Full-throttle melodrama about an ill-starred romance set against the backdrop of the siege of Sarajevo. A mother brings her teenage son to Sarajevo, where his father died in the Bosnian conflict years ago.
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It is a performances centric movie
Am i the only one who thinks........Average?
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
The movie really just wants to entertain people.
I thought this was a beautiful story, but would have been much better told if the at-times unnecessary long-windedness of this first 90 minutes were shortened by at least 15-20 minutes.It's basically a love story that still manages to have its twists near the end, which I won't even hint at to preserve the beauty of the story. It's a story in which the Bosnian War plays a part, in more ways than you may think.The cast is excellent - Penelope Cruz and Emile Hirsch are brilliant as the pair of lovers, united in part by their seemingly obsessive need for a child - part of the film focuses on their efforts in that area. The supporting cast are pretty good as well.I'm not a fan of romantic movies, so perhaps that is why I found it too long. But fans of the genre may find the long-told love story more engaging than I did. For me, the last 20 minutes of the movie is what saves it from being yet another long-winded loves story. I'm sure you'll like it too (the ending at least).
Margaret Mazzantini's very popular novel 'Venuto Al Mundo' (English translation 'brought into the world') has been transformed into a screenplay by the author assisted by the director (her husband) Sergio Castellitto, the film in English is now called TWICE BORN. It is complex story, beautifully sculpted with interlocking flashbacks that cover a 30 year period, photographed with great skill by Gianfilippo Corticelli, and a cast that makes this carefully integrated story of varying timeframes work splendidly. Much of the film's beauty is in the complexity of the manner in which the story develops and revealing too much of that story would spoil the experience for new viewers. Very basically the story relates a mother who brings her teenage son to Sarajevo, where his father died in the Bosnian conflict years ago. But more needs to be added.Italian professor Gemma (Penélope Cruz) visits Sarajevo with her son, Pietro (Pietro Castellitto, son of the writer and director). The two of them had escaped the city sixteen years ago while the boy's father, photographer Diego (Emile Hirsch) remained behind and later died during the Bosnian War. As she tries to repair her relationship with Pietro, Gemma is forced by revelations to face loss, the cost of war and the redemptive power of love. She re-acquaints with her dear friend Gojco (Adnan Haskovic) and together they relive the horrifying experiences of the war in Sarajevo, Gemma's attempt to provide her beloved Diego with a son (she is sterile), the eventual plan to have Diego use musician gypsy-type Aska (Saadet Aksoy) as a surrogate for the couples much desired child, and the consequences that plan takes on, leading to a series of identity crises that the now older Gemma must face with her teenaged son Pietro. The story is structured on alternate scenes from the trip taken in present in Bosnia by Gemma and her son and flashbacks from the two time periods (of the first encounter and the war), a technique that at times is difficult to follow but that definitely enhances the tension of the story.The cast is extraordinary: Penelope Cruz is dazzling, Emile Hirsch gives his most sensitive performance of his career, and Adnan Haskovic, Saadet Aksoy and Luca da Filippo (as Gemma's father) are outstanding. This is a difficult film in message but a profoundly moving drama. Highly Recommended. In English, Italian, and Bosnian. Grady Harp
When watching this film it reminded me a lot of "Incendies". Not only because of the story but also because it was almost as tough to watch. It almost felt too realistic, never giving you a chance to get comfortable. That's what makes this movie exceptional. The acting is top notch, really impressed by the performance of Penelope Cruz and Hirsch. The Make-up makes the age-differences look totally authentic. The Soundtrack also gives the film an extra dramatic feel. Even though it is over 2 hours in length you never feel bored, always keeps you excited.8/10 stars
Amazing acting from Penelope Cruz, she shows the true feelings of being a mother in an ironic sense. A woman's desire for motherhood has been well illustrated! Her facial expressions throughout the movie are emotionally penetrating and make you think about this movie for quite a while. The movie has a perfect story-line. The shifting between present and past is done is professional way so you would connect the events without loosing the line.Watching this movie is like a heart-rending ride, but cinematography and acting are rewarding. The background music faultlessly matches all episodes of the movie. In one word, it's a well-directed and well-acted Italian movie.