Too much of everything

Pretty Good

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

While "Phantom Boy" lacks a bit when it comes to the quality of the animation (it doesn't come close to the quality of most full-length cartoons today), it is well worth seeing for two main reasons--it's originality and it's a cartoon that will appeal to older kids as well as adults. As for the youngest kids in the audience, this one might be a bit too adult for them...take them to see a Disney flick instead.Leo is a very sick boy and spends most of the movie in the hospital. You assume he's suffering from cancer and is getting treatment...though they never say exactly what is possibly going to kill him. During the course of the treatment, however, Leo has somehow developed a weird capacity to leave his body...much like astral projection. When a cop is severely injured on the job, Leo discovers that the cop somehow can remember and deal with Leo and his special gift...and with it they work to stop a maniac from proclaiming himself the King of New York City!The plot simply would be too complicated for little kids and there are baddies who are trying to kill Leo and others....so just keep them home. But the film is very well made and fascinating throughout...and it's now available from Netflix on DVD.

From the directors of 'A Cat in Paris', but this film set in New York City that narrates the story of a boy with an extraordinary power. If you had liked that film, you probably would like it as well, but a little lesser. Except this is not about the art of theft, but a cop trying to catch a most dangerous criminal. It is so weird to see the New York turned into kind of a province of France as everybody in this speak French, but expected it as it's a French film.A very interesting storyline. The characters were well designed and developed. But most of the film was focused on the boy, the cop and the main villain with a dog's perspective. There's a little part of a reporter as well. So I think it should have been called 'A Dog in New York', but the dog is on the wrong side where the most of the story was narrated from. The theme was not fresh, but the way they used to tell the tale makes all the difference. I mean you can compare it to 'If I Stay' kind of plenty of other films. Except it turned into a crime-thriller.A young boy named Leo, who is hospitalised for the serious illness, has a special power to leave his body and take an invisible form, and come back again safely within some time frame. On the other side an honest cop trying to hunt down a criminal who is threatening the peace of the city gets a backlash after met with an accident. Now the cop and the boy join the hands to thwart the villain's latest attempt to bring disruption. The mission was not planned well, so how they fight the crime and its result brings to an end to the film."I'm not hungry. It's a shame because my dad's pasta is the best in the world."This is a PG film, that means it's aimed for all the ages. But particularly for the grown ups, there's nothing much to enjoy other than cool presentation. That does not mean for all the grown ups. The sketches and the animation technics were same as the previous film. They tried to reach bigger audience worldwide from the success of their previous film, but seems not achieved that goal. As the film had many great features like the characters and the story, they have fallen short to surpass as an overall film. Even anytime I would pick 'A Cat in Paris' over this, but that does not make this one's a bad film.It kind of looks like the supernatural version of 'Eye in the Sky'. I'm not talking about the actual film, but the concept of drones to watch over the criminal activity. In here the boy acts as the main communication device. He who one day wants to be a cop, helps to solve the crime. I think the end should have been a little better. Especially from the boy's perspective about how his tale ends were very intentional. Perhaps a bit of emotions at the end would have given a better result.I advertise the 2D animations too much on my blog whenever I review them, because they are rapidly fading away art. So my big thanks to those production houses and the filmmakers who still believe in it. If you are an animation film fan, you will enjoy it, no matter you loved it or not at the end. In a simple way to say, it is a fine film for the families with kids aged ten or under. It might look like a typical detective film, but entertaining with a few good moments. So check it out if you get a chance to access it.7/10

Our young family watched Phantom Boy today at the London Film Festival and really enjoyed the experience. The film has been dubbed into English and the dialogue runs smoothly - doing most of the story-telling in a nuanced, personable and fluid way. It unfolds as a, perhaps slightly old fashioned, detective story. Leo's ability to travel out of his body is a very useful device to access remote places and to eavesdrop on others actions to help the story along. This also acts an intermediary or buffer to the film's action, helping to flag up wrong-doing, violence and other risks in a mediated manner, which works well for young viewers. There are hints of the seriousness of Leo's Illness via the private worries of his parents, some physical violence and threatening use of guns but the emotional challenge is not overwhelming and the narrative pace carries you through. Both our kids said they would want to see the film again and it will probably become a DVD favourite at home, for some time to come. The animated style is more hand-drawn in appearance and not as glossy or heavily automated as major studio animated films can be. This give a certain lightness of touch and warmth to what would otherwise be rather gritty, noir-ish city backdrops. My only criticism would be the speed with which the story was established and characters introduced. A few minutes more focusing on Leo's arrival at hospital and the discovery and use of his special powers would have pleased me.

I went to see this at the 2016 New French Cinema Festival at the Music Box Theatre in Chicago. I thought it would be interesting. It was much better than I had imagined. It's set in a contemporary animated version of New York City. Well, recent-past contemporary. There was a billboard advertising "Wicked" very much in evidence.It's about an 11 year old boy named Leo who is ill with an unspecified disease. He ends up for a long stay at a Manhattan hospital. He discovers that, since he got sick, his spirit can leave is body and fly around. He can see and hear what's happening in distant places. In one very brief scene, we see Leo's spirit relaxing in the torch of the Statue of Liberty, looking toward the south end of Manhattan and the Brooklyn Bridge. Nicely drawn.Meanwhile, a criminal mastermind, with the requisite henchmen and a bitey small dog, has gotten his hands on malware that can destroy the internet-of-things. He starts with a citywide (or at least Manhattan-wide) demonstration of his potential power to shake down the mayor for a gigantic amount of money.In the hospital, Leo meets a maverick cop with a broken leg. He admires cops, and lets the cop in on his secret talent. Audrey Tatou voices Mary, a journalist friend of the cop, who will play a big rôle in the action that unfolds.So, the overall film is sort of like a comic featuring a supervillain. But it's not so 2-dimensional. Leo's parents are worried sick as to whether he is going to pull thru or not (which his spirit can eavesdrop on when they think he's not around). Their tenderness and support is nicely nuanced. And Leo also has a baby sister, perhaps 4 or 5, who really cares about her big brother.Likewise, the cop and the journalist have an interesting love-hate friendship that morphs into something more.It's also very funny. When at the beginning, Mary runs into the cop (before his broken leg)in a grocery store, she looks at his his market basket of selections and says "pizza and chips?! What are you trying to do, commit dietary suicide?" A good film for adults, and for some kids. It has things for both. There is lots of animation out there, but not so much that really catches my attention. But a subtitles-only release at this point, which leaves out younger kids.As I write this, the US box office after being open 1 week, is about $4300 (one screen). If it won't bother you too much to hear supposedly tough-skinned New Yorkers speaking French, then, by all means see it.