As Good As It Gets

Absolutely Fantastic

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Walter (Peter Stormare) is a small Ontario town chief of police with a large Mennonite farming community. They find the naked body of a young woman. It's his first murder. He's trying to overcome his angry past. However the murder leads to Rita (Jill Hennessy) who provides an alibi for her boyfriend Steve (Stephen Eric McIntyre).This is a festival indie by writer/director Ed Gass-Donnelly. With Peter Stormare and those great thumping songs by Bruce Peninsula, this has the feel of a Coen movie. The story isn't that compelling. It needs to be either more twisty or more grotesque. It doesn't compare to its modern compatriots. Stormare is amazing as he usually is. He is a great character actor in need of a big time role. And the music just drives so hard that it energizes a pretty simple story. This movie is much more about this quiet character as most of his struggle is interior.

The movie itself is a haunting, powerful experience, much like the excellent Gothic thriller "Septien" and the short film "The Abattoir". These films are set in provincial towns, seemingly cut off from the world, and that adds to the suspense and mystery.But check the discussion boards, I'm not the only one who thought the overbearing music killed the mood. The music itself was appropriate (jarring religious hymns), but they were just so loud and harsh that they distracted from the poetry of what was on screen. My advice to you would be to turn the volume down as much as possible while still being able to understand the dialogue. If you have it up too loud, I guarantee your neighbors will start pounding on the floor thinking you're starting a weird psycho cult and sacrificing first born children or something twisted like that.Back to the movie, like I said above, it's suspenseful and mysterious. There's not a lot of action. In fact, basically there's no action at all. Instead you get a thick disturbing atmosphere, occasional dramatic flashbacks and unyielding tension building up. Very effective.The DVD cover compares it to the Coen Brothers. I can definitely see some similarities with their serious side ("A Serious Man", "The Man Who Wasn't There"). It also reminded me of the 2005 film "Capote". If you like slow, heavy thrillers with interesting characters but not much action, give it a shot. Just beware of the loud soundtrack.

This is the absolute worst movie I've ever seen. I kept watching it thinking that it's gotta get better. I held that thought right up to the credits. Don't know where they got the guy who played the police chief, but almost anyone could play his part since his part was mostly sitting quietly and sulking. I'll bet that he didn't say more than 20 words through the whole movie. I don't know why writers think that the brooding, silent type is what people want to see, but as for me, a character like makes me want to slap him and say, "Say something". I've seen some real stinker movies before, but this one takes first place. Just an awful movie!.

Well, it's happened before where I've been taken in by the promotional blurbs on a film's DVD cover. "A rare film. Cosmologically profound." was the way Variety Magazine put it. "A must-see fresh take on crime and redemption." from the Toronto Star; forgivable I guess because this is a Canadian movie. Then there's "Haunting...Totally Captivating.", which if I had read further to see that it came from the Huffington Post I might have put it down right there.With that kind of a build-up, my expectations were raised for a unique viewing experience. Unfortunately, this film with the cool title is basically your every day murder mystery that could pass in most places as a TV episode, take your pick of series. A plot element that might have had much more of an impact if it had been explored further was the character of police chief Walter (Peter Stormare), who in flash backs is shown beating on an unknown victim, but without that person's identity, there's no ability to connect the dots to the case at hand. All we know is that Walter has rage control problems and he's trying to overcome them, but in the final analysis, I didn't find that to be good enough.Oddly, with the issue I had with the story line, I was strangely fascinated by the bluesy gospel inspired sound track. It would have been better if the music didn't suddenly blare out at you as it did; I had to constantly go for the volume control to bring the level down a few notches. I don't know anything about the Mennonite community or their religion, so I can't say if the music fit the picture's sensibilities or not. But it did seem to reconcile itself with Walter's quest for personal redemption.Now I'm thinking about the ending, and I have to wonder. Was the creepy guy Steve arrested for the murder (all indications pointed to that), or for assailing Walter? You know these two had a bad history between them, but was this a case of the ends justifying the means on Walter's part? Not really clear if you think about it. And the bigger question - how does a looker like Rita get involved with a couple of characters like Walter or Steve in the first place?