Angst

January. 01,1983      
Rating:
7.2
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Trailer Synopsis Cast

A killer is released from prison and breaks into a remote home to kill a woman, her handicapped son and her pretty daughter.

Erwin Leder as  Psychopath
Robert Hunger-Bühler as  Psychopath (voice)
Silvia Rabenreither as  Daughter

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Reviews

Linkshoch
1983/01/01

Wonderful Movie

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RyothChatty
1983/01/02

ridiculous rating

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2hotFeature
1983/01/03

one of my absolute favorites!

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Chirphymium
1983/01/04

It's entirely possible that sending the audience out feeling lousy was intentional

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christopher-underwood
1983/01/05

A full star rating, for me, usually indicates a film I would gladly sit down and watch again, straight away. Not this one. Not this mean disgusting, horrific, disturbing, involving and believable film from Gerald Kargl. If the refusal of distributors to show this upon release had been overcome, what mighty movies might, this clearly most talented man have brought us? Well, I suppose the influence is clear to see in much more recent and overwrought horror, but surely nothing so impressive as this. From start to finish, helped by a haunting score and free flowing cinematography, not afraid to mix intense POV shots with overhead and hand-held. Blistering and uncompromising film making helped much by a sensational central performance from Erwin Leder and also by the clever use of voice over where we learn what this guy has done before and how much pleasure it gives him and then what he hopes to do with these very people he is dragging around. A very tough film that is out there on its own. Grubby and hard to like but a genuine and sincere masterpiece.

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atinder
1983/01/06

I wasn't to sure , what I was going to expect by this movie, it had a surreal plot to it.The plot played out really well, we get to know why and how he as become so insane, due to his childhood.The movie was really short, which is good a thing , as it did not get boring at all.The last scene, really gave the creeps, I found the extras a little creepy as they all were keeping a eye on him. in the dinner scene.And why would they follow him to the car, to see him feed a dog?The acting from the main lead was outstanding, he really did look insane.Short movie with surreal plot! and some things that didn't make sense to me. 6 out of 10 (only for the acting)

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Murder Slim
1983/01/07

ANGST is a thoroughly unpleasant film. But don't let that put you off. A movie about a messed-up serial killer should feel that way. It's testament to the skill of the filmmaking and the acting that a movie gets under your skin. Too many so-called shockers fail in that regard. The most obvious example is 'Saw', with its stupid, hyperactive editing and its ridiculous killer. 'Angst' feels as real as this type of movie can get.It starts with the nameless psychopath holed up in prison, aware of his own sadistic thoughts but hiding them from the prison's psychologists. When they try to psychoanalyse him, he just says he dreams about flowers. I guess the Austrian legal system is more trusting than other countries, because they let the guy out again after almost stabbing his mother to death (four-year sentence) and then killing a 70-year-old (ten-year sentence).Within an hour of release, he's gnawing on a sausage in a café (via some disgusting extreme close-ups) and leering at some women, wondering how he's going to kill them. But he's sane enough to know he can't get away with it, so he gets out of the place.It's only a brief delay. Soon the psychopath is in a taxi with a female driver. She reminds him of an ex-girlfriend who used to love being abused. When that plan goes tits-up, he runs into the woods, frustrated and desperate to kill. He breaks into what he thinks is a deserted house... until a disabled man wheels up to him and calls him "Papa". Then that guy's sister and elderly mother show up too....'Angst' is often compared to 'Henry: Portrait of a Serial Killer'... another troubling but excellent serial killer movie. ANGST lacks the depth of style that 'Henry' has, which is brilliantly acted and directed with a bunch of memorable moments. But 'Angst' has a number of unique things going for it. The hand-held shots are incredibly smooth and dreamlike, hovering in front of the killer's frantic face. It reminded me of the odd Eastern European style of 'The Cremator', another very creepy killer flick. The camera must be on some movable scaffold attached to the actor, either that or the camera operator was extremely light of their feet.The deaths in 'Angst' are also brutal, nasty, and (save for blood spurting on the killer's face from the wrong angle) uncomfortably real. There's also interesting artistic touches, one of which is the family's pet dachshund. The dog's reaction to events is shown a lot, working in the mutt as a character. He looks curiously at the killer a lot, tries to bite him as he kills the girl, and eventually ends up as the killer's companion.It's surprising that Kargl has no other credits other than a small documentary. I guess 'Angst' isn't the sort of movie that will ingratiate you to film producers. But it's a shame 'Angst' isn't better known. Apparently it was a big influence on Gaspar Noe ('Irreversible', 'I Stand Alone'), but I prefer 'Angst'. It doesn't revel in shocks so much as to desensitise you to them. The shocking moments work in 'Angst' because they're largely unpredictable.In fact, the whole movie is pitched at the right levels. The dark humour isn't overstated, the pace is fluid, and it's neatly structured with a great ending. Find a way to get hold of a subtitled version of 'Angst' and check out an excellent example of its genre.

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trashgang
1983/01/08

This movie really is old and it shows. Compared to the standards of today, like the french movies Martyrs, Frontiere(s) and Inside it's outdated. knowing that you can start to watch the movie. We follow a psychopath who got released from prison. Immediately he wants to kill again. The reason why is all be told by a voice in the background. So we follow him thinking who and how he wants to strike. When he sees an abandoned house, he think, he breaks in and to his surprise he notices that there are still people living there, plan goes wrong so he has to act suddenly. From there on we follow the psychopath in away done in Henry, portrait of a serial killer and Man Bites Dog. The position of the camera is done not in first person but is strapped around his body with a close up of his head. The blood flows with one killing, the others are more done is a psycho way. The time it came out it never had a proper release and still haven't got one, it's OOP and hard to find. So really one to have.

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