It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

This film is so real. It treats its characters with so much care and sensitivity.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Exactly the movie you think it is, but not the movie you want it to be.

"Sabrina" is one of the last films of Humphrey Bogart and one of the early films of Audrey Hepburn. Despite the 30 years difference in their ages (54 and 24), their match in this film works mainly because the plot doesn't have them as star-struck lovers. It doesn't even have them as a match, but as almost distant acquaintances until toward the end. The "romance" works as a gradual mature respect and attraction on her part, and letting down one's barriers against a personal life on his part. The film is billed as a comedy, romance and drama. Those who watch this film mostly for the romance may miss something in the drama. For, "Sabrina" clearly is a film about classes, and the very distinct boundaries, especially between employers and servants. And, it shows this as a cultural separation deemed an absolute must amidst the professional servants class as well as among the employers. Sabrina's father, Thomas the chauffeur (played superbly by John Williams), epitomizes this. However, the attention to such class separation is treated here lightly and with some humor. Oddly enough, though, children of servants are regarded somewhat differently among the employers. Although the parents would have them follow in their footsteps, to the employers they are in a sort of free state of their own. At least, that's how it appears in this film. There likely has been so little else paid to such situations – professional servants with families (mostly old European and early American), because so few marry and even fewer have children. The culture being what it is, this film has some nice scenes of the social life of the super wealthy. And of the spoiled children of the wealthy in the playboy David Larrabee (William Holden), and the straight- laced all business caretaker of the family name and fortune, Linus Larrabee, played by Bogart. Hepburn's Sabrina – at least 10 years junior in the film to Holden's character, grows up pining for the handsome, fun- loving, partying David. Her's is a clear example of puppy love, infatuation or a crush. Only when she is sent away to study in Paris (top chef's school to be a cook as was her mother) for two years, does she grow into young womanhood, develop some refinements and become molded to be influenced by maturity and emotions beyond puppy love. But, she still thinks she loves and wants David, and it will take some time for her to change in her ways. Most of the comedy and the drama is in the plot from there on. All of the characters are very good. For the little time he is on screen, Walter Hampden is very funny as Oliver, the retired patriarch of the Larrabee clan. Here are some lines of humor from the dialog. Linus, "You make it sound so vulgar, David, as if the son of the hot dog dynasty were being offered in marriage to the daughter of the mustard king."David, "Just one thing you overlooked. I haven't proposed and she hasn't accepted." Linus, "Oh, don't worry. I proposed and Mr. Tyson accepted." David, "Did you kiss him?"David, "Oh, you make me feel like a heel. If I don't marry Elizabeth, some kid's going to be running around Puerto Rico barefoot with cavities in his teeth."Thomas, "Democracy can be a wickedly unfair thing, Sabrina. Nobody poor was ever called democratic for marrying somebody rich."Oliver, "All columnists should be beaten to a pulp and converted back to paper."

SABRINA is a very sweet, romantic comedy. A typical film of Cinderella, who is pretending to belong to the refined society and capture the rich, beautiful and charming prince. In this case, two ... Prince. One is good-natured, but spoiled womanizer and the other is a workaholic and businessman.This is an extremely funny comedy, which somehow works unconvincing. Love is gentle, but it lacks of sincerity.The film is emphasized by certain forms of irony. The story is fabulous and, fortunately, is not intrusive. The emphasis is on humor, from which permeate some serious romantic scenes. Everything is simple, even predictable. However, therein lies the beauty of this film. The scenario is quite "washed" and definitely could have been better. Characterization is satisfactory. The focus is on the relationship between daughter and father. That relationship really works extraordinarily.Actors are the biggest advantages of this film. I'm not particularly brag acting. Audrey Hepburn as Sabrina Fairchild is naive, enthusiastic and charming girl who wins with her eyes and a smile and simply exudes warmth and tenderness. Ms. Hepburn was a beautiful lady with a lot of style and acting range. Humphrey Bogart as Linus Larrabee is pretty slick and really in this film can be seen ease of his acting. Workaholic stumbles because of true love. It's a little too much for Mr. Bogart. William Holden as David Larrabee is excellent in the role of a spoiled playboy, who in the most important part of the film has to remove the glass from his own ass. It is a simple flaw in the script. Otherwise, I am convinced that we should enjoyed in excellent and very comical love triangle. John Williams as Thomas Fairchild, Sabrina's father is my favorite in the movie, very funny and excellent in his comments relating to the class difference.Well, this is a typical Hollywood comedy with outstanding actors.

And, speaking about actor Humphrey Bogart - Up until now - I had always thought of him as being a cut-above-the-rest. But after reading what went on behind the scenes of this picture - I've now changed my mind about him, totally.And, here's how the story goes - When Bogart found out how gutless his part as Linus Larrabee in this picture was he immediately turned into a big suck, sulking constantly and finding all sorts of ways to come into conflict with director, Billy Wilder, whom he blamed for this.From hurling racist insults at Wilder, to refusing to take his direction - The huge rift that took place between these 2 on the set lasted for the entire duration of Sabrina's production.This isn't the only reason why I gave this picture such a low rating - But it's one of the biggest reasons. And, I now think Bogart is a total ass. I can never watch another one of his pictures without being reminded of how childish he behaved here in this one. As far as I'm concerned, he doesn't deserve the admiration that so many of his fans give him.

it is simple. read the names of director and actors. see few scenes. and the verdict is clear. but Sabrina has the precious gift to be more than a charming story or the stage for the grace, subtle games and seductive acting of Audrey Hepburn. the spell of film is complex and almost touching. because it is a trip across the sensitivity of a period, social differences clash, flavor of modern fairy tale - but not so modern - and the air of dreams about stars, princesses, true love. it has humor and slices of lesson about life, it has a special note and the best director for a delicate subject. because the story of Cinderella is always far to be easy.Audry Hepburn is the star and this is not surprising. but her beauty and shine and fascinating manner to use each nuance of the sides of role is result of the connection with her partners. and this small detail does Sabrina almost perfect.