Simply Perfect

Brilliant and touching

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Andrew Birkin's Fantastic The Cement Garden (based on Ian McEwan's controversial Novel of the same name.) follows awkward and feminine looking Teenager Jack (Andrew Robertson) and his family that live in a council-house surrounded by ruins somewhere in England.Jack is a hard to like character at first, spending most time either looking at himself in the mirror or roaming the ruins to read and masturbate. In contrast to narcissistic and rebellious Jack we have his sweet, reliable and compassionate sister Julie (Charlotte Gainsbourg) who appears to be wise beyond her years. There's also youngest brother Tom, who wants to be a girl (and gets bullied as result in school) and younger sister Sue, who is rather quiet and internal and keeps a diary. Jack's father is strict and eager to criticise all of his kid's actions.Jack's father is sick of keeping up with the garden and plans to cover it up with cement, asking Jack to help him out. Jack soon leaves the old man alone after getting a glimpse of his sister Julie's legs and disappears to the bathroom to masturbate to his own reflection. In a wonderfully edited scene, his father dies of an heart attack and lands with his face in the cement just as Jack is about to cum.Jack first seems careless over the death of his father and continues perving over his sister, and nearly rapes her following an erotic tickle fight.Soon after the death of the father their mother falls sick and is unable to get out of bed, since Jack is to lazy; his sister takes over doing most of the duties in the house. and more games start between the two siblings; after she bosses him around on his birthday she purposefully teases and arouses him with a handstand. (revealing her knickers to him) Julie seems to be very aware of the control she can have over her brother. And despite her motherly and mature nature might not be as sweet as she first appeared to be. It is impossible to take your eyes of Charlotte Gainsbourg, Crossing lines between Tomboy and Femme fatale.The mother passes away from her illness only months after the death of the father and the 4 children are now all alone. Afraid that they will be split up and put in orphanages they hide their mother's death by burying her under the cement. (Loved this scene when the cement ran over her dead body, simply beautifully shot and then followed by a flash-back of the kids burying their then living mother in the sand during a Family vacation)The photography overall is superb, from the agoraphobic eagle-eye views of ruins, grey skies, big black shadows and almost monochrome images that create a hostile and dead world where it would almost seem like the kids are the last survivors of a nuclear blast.Despite grief and alienation from the world, The kid's are in a way liberated; youngest boy Tom starts openly wearing dresses and a wig, while Julie starts dating a 30 year old, much to the jealousy and dislike of her brother Jack.I started to warm up to Jack, who despite spending so much time looking into the mirror actually seems like he never quite feel well in his skin, Andrew Robertson subtle performance is wonderful and as the film progresses all characters are extremely well fleshed out on screen, the dialogues feel natural (even if sometimes deliberately awkward) Also loved the tone and pacing; a hauntingly beautiful, sensual and gripping film. 10/10

I get fascinated by the human condition movies. What can happen in some unusual condition, how may we react? How others came across it, in real life cases or in fiction. What could happen if both parents die and you don't want your family to be separated. This film remind me "The Lord of the Rings", B&W version, where chaos is the norm. Please don't expect the kids to behave as in "Big Daddy" where the kid is bathed with swimming suit, or as in "Home Alone" cute boy and clown thieves, these 2 movies are far away from reality than some kids sleeping in the nude and running in the backyard in a summer hot night. "Home Alone" and Cement Garden" are two opposite movies coming from two different human minds performed by actors who were not harmed, one created for the children audience and North American people an the other to the European adult mature audience.

This amazing ground breaking film is based on Ian McEwan's award winning novel about four children (2 who are in their late teen's) who after the death of their mother fear foster homes and separation and as such keep the death a secret and withdraw into their own shadowy world and whilst that novel is an excellent read, this film offers so much, much more...For a start it features excellent actors including Sinead Cusack who expertly plays the mother, but the real stars of this film are the children: Jack, Julie, Sue and Tom with Jack played by Andrew Robertson and Julie played by Charlotte Gainsbourg both being the main focus of the film and who are both incredibly photogenic and simply steal the show proving what fantastically accomplished young actors they really are.Then there's the films musical score which is absolutely astounding, it's haunting for the best part of the film and tears at your heartstrings at times but it simply oozes atmosphere throughout and just adds to the overall surreal effect of this movie and is the best orchestrated score I have ever heard.Then there's the film itself, which will be familiar if you've read the book, it's commonly thought to be set during the long hot summer of 1976, hottest summer on record being mentioned during the course of the movie but the fashions/styles are more of a 1960's/1970's pastiche. But this is of course a movie for adults and justifies it's 18 rating as it does contain a few shock moments, most notably the ending which although breaks a taboo is handled quite beautifully. Nevertheless there is so many visual treats shown throughout this movie, from the dark atmospheric reaction close ups on Jack's face which are accompanied by that heart string tearing music, to Jack's surreal seaside past dreams/flash-back sequences and not to mention the mothers death, which is upsetting enough to see and feel the youngsters loss, but when Jack and Julie have to move her body it's hard to keep a dry eye at the sight of Jack's despair and as always the movie score builds to see that. There's also the excellent camera work used to highlight the urban ruin that is their home/surroundings and the long shots of the children (notably Jack) walking to and from school are awe inspiring. OK I could go on but that would be a spoiler and you need to watch this movie to really appreciate it anyway.So overall this movie does much more than bring Ian McEwan's novel to the screen and although it has some uncomfortable to watch scenes it is on the whole a very beautiful film which has the effect of growing on you and becomes more enjoyable with each viewing, something you can't say for many films made nowadays. It also truly deserves to be given the label of British Classic as it's been made with such care and to such a high standard with the excellent actors, the astounding musical score, the awe inspiring camera-work and of course the award winning story itself, I really can't praise it highly enough.The only disappointing aspect of this release by Cinema Club is the lack of extras offered, it would have been nice to have a commentary from the main cast as would seeing them reunited to offer their views and memories of the movie. A feature on the making of the movie would have been great, perhaps showing the location used in London and how it appears today and a music only option highlighting the awe inspiring orchestrated musical score would have been a treat too. There's also a rumour that a large scene was deleted from the movie, so having the option to view that would have been nice. Then there's the picture quality, which is of a good standard even when viewed on a large wide-screen TV although it does appear slightly grainy if viewed close up so I doubt it got much of a digital re-mastered makeover and the soundtrack is also good here offered in Dolby Digital Stereo but it would have been so much better if it was in 5.1. OK maybe I'm nitpicking and a second disc full of extras might be a pipe dream but that would have been excellent all the same and who knows maybe one day that will happen.In any case for now it's an absolute treat that Cinema Club has made this movie available on DVD and so don't just take my word for it, buy it and let it attack your senses too, you won't be disappointed and if you don't feel touched by the visuals and music of this powerful drama then your not human.

The premise of offspring who try to hold their family together after parents' death or desertion has been done a number of times, most notably in "Our Mother's House" (1967), a little-known masterpiece directed by John Clayton. Here the emphasis is different though, concentrating on the developing intimacy between the oldest sibling Julie and her brother Jack. This is presented in a matter-of-fact and non-judgmental fashion, seeming to fit "naturally," as Jack in fact says, with their increasingly weird circumstances. Be warned: there is much adolescent nudity here, including a wild transcendental dance-in-the-rain performed very well by Andrew Robertson. BTW, that scene is reproduced almost identically in "Edges of the Lord" (2001), but with a much younger boy. Ned Birkin, whom I suspect of being director Andrew Birkin's close kin (an irony unintended I'm sure) plays the cross-dressing younger brother, and his sub-plot is not developed, which is probably just as well since he exhibits little talent. I suppose this is included to emphasize the point that in a family untrammeled by conventional moralities, each individual is accepted with whatever modus operandi "works" for him or her. Not an altogether bad idea when one considers it