A loose remake of “12 Angry Men”, “12” is set in contemporary Moscow where 12 very different men must unanimously decide the fate of a young Chechen accused of murdering his step-father, a Russian army officer. Consigned to a makeshift jury room in a school gymnasium, one by one each man takes center stage to confront, connect, and confess while the accused awaits a verdict and revisits his heartbreaking journey through war in flashbacks.
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Reviews
People are voting emotionally.
Although it has its amusing moments, in eneral the plot does not convince.
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
I miss smart movies like this. No need for cheesy one liners, flashing of boobs. or stupid scenes with stupid dialogue.The film grabs your attention from the start and doesn't let go until the end credit. Doesn't need anything in the middle to keep you still entertained.The film examines human behavior to one another, it explores how each one of has certain personal issues and how those issues affect our social behavior. one of the greatest films ever made 10/10 Wish they would make them again
12 is a remake of the classical 12 Angry Men - Sidney Lumet's ultimate jury drama. What makes Nikita Mikhalkov, a director who never lacked original ideas or Russian scripts take the court drama located in the US of the 50s just out of the McCarthy period era and transplant it with all its 12 characters, with very similar premises and very predictable (at least up to some point) end into the reality of today's Russia? I believe that the intent is explicit and declarative. Russia undergoes now a similar process of transition as the USA in the 50s, and the end is still uncertain. The laws may be already written in the books of laws, the jury system is called in theory to allow for fair trials in which the accused is presumed innocent until l proved guilty, but laws are implemented by humans and humans have limitations and prejudices and they are in a hurry to give a verdict and get back to their lives. As in Lumet's film, it is more the human beings than the system that ensure that justice is eventually done. The responsibility of every man to stand up and express his doubts despite the overwhelming opinion of the other, the right of the minority in a democratic system to have its say despite the apparent rightfulness of the majority are key elements in the Russian film as well as in the original American one. And yet at the same time Mikhalkov's film is very Russian. The mix of characters represents various sectors of today's Russian society and the acting is without exception splendid. National tensions and antisemitism are still part of the landscape, and so are the cultural and even the language sequels of the Communist period. The jurors, all men (why?) address each other inertially with the denomination 'comrades'. Each has the opportunity to tell his story, and the stories describe the background of their personalities, and the motivation of their decision to eventually absolve the innocent. it is however the surprise ending that adds a new dimension to the film. The Chechen youngster wrongly accused of killing his Russian stepfather is acquitted. However, his acquittal may mean just a suspension of a death penalty in the hands of the mafia who are the real responsible of the murder. It takes a rather melodramatic ending to solve this problem, and this interesting addition to the original American story is both unconvincing as story flow but quite eyes-opening. Although the court drama is for almost the whole duration of the film confined inside the walls of the same room it tells a lot about the Russian realities at large.
"In a scene showing a Chechen town the writing on the wall says "Don't shoot. Only women and children here" but only in Russian. In Chechnia all signs like that were written in three languages - Russian, Chechen and Arabic because Middle Eastern mercenaries participating the conflict could not read in Russian. Besides, it's difficult to believe someone would put such a sign and thus indicate there is SOMEONE in there." In Russia EVERYTHING is believable, that's what Nikita Mikhalkov wants to say. This movie is a fiction, don't forget it! But all the stories told in it are possible and the way of thinking of these people may be hard to understand, but it's true. This film is a cut through the Russian Soul and it's great.
This is a masterpiece. The beauty of the film is in its simplicity. Almost the whole thing takes place in a high school gymnasium, around a long table around which the twelve jurors sit. Every performance is superb, including that of the director, who plays the foreman, and Sergei Garmash as the cab driver juror. The screenplay follows the tortuous deliberations, in which every juror has at least one soliloquy. Excellent camera-work and lighting augment the heavy drama.It is more likely in Russia today that twelve whites would end up forming a jury, although less so that no women would be serving. Director Nikita Mikhalkov evidently chose to remain faithful that much to the American movie on which his is based, Twelve Angry Men. One wonders whether it might have been more interesting with women jurors contributing their anguish to the picture, and since this version is simply titled 12, the possibility of including a woman or two (as would be realistic in this day and age) was presumably open. Also, the film is not realistic in the sense that Russia does not have a jury system, therefore this situation would not arise in real life. What Mikhalkov was probably trying to do was to create a morality play, and this he does magnificently. These criticisms are therefore minor. This is a wonderful piece of work.As the film is starting, for those who know Russian, one sees the logo of "Patriotic Films." This may cause groans among those who know more about Russia. Patriotic Russians today seem reactionary and defensive to many Westerners. But Mikhalkov does not dance around the sensitive race issue at the core of the plot, a Chechen boy accused of murdering his stepfather, a Russian military officer, and facing life in prison. Mikhalkov's main interest really is in truth, justice and honesty. The idea of these qualities as components of "patriotism" actually lies at the core of this story, and it is brilliantly executed. By the end, if you can suppress cynicism and believe that this many men of conscience could assemble in one place in Russia today, you will be moved to tears. This is a major achievement.