20,000 Leagues Under the Sea

December. 23,1954      G
Rating:
7.2
Trailer Synopsis Cast

A ship sent to investigate a wave of mysterious sinkings encounters the advanced submarine, the Nautilus, commanded by Captain Nemo.

Kirk Douglas as  Ned Land
James Mason as  Captain Nemo
Paul Lukas as  Prof. Pierre Arronax
Peter Lorre as  Conseil
Robert J. Wilke as  First Mate of the Nautilus
Ted de Corsia as  Capt. Farragut
Carleton Young as  John Howard
J.M. Kerrigan as  Billy
Percy Helton as  Coach Driver
Gloria Pall as  Blonde Girlfriend (uncredited)

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Reviews

Hellen
1954/12/23

I like the storyline of this show,it attract me so much

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Pacionsbo
1954/12/24

Absolutely Fantastic

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Rio Hayward
1954/12/25

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Logan
1954/12/26

By the time the dramatic fireworks start popping off, each one feels earned.

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lasttimeisaw
1954/12/27

Disney's first-ever CinemaScope juggernaut, a handsome adaptation of Jules Verne's classic novel, directed by journeyman Richard Fleischer and won 2 Oscars for its cutting edge special effects and jaw-dropping art direction. The time is in the latter half of 19th century, a trio of outsiders, Prof. Pierre Aronnax (Lukas), his assistant Conseil (Lorre) and an adept harpooner Ned Land (Douglas), after an amidships attack from a "sea monster" destroying their ship, fetches up on the said monster, it turns out to be an iron vessel named the Nautilus, which can submerge under the water (a proto-submarine), commanded by Captain Nemo (Mason). They are held as hostages but Captain Nemo exhibits great willingness to introduce the feather-in-his-cup to Prof. Aronnax, who is utterly astonished and eager to persuade the former to contribute his discovery to benefit the whole world, but Captain has his own concerns.Captain Nemo is a cynical character, a tormented soul, ailed by past terror, he has no faith in humans, after finding his peace in the claustrophobic hull, he adopts a whole self-sustaining mechanism to live completely under the sea with his loyal crew members, the ocean is his treasure trove (although the source of the vessel's propulsion has never been clarified, nuclear energy is tangentially alluded to). Wafting around 20,000 leagues under is no solution to appease his conscience or quench his deep-dish sorrow, that is why he implements those attacks to demolish ships loaded with weaponry or its raw materials, he indeed is a righteously hero, trying to pre-empt war-wrought casualties at the expense of those who are on the assaulted ships, it is a relentless move based on contingency, radical, even somewhat unethical, but it serves as a potent reminder that there is no win-win solution in warfare, it is atrocity in any case, whose corner are you fighting for? Professor Aronnax or Captain Nemo? The film is a sensation to watch not just for its visual innovation (one can find more pleasure in Czech artisan Karel Zeman's THE DEADLY INVENTION if technicalities is your cuppa), the epic squid battle alone is worth your ticket; what one finds engaging, or even refreshing is the story's pervading pessimistic outlook, which is definitely not something one expects from a Disney production, plus James Mason's poignant impersonation of a man plagued by an existential crisis, everything evokes pathos and to some degree, nihilism in the film's unfolding up to the finale, Ned Land is a trouble-maker, and Douglas is overtly concerned with his macho image which only leads to his own disservice (even that hooky ditty WHALE OF A TALE is of little avail at that point); Prof. Aronnax is pedantic, credulous and indecisive, whereas Conseil is a wavering coward who only redemption is his allegiance to Prof. Aronnax. None of the three is worth our sympathy, yet they are the sole survivors, what a disgrace in an otherwise stunning achievement.

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Coventry
1954/12/28

I've never been much of a reader, but I am a giant fan of Jules Verne and I particularly worship his legendary novel "20,000 Leagues under the Sea" … I read every letter of that book with the utmost fascination and the story even becomes more brilliant when you realize that Verne wrote it in 1870; when many of his ideas and designs didn't exist yet and thus were qualified as genuine science fiction. The novel is incredibly intelligent, mature, versatile and convoluted, and thus during reading I also often wondered how unbelievably difficult it must have been to turn this subject matter into a motion picture. The harsh truth is that "20,000 Leagues under the Sea" can't be made into a movie and still remain as powerful as the book; and most definitely not by the Walt Disney corporation! Now, don't get me wrong, I love Disney and many of their (live action) adventure movies belong to my favorites since childhood already (like for example "Island at the top of the World", "The Watcher in the Woods" or "Something Wicked this way Comes"), but the wise and detailed imagination of Jules Verne is too unfathomable even for the most creative scriptwriters and set designers over at Disney Studios. Of course, the film is only a disappointment in case you constantly keep comparing it to the book, what yours truly obviously couldn't stop doing! On itself, I reckon "20,000 Leagues under the Sea" is an exciting and hi-tech (especially for the year 1954) adventure movie with solid performances, Oscar-worthy special effects & set decorations and a handful of sequences that are still enormously spectacular to look at, with the giant squid battle sequences as the obvious highlight! But in case you're an avid fan of the book and practically know it by heart, you'll primarily notice that numerous (and awesome) parts are missing and that relationships between the protagonists are entirely different in the film than in the book. Some of my favorite book chapters that aren't featuring here are the encounter with a school of violent sperm whales, the Nautilus' race against time to navigate underneath thick layers of ice at the South Pole before running out of air and – naturally – the discovery of the lost continent of Atlantis. With regards to the characters, especially Peter Lorre's Conseil underwent a drastic metamorphosis. In the book he's a docile, loyal and obedient apprentice with a fetish for classifying sea creatures, but in the film he's more rebellious and at one point even revolts against his master, Professor Arronax. The performances are definitely stellar, with a beautiful and integer performance from James Mason as Captain Nemo and a charming but stereotypical role for alpha male Kirk Douglas as the singing harpooner Ned Land, who takes his shirt off one too many times.

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Jawbox5
1954/12/29

Jules Verne's classic novel is brought to the big screen here in probably the most well-known and best adaption of the novel. The film notably comes from Disney, which is surprising when you think about it because of how dialogue driven and character driven the film really is. It is impressive how well the film still holds up to this day and that it manages to remain constantly interesting despite little action. The film is still somewhat under-appreciated, whether that is because of Disney's title is unsure because the film still grips and entertains with ease.The story sees the oceans assumed unsafe during the late 1800s as a number of ships have been destroyed by what people are calling a monster. A naturalist professor, his assistant and a whaler join an expedition to unravel the mystery. But when they're vessel is destroyed and they are the only three who survive, the come aboard the 'monster' and realise it is a high-tech submarine run by the highly intelligent Captain Nemo. Nemo is distant to them at first, but slowly allows them to into his ideology. The story is very interesting, the mystery of Nemo's views on life are presented and left for the audience to make judgement on. I really like how the film portrays the four ideologies of these men and lets their views on warfare bounce around, as this is what forms the plots backbone. The film is very story driven so that fact that the plot is this good really helps make the film standout.The four lead actors are what really make the film memorable. All four create engaging people and get their personality traits down perfectly. James Mason is simply superb as the complex and tragic Nemo. He displays Nemo as a man that was far ahead of his time and wounded by how harmful man's actions can be. The fact that he has retired to the sea shows how much he wants to get away from the actions of his fellow humans. Paul Lukas is equally as brilliant in his very calming and touching portrayal of Professor Aronnax. He is one of a few who believes that he can convince Nemo to change his views on humanity and see that there is some good left. Both Mason and Lukas give wonderfully intelligent performances.Kirk Douglas puts his gruff persona and chiselled looks to good use as the vigorous everyday sailor Ned Land. Land's more bombastic attitude and hands on approach brilliantly corresponds those of Nemo and the professor. Peter Lorre is also excellent support as the professor's easily panicked assistant Conseil. Lorre's agitated expressions and nervous delivery are just perfect for the character, as Lorre makes what could have been a forgotten role extremely notable.It is striking at just how well the film holds up and how the visual aspects have hardly dated thanks to expert techniques used. The claustrophobic nature of the Nautilus is the perfect metaphor for how trapped the three men feel at first, whilst the submarine itself is a stunning creation thanks to its Gothic design and colourful scenery. The scenes filmed out at sea and under the oceans waves look very authentic, even the use of blue screen is difficult to notice at times. When the action set pieces do turn up they are very well shot and full of tension. The famous giant squid attack looks very good, thanks to shooting the scene in a storm, and has a lot of excitement. The scene were Ned enters the natives land is also very good thanks to the excellently crafted suspense, you can even forgive the dodgy electricity effects.The dialogue and interactions are another highlight. This is an extremely character driven film after all, the main thing that the film does is to try and have the views of the four leads bounce of each other in order to place them in an interesting dilemma. The three men have difficulty accepting Nemo's views and have trouble working out reasons for his motives. While Ned and Conseil dismiss him as a madman, the professor notes that Nemo does have his reasons as him becomes a confident for the captain. Nemo turns into more of a tragic character as we learn his true motives and this creates a great anti-hero for the audience to decide to agree with or turn away. The more that the professor gets sucked into Nemo's ideology creates the perfect conflict as Ned and Conseil cannot decide what action to take.As said the dialogue is brilliant. I really like how smart it is and how the conversations of the men are always interesting. It also allows us to see through the characters eyes and find out what they are feeling, like with the professor's journal. There are some funny quips such as Lorre claiming that messages in bottles when out with Robinson Crusoe that are well placed throughout. The score from Paul Smith fits in soundly as well. It does sound rather grand and manages to convey the elements of suspense very well. Even Kirk Douglas tune 'Whale of a Tale' is a very enjoyable number.20,000 Leagues might very well be one of the best adventure movies ever made, it is certainly one of Disney's best live action pieces. For such a reserved and dialogue driven film it is amazing how interesting and entertaining it manages to be. That in part is down to the four lead actors who, as said, are all absolutely fantastic jobs. It is also in part to an excellent script and some truly outstanding production design that also help to make the film a masterpiece. 20,000 Leagues is always entertaining, filled with interesting ideas, superb acting and wonderful visuals it is impossible not to find something to enjoy.

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richieandsam
1954/12/30

20,000 LEAGUES UNDER THE SEAI was disappointed with this movie. I did like it, but it was not what I was expecting at all.The movie starts with a town being scared to go out in their boats due to a sea monster that is terrorising the area by destroying ships and sinking them. When a group of sailors go out there looking for the monster they find exactly what they are looking for. The only thing is the monster they have found is not a monster, it is a submarine that is attacking and blowing up ships. 3 people enter the submarine when they find it and get held against their will by the captain as the sub goes on terrorising everyone.The book for this story is a classic novel, but I have never read it. I didn't know much else about this film apart from there was a giant squid in it somewhere. That is the main thing this movie is famous for. So going on that, I was expecting a great fantasy movie full of underwater wonder. Instead I got a submarine prison movie. It is a good story and the movie is good, but the squid just seems little out of place as the rest of the film is just an adventure film and not really fantasy.The effects are not great, but then the film was made in 1954. For it's time the effects are very impressive. The giant squid even looks good. I really like the submarine they used. The design of it looks spooky and goes along very well with everyone thinking it is some kind of monster.The movie is made by Disney so as you can imagine, it has that classic Disney feel to it. You can tell this film is Disney and that is a good thing. I am a Disney fan and love most of their films, but this is nowhere near their best.Kirk Douglas takes the lead as Ned Land. A sailor that goes on the hunt for the dreaded monster. Kirk does a great job and his character is very likable. I can see when he was so popular back in his heyday. James Mason for me is the star of the movie. James plays Captain Nemo, the captain and leader of the mischievous submarine. James plays the character so straight laced and so calm as if he was an evil mastermind. His character made this movie and I think James deserved a lot of praise for this film. Other cast members were Paul Lukas & Peter Lorre. All in all the acting was above par, especially for a classic movie like this where generally there is a lot of over acting. Yes there were a few scenes where the acting was over the top, but not to the extent where it was too much.The film is a lot of fun to watch on a rainy, cold Sunday afternoon but I would not really watch it with the kids. I can imagine them getting pretty bored quickly through it.I will give this film 6 out of 10."The natives over there are cannibals. They eat liars with the same enthusiasm as they eat honest men."For more reviews, please like my Facebook page:https://www.facebook.com/pages/Ordinary-Person-Movie- Reviews/456572047728204?ref=hl

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