I like the storyline of this show,it attract me so much

Memorable, crazy movie

i must have seen a different film!!

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Just in time to capitalize on the long-awaited movie version of "Dreamgirls" is the DVD release of this semi-forgotten 1976 musical melodrama that also takes the rise of the Supremes as its inspiration. Released five years before the Broadway opening of "Dreamgirls" and partially set in the same period, it has a predominantly black cast and a story revolving around an up-and-coming girl group, and that's where the resemblance basically ends. Written by Joel Schumacher well before he became a big-league director of mainstream studio product ("Batman Forever", "The Phantom of the Opera"), this movie seems grittier on the surface. True to form, however, Schumacher weakens the storyline and character development by injecting an abundance of clichés and eye-rolling one-liners. With little affinity for staging musical numbers, Sam O'Steen, a highly regarded film editor but neophyte director, helms the production like a low-budget TV-movie with a frustratingly episodic structure.The story follows three Harlem sisters - sexy Sister, self-righteous Delores and sweet Sparkle - as they sing in the church choir, meet smooth-talking but well-intentioned boys Stix and Levi, and then find their first taste of success as a singing group - first as a sweater-wearing quintet called the Hearts and then as a glitzy trio known as Sister and the Sisters. But naturally there are problems beyond the silly name for the group - Sister gets involved with nasty drug dealer Satin Struthers who beats her and turns her into a cocaine junkie; Levi goes to prison for getting caught in a drug pick-up for Satin; Stix gets frustrated by failure and unwisely turns to some Jewish mobsters for financial help; Delores just gets plain fed up; and poor little Sparkle has to decide what kind of future she wants. A big plus is that R&B great Curtis Mayfield wrote the atmospheric songs, some catchy and one, "Look Into Your Heart", a real winner.The solid cast does its best under the contrived circumstances. Lonette McKee's valiant attempt to make Sister a tragic figure is undercut by some of the ham-fisted plot turns, including a sad Billie Holliday-like turn at the mike. Before they hit it big on primetime TV, Philip Michael Thomas and Dorian Harewood portray Stix and Levi with boyish vitality if not much credibility. The best work comes from Mary Alice in a relatively silent turn as the girls' patient mother and a pre-"Fame" Irene Cara who effortlessly exudes sincerity in the title role (though her costumer and hair stylist should be shot for the hideous look she achieves in the final scene). The DVD just comes with the original theatrical trailer complete with an unctuous voice-over by DJ Casey Kasem and a bonus CD of five of the film's songs performed not by the original cast but by Aretha Franklin off her 1976 recording of the soundtrack. It's not a terrible movie, just an interesting if lacking curio that happens to cover the same ground as "Dreamgirls".

I was 5 years old when I saw this musical movie while on vacation with my family in St. Thomas in 1977 and immediately fell in love with it. 27 years later, it is still an original inspiration for achieveing my goals that I have set to accomplish since that time!This tragic story of a hard-core "behind the scenes" of the entertainment industry during the late 50's, "Sparkle" successfully portrays the struggle of three young sisters looking for their place in the sun. This story could simply become the biographical story of many young aspiring artists about what could materialize when things seem to happen too fast and role models are not available to lend a helping hand.The phenomenal music written and composed by Aretha Franklin and Curtis Mayfield, the soundtrack carries the plot with every song. From being subjected to situations that almost leave no choice for strong long-term decision-making, to making the ultimate sacrifice in order to get ahead, all three young girls, Sparkle, Sister, and Delores, represent the different routes that one could take when you set out to achieve your ideal opportunity as your contribution to society.This movie could have possibly spawned the ideas of creating "Dreamgirls" on Broadway, and Mariah Carey's "Glitter," 25 years later. As an original audience member of both productions, I have seen a lot of similarities in both stories to "Sparkle," as well as in "Saturday Night Fever," "Fame," "Flashdance," and the off-Broadway smash hit "Mama, I Want To Sing."

An excellent movie. Superb acting by Mary Alice, Phillip M. Thomas, and a young Irene Cara. Tony King was very realistic in his role of Satin. This movie was one of the last predominately "all black" movies of the 70's and unlike the "blaxploitation" movies of that era, this movie actually had a plot, and was very well done. The movie soundtrack, sung by Aretha Franklin, was popular on the R&B charts at the time.

Black sibling soul group in 1950's New York hits it big, but big sister Lonette McKee begins to spiral downward with booze and drugs, putting the group's reputation on the line. Well-made, but awfully thin little drama with a fine Curtis Mayfield musical score but not enough drama to involve a wide audience. Certainly begins well but quickly loses steam. McKee is the acting stand-out here, but her character's descent into the blues comes awfully fast. Result is a picture that plays its best cards too soon, leaving a lot of dead space in the second-half. Some enjoyable moments, evocative cinematography and art direction, but a lot of show-biz clichés. ** from ****