Memorable, crazy movie

Just perfect...

If you don't like this, we can't be friends.

Blistering performances.

I was disappointed. It wasn't that scary or smart. Most of the victims had no personality and there's no explanation for the killer escaping the mental hospital and doing this. It had some cool camera techniques. The killer didn't look dead in the final frames. His eyes and mouth moved slightly.

"StageFright" (released under varying titles such as "Deliria," "Aquarius," and "Bloody Bird") follows a group of stage actors who are working on an overnight rehearsal for an impending production about a serial killer. When the costume designer is killed in the parking lot that evening, the rehearsals must go on—police are enlisted to watch the building, and the cast and director lock themselves inside. Little do they know, they've also locked in a maniac who recently escaped from a mental institution.In many ways, "StageFright" is about as run-of-the-mill as it could get. The premise is not remarkably original or interesting, and the "escaped lunatic" archetype feels familiar and lazy. The set-up which contains the characters (who are themselves varied in personality) in the theater also seems a bit odd in context. In spite of this, "StageFright" is insanely fun, playfully creepy and chock full of suspenseful scenarios and clever murder sequences that are surprisingly visceral. The villain dons an oversized owl mask from the production, which is surprisingly sinister in appearance.The kills come in rapid succession until about midway through, until the final girl is left to her own accord, which makes for some of the film's most intense and clever scenes. Chase scenes through the rafters, down darkened hallways, and beneath the stage are colorful, well-shot, and well-choreographed. Accentuating the thrills is a jarring late-eighties metal score which does date the film and sound a bit silly at times, but it comes with the territory. The production values are high, which also elevates the proceedings.Overall, "StageFright" is a wildly entertaining slasher flick that is marked by well-managed suspense, brutal murder scenes, and competent direction. Original it is not, but Soavi and the cast hit their marks here. It is a generally clever, well-paced slasher flick; of the crop of them that appeared in the late eighties, it's among the best I've seen. 8/10.

(Credit IMDb) A troupe of struggling stage actors is rehearsing for a small-town production of a play. Everything seems to be as it should until one of the cast members turns up dead. In a panic, the others try to get out, only to find they are now locked in the theater with the killer! Which one of them committed the murder, and who will get out alive?I was really impressed by this one. This feels like something Dario Argento would do, but i'm not surprised. There is suspense galore in this one, with some truly impressive death scenes, full of gore. The killer himself is wild-looking. He has a giant owl head for a mask, how cool is that? This isn't a true Giallo, it's more along the lines of a slasher. Even so, the genre had become stagnant at this juncture. This movie is criminally unheralded for a time where the slasher genre was dying8.3/10

We have all seen Stagefright before; it's a predictable typical slasher with an unconvincing killer and young pretty people being axed off though this hasn't been done by Michele Soavi. The most noteworthy elements of the film are the camera-work, cinematography, score and it's violent, brutal deaths which are ranked by horror fanatics as some of the most vicious kills in the slasher sub-genre. It isn't a movie to be taken seriously and a massive 1980's cheese-fest which is what makes it so fantastic.First off, what Stagefright fails at is classic slasher rules; drugs, sex and language which is all absent from this movie. However I don't think the Guide to Making a Slasher Handbook was Soavi's inspiration as this is, after all, a directional debut. This isn't another Friday the 13th and it isn't another Sleepaway Camp – this is a Michele Soavi movie loaded with outrageous, loopy visuals, bizarre dialogue, bad acting and savage murders. When Soavi came out to the film industry as "Argento's protégé" he really meet expectations and Stagefright along with later films such as The Church and Cemetery Man go to prove it. Yes it does not have naked bodies, the characters are not drug inducing menaces and there is a lack of foul language but so what – this is far better than a lot of other slashers that came out in the 80's because it is just so fun and we can thank Soavi's style for that.Whilst the movie is completely silly it's still entertaining, especially for the eyes. The visuals are completely wonderful with cinematography exposing colour through the lens in a flamboyant fashion, especially when all the characters in the film are wearing such eccentric clothes. The camera-work is professionally solid and stands out, the panning is soft, the stills are (not always) very still and it's the style of camera-work one would assume would come from Argento's protégé. The score is 1980's cheese but it works a wonder and it fits well in a movie such as Stagefright, it's also a hoot to listen to as you watch a woman being torn in half from the waist down.I will not spoil the deaths in this review. There are some really nasty eye opening kills in this movie which are illogical, nonsensical and completely derivative but that's Italian Horror for you, and as a matter of fact – that's the movies for you. If someone is into violent slashers then this is perhaps the film you've been looking for though the movie isn't overflowing with gore and eye cringing kills which can be a letdown for gore fanatics.Stagefright is typically predictable like one would find in any slasher, but it offers something quite unique – it's artistic cinematic elements are fantastic, the music is a thrill ride to listen to, it's easy to watch, the characters are all wearing eccentric 80's fashion like you'd expect from a metropolis stage performer in that era and its environment is at least not a camp, beach, cemetery, small town, or anything you've seen one hundred times before in a film which requires the protagonist to take of their clothes. Stagefright is another run of the mill slasher, but it is Michele Soavi's run of the mill slasher and that is what makes it unique. It's cheese but it isn't like this movie is taking itself serious, so sit back and enjoy this reminder of what Italian slashers were like in the 1980's.