say that I gave opera a try! That box is ticked now. This is without a doubt my least favourite film directed by Branagh.
I think it's sad that this movie got such a low IMDb grade. I just wanted to say that this film is not for people who has an abc list of criteria each film has to fulfill to be a "good" film.I do not watch much TV and film, and it's getting even less as I've started to work in the business myself.This movie is for people like me, who've seen enough to see they need something different. AND it's for Magic Flute fans. I you don't like things being different or Mozart, you won't like this film either.But IF you like Mozart and things that are different (call it "original" if you'd like). Then this is a MUST SEE. Branaugh has captured ALL the important details i this movie, and by IMPORTANT I don't mean whether the coloratura can hit the F sharp in a special way. I mean captured the true FEEL of the original play.The libretto is silly and full of love, so is this movie. I've seen so many different versions of the opera, but only in this film have I seen truly fitting singers in the different roles. Most casts have a dull Tamino -> in this he's brilliant. Pamina is brilliant. Papageno is brilliant.Mozart would be proud of himself and the performers and Branaugh if he'd watched it. Congratulations!
It's a sad fact but the libretto of Die Zauberfloete is quite... weak. This film has done the amazing achievement of lifting up the story line and making in it not only beautiful in music and decors, but also interesting to follow and understandable! Chapeau. What a great movie. The Papageno-Papagena sound at the end is a masterpiece and is a perfect capture of the theme behind the scene. It's uplifting and joyful, and the voices are perfectly acceptable to very good. It's at the same pleasure level as La Traviatta of Franco Zefirelli. And I have to say it takes guts to revisit this story with a WW1 theme and achieving such a nice result.
A man behind me commented at the end, 'What a bizarre idea', which I suppose it was, if he was expecting a filmed version of the staged opera. What we get, however, is a proper movie, with all the tricks and all the realism that can offer. The plot is - always was - nonsense, which suits this semi-fantastic treatment perfectly. Branaugh uses his CGI with drama and humour as well as the poignancy of the First World War to hold the story together. The principals were ideal - they looked right as well as sounding perfect. Papageno was a comic delight. Liz Smith - not a singing role - was enjoying herself as much as the audience where I saw the film enjoyed her. The singing would be enough to hold an audience on its own.